3: Understanding the thought behind plays that voice their dissent with Sunil Shanbag
Audiogyan18 Tammi 2018

3: Understanding the thought behind plays that voice their dissent with Sunil Shanbag

Today I have Sunil Shanbaug with us on Audiogyan. Sunil is an Indian theatre director, screenwriter and documentary film-maker. He worked as an actor/designer/ assistant director with Satyadev Dubey from 1974 to 1984 on about twenty-five productions. In 1985, he along with his group of friends became one of the founding members and artistic director of ARPANA, a repertory company. This theatre company has been working consistently since its inception, doing an average of fifty performances a year. Its work is characterised by “contemporary and original texts by Indian and international playwrights (in translation), strong performances, minimalist staging, and innovative use of music and design. 1\. How do we define dissent in these times? Why do plays from the times of the Greeks and even Bhasa attract the most number of dissenters? 2\. You have directed plays by Vijay Tendulkar to Mahesh Elkunchwar. And Shafaat Khan to Ramu Ramanathan. What could be the reasons these playwright try to voice controversial topics? 3\. Is experimenting with controversial topics for plays reduced? If yes, why and how has it effected society? If no, then how has it survived? 4\. You are collaborating with young minds at your theatre space Tamasha. What is the role of such a space in our society? 5\. How do you select a play to direct? Was the process different in the seventies and eighties when you worked alongside Satyadev Dubey; to the now? Where you are seen as a thought leader.

Jaksot(306)

34: Understanding Desi-Toys with Swapna Wagh

34: Understanding Desi-Toys with Swapna Wagh

Swapna Wagh is the founder of Desi Toys. Having worked with big organised retail players like Future group and Shoppers Stop in India for more than 8 years, Swapna Wagh started a unique venture called...

1 Loka 201719min

33: Is medium really the message? with Gangadharan Menon

33: Is medium really the message? with Gangadharan Menon

Gangadharan Menon gave up advertising after a successful stint of 28 years, He worked with agencies like Trikaya, Rediffusion, Ogilvy and Mather, Mudra and Chlorophyll and more… He decided to wind up ...

30 Syys 201732min

32: Understanding type design with Shiva Nallaperumal

32: Understanding type design with Shiva Nallaperumal

This episode is brought to you in collaboration with Kultureshop.in About Shiva, Shiva is a Graphic Designer, Type Designer and Illustrator from Chennai, India. He follows a research led, process d...

27 Syys 201730min

31: Nuances of simple design with Sunit Singh

31: Nuances of simple design with Sunit Singh

What does simple design mean? What is lunch and dinner code word? What are important traits of becoming a good designer? How do you become a designer? About Sunit Sunit is a partner & co-founder at...

15 Syys 201714min

30: What it means to be an artist with Aarohi Singh

30: What it means to be an artist with Aarohi Singh

How do you define your canvas? How has that process evolved in years? If your products are one-of-a-kind, how do you define value to it? Can you tell us the power of kitsch when the world is tending...

11 Syys 20171h 7min

29: Understanding stage life characters with Ramu Ramanathan

29: Understanding stage life characters with Ramu Ramanathan

Who or what is an Antagonist and a Protagonist? Do societies define hero, heroins & villains, do hero and villains guide societies or is there an absolute hero and a villain? India is a land where ant...

3 Syys 201742min

28: Understanding voicing and dubbing in a nutshell with Prasad Phanse

28: Understanding voicing and dubbing in a nutshell with Prasad Phanse

What would you say is the most difficult part of being a voice artist? How difficult it is if you make your switch from acting to purely voicing? What are the top 3 things one need to learn to become ...

12 Elo 201720min

27: Fundamental similarities and differences between Hindustani and Carnatic Classical Music

27: Fundamental similarities and differences between Hindustani and Carnatic Classical Music

What are the fundamental similarities and differences between Hindustani and Carnatic Classical Music? Do we have 22 Shrutis in Carnatic Classical music? How are these divided and why are the consider...

11 Elo 20171h 25min

Suosittua kategoriassa Yhteiskunta

olipa-kerran-otsikko
i-dont-like-mondays
sita
siita-on-vaikea-puhua
kaksi-aitia
gogin-ja-janin-maailmanhistoria
uutiscast
poks
antin-palautepalvelu
kolme-kaannekohtaa
aikalisa
yopuolen-tarinoita-2
rss-murhan-anatomia
mamma-mia
rss-nikotellen
meidan-pitais-puhua
rss-haudattu
rss-palmujen-varjoissa
loukussa