5: Exploring Filmosophy with Amrit Gangar
Audiogyan31 Tammi 2018

5: Exploring Filmosophy with Amrit Gangar

Amrit Gangar is an Indian film scholar, historian, critic, curator and writer. He worked for the National Museum of Indian Cinema set up by the Government of Mumbai. Amrit Gangar has been working in the field of cinema in various capacities for over three decades. He has been part of production and creative teams of numerous feature, documentary, short films and video installations by artists from Europe and Scandinavia. For the past several years, he has been engaged with his new theoretical-philosophical concept Cinema of Prayoga or Cinema Prayoga 1\. What has been the role of Mumbai towards cinema since the past one hundred years? 2\. You have recently mentioned that cinema has now being reduced to a commodity. What makes you say that? How do you respond to movies like Court and Fandry? 3\. You have been associated with the film society movement in the seventies and eighties. Can you tell us what are the milestones in this movement? 4\. I would like to quote Mrinal Sen about how his cinema was a way of re-living his childhood days of innocence and fun. Is that possible in this day and age? 5\. If the current trend is of mediocre or commodity driven cinema, there has to be a trend reversal like we had with Saeed Mirza, Kundan Shah or Sham Benegal. What does it take to do that and how can me as a audience spot this change?

Jaksot(306)

26: Epistemology of voice & music - Part 2 with Pt Shrikant Ranade

26: Epistemology of voice & music - Part 2 with Pt Shrikant Ranade

What is the correct way of breathing? What exactly happens when you inhale and exhale? Can you train your body to inhale and exhale correctly and also involuntarily? How to do so? What is Indian & Chi...

4 Elo 20171h 13min

25: Efforts behind effortless acting with Dilip Prabhavalkar

25: Efforts behind effortless acting with Dilip Prabhavalkar

How did you enter this field of acting, writing and direction? What is the role of body in acting? How did you manage to play so many different characters yet making each of them so convincing? What a...

30 Heinä 201739min

24: Understanding Raag Vyawastha with Pt. Chandrakant Limaye

24: Understanding Raag Vyawastha with Pt. Chandrakant Limaye

1. The biggest asset of Hindustani classical is the framework of Raag (Raag Vyawastha). Why do we need this framework and how does it help? 2. How is one raaga’s mood defined? Who defines them? For eg...

25 Heinä 201725min

23: ABCDEF (Epistemology) of voice & music with Shrikant Ranade - Introduction (Marathi)

23: ABCDEF (Epistemology) of voice & music with Shrikant Ranade - Introduction (Marathi)

1. What do you mean by sound, nada or Dhwani? 2. How do we generate voice? 3. What do you mean by correct and incorrect breathing? 4. How can you control voice with help of breathing? 5. Who defined p...

26 Kesä 20171h 4min

22: Understanding motorcycle design with Chetan Shedjale

22: Understanding motorcycle design with Chetan Shedjale

1. What is motorcycle design and how can one get into it? What does one need to learn to become a motorcycle designer? 2. What are the design goals while making a bike? 3. What are stages when you ...

22 Kesä 201739min

21: Part - 1 Understanding 22Shrutis with Dr. Vidyadhar Oke

21: Part - 1 Understanding 22Shrutis with Dr. Vidyadhar Oke

What is a Shruti? Why is it the most important aspect of music? What do we use in our Music, ‘Shrutis’ or ‘Nadas’? How can we practically differentiate between Shrutis and Nadas? How a Raga is formed?...

15 Kesä 201741min

20: Part - 2 Understanding 22Shrutis with Dr. Vidyadhar Oke

20: Part - 2 Understanding 22Shrutis with Dr. Vidyadhar Oke

Introduction and emergence of Harmonium in India and when and how did it come to India or Indian classical music? How can a technically wrong instrument which was banned, be more popular? What exactly...

15 Kesä 201739min

19: Understanding fonts and typefaces with Mahendra Patel

19: Understanding fonts and typefaces with Mahendra Patel

What is a difference between a font-family and a typeface? How does one define / gauge / comment that a particular font is bad and good? For e.g.: Comic sans is considered to be an ugly font. Why? Eve...

8 Kesä 201735min

Suosittua kategoriassa Yhteiskunta

olipa-kerran-otsikko
i-dont-like-mondays
sita
siita-on-vaikea-puhua
kaksi-aitia
gogin-ja-janin-maailmanhistoria
uutiscast
poks
antin-palautepalvelu
kolme-kaannekohtaa
aikalisa
yopuolen-tarinoita-2
rss-murhan-anatomia
mamma-mia
rss-nikotellen
meidan-pitais-puhua
rss-haudattu
rss-palmujen-varjoissa
loukussa