Harry Potter and the Deathly Hallows: Ch 1

Chapter 1 - The Dark Lord Ascending

• The dedication of this book Is split seven ways: To Neil, To Jessica, To David, To Kenzie, To Di, To Anne, And to you, If you have stuck with Harry until the very end.
• Oh, the torment bred in the race, the grinding scream of death and the stroke that hits the vein, the haemorrhage none can staunch, the grief, the curse no man can bear. But there is a cure in the house and not outside it, no, not from others but from them, their bloody strife. We sing to you, dark gods beneath the earth. Now hear, you blissful powers underground — answer the call, send help. Bless the children, give them triumph now. Aeschylus, The Libation Bearers
• Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal. William Penn, More Fruits of Solitude

Q1 - What do you think of the forward and dedication?

• The drawing room was full of silent people, sitting at a long and ornate table. The room’s usual furniture had been pushed carelessly up against the walls. Illumination came from a roaring fire beneath a handsome marble mantelpiece surmounted by a gilded mirror. Snape and Yaxley lingered for a moment on the threshold. As their eyes grew accustomed to the lack of light, they were drawn upward to the strangest feature of the scene: an apparently unconscious human figure hanging upside down over the table, revolving slowly as if suspended by an invisible rope, and reflected in the mirror and in the bare, polished surface of the table below. None of the people seated underneath this singular sight was looking at it except for a pale young man sitting almost directly below it. He seemed unable to prevent himself from glancing upward every minute or so.

Q2 - What do you think of this scene?

• “Severus, here,” said Voldemort, indicating the seat on his immediate right. “Yaxley — beside Dolohov.” The two men took their allotted places. Most of the eyes around the table followed Snape, and it was to him that Voldemort spoke first. “So?” “My Lord, the Order of the Phoenix intends to move Harry Potter from his current place of safety on Saturday next, at nightfall.” The interest around the table sharpened palpably: Some stiffened, others fidgeted, all gazing at Snape and Voldemort. “Saturday . . . at nightfall,” repeated Voldemort. His red eyes fastened upon Snape’s black ones with such intensity that some of the watchers looked away, apparently fearful that they themselves would be scorched by the ferocity of the gaze. Snape, however, looked calmly back into Voldemort’s face and, after a moment or two, Voldemort’s lipless mouth curved into something like a smile. “Good. Very good. And this information comes —” “— from the source we discussed,” said Snape.

Q3 - What is going on here and who is their source?

• Again, Voldemort looked up at the slowly revolving body as he went on, “I shall attend to the boy in person. There have been too many mistakes where Harry Potter is concerned. Some of them have been my own. That Potter lives is due more to my errors than to his triumphs.”
• “I have been careless, and so have been thwarted by luck and chance, those wreckers of all but the best-laid plans. But I know better now. I understand those things that I did not understand before. I must be the one to kill Harry Potter, and I shall be.”

Q4 - Is Voldemort right here?

• At these words, seemingly in response to them, a sudden wail sounded, a terrible, drawn-out cry of misery and pain. Many of those at the table looked downward, startled, for the sound had seemed to issue from below their feet. “Wormtail,” said Voldemort, with no change in his quiet, thoughtful tone, and without removing his eyes from the revolving body above, “have I not spoken to you about keeping our prisoner quiet?”

Q5 - Who is their prisoner?

• “As I was saying,” continued Voldemort, looking again at the tense faces of his followers, “I understand better now. I shall need, for instance, to borrow a wand from one of you before I go to kill Potter.” The faces around him displayed nothing but shock; he might have announced that he wanted to borrow one of their arms.

Q6 - Why does he need to borrow one of their wands?

• “No higher pleasure,” repeated Voldemort, his head tilted a little to one side as he considered Bellatrix. “That means a great deal, Bellatrix, from you.” Her face flooded with color; her eyes welled with tears of delight. “My Lord knows I speak nothing but the truth!” “No higher pleasure . . . even compared with the happy event that, I hear, has taken place in your family this week?” She stared at him, her lips parted, evidently confused. “I don’t know what you mean, my Lord.” “I’m talking about your niece, Bellatrix. And yours, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.”

Q7 - To Jenn’s point, why do they follow Voldemort?

• “You must prune yours, must you not, to keep it healthy? Cut away those parts that threaten the health of the rest.” “Yes, my Lord,” whispered Bellatrix, and her eyes swam with tears of gratitude again. “At the first chance!” “You shall have it,” said Voldemort. “And in your family, so in the world . . . we shall cut away the canker that infects us until only those of the true blood remain. . . .”

Q8 - Is he talking about killing Lupin and Tonks?

• “For those of you who do not know, we are joined here tonight by Charity Burbage who, until recently, taught at Hogwarts School of Witchcraft and Wizardry.”

Q9 - Did Snape give up his coworker here?

• Nobody laughed this time: There was no mistaking the anger and contempt in Voldemort’s voice. For the third time, Charity Burbage revolved to face Snape. Tears were pouring from her eyes into her hair. Snape looked back at her, quite impassive, as she turned slowly away from him again. “Avada Kedavra.”

Q10 - How evil is this scene?