7: Understanding censorship in Marathi plays with Arun Nalawade (Marathi)
Audiogyan14 Helmi 2018

7: Understanding censorship in Marathi plays with Arun Nalawade (Marathi)

Arun Nalawade is an Indian film and theater personality. He works in all 3 types of medium, stage, television and on big screen as well. His serious roles in movies such as “Shawas”, “Carry on Maratha” are appreciated a lot. He was a co-producer of Shwaas: the film that won the Golden Lotus India’s National Film Award for Best Feature Film for the year 2003\. Born and raised in Mumbai, Arun sir started his acting career as a theatre artist and did mostly character roles and is famous for his Marathi Television serials. He is also associated with theatre in a different capacity which is Censorship. He is head of the censor board for Marathi plays in Maharashtra. 1\. What are the parameters of censoring a play? 2\. What are top 3 challenges in front of the censorboard? 3\. With society changing so rapidly, are censorship rules changing with that speed? If not, do you think it required? If yes, can you give few examples? 4\. Creativity means breaking the boundries and censorship means making sure it’s acceptable within the society. How do you manage this? Why are artists and writers always complaining about censorship? 5\. Do you get complaints from lay people about demonstration of wrong things due to linient or no censorship? 6\. What message you would like to give to upcoming writers and directors about restricting or not restricting their work due to censorship practises?

Jaksot(306)

26: Epistemology of voice & music - Part 2 with Pt Shrikant Ranade

26: Epistemology of voice & music - Part 2 with Pt Shrikant Ranade

What is the correct way of breathing? What exactly happens when you inhale and exhale? Can you train your body to inhale and exhale correctly and also involuntarily? How to do so? What is Indian & Chi...

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25: Efforts behind effortless acting with Dilip Prabhavalkar

25: Efforts behind effortless acting with Dilip Prabhavalkar

How did you enter this field of acting, writing and direction? What is the role of body in acting? How did you manage to play so many different characters yet making each of them so convincing? What a...

30 Heinä 201739min

24: Understanding Raag Vyawastha with Pt. Chandrakant Limaye

24: Understanding Raag Vyawastha with Pt. Chandrakant Limaye

1. The biggest asset of Hindustani classical is the framework of Raag (Raag Vyawastha). Why do we need this framework and how does it help? 2. How is one raaga’s mood defined? Who defines them? For eg...

25 Heinä 201725min

23: ABCDEF (Epistemology) of voice & music with Shrikant Ranade - Introduction (Marathi)

23: ABCDEF (Epistemology) of voice & music with Shrikant Ranade - Introduction (Marathi)

1. What do you mean by sound, nada or Dhwani? 2. How do we generate voice? 3. What do you mean by correct and incorrect breathing? 4. How can you control voice with help of breathing? 5. Who defined p...

26 Kesä 20171h 4min

22: Understanding motorcycle design with Chetan Shedjale

22: Understanding motorcycle design with Chetan Shedjale

1. What is motorcycle design and how can one get into it? What does one need to learn to become a motorcycle designer? 2. What are the design goals while making a bike? 3. What are stages when you ...

22 Kesä 201739min

21: Part - 1 Understanding 22Shrutis with Dr. Vidyadhar Oke

21: Part - 1 Understanding 22Shrutis with Dr. Vidyadhar Oke

What is a Shruti? Why is it the most important aspect of music? What do we use in our Music, ‘Shrutis’ or ‘Nadas’? How can we practically differentiate between Shrutis and Nadas? How a Raga is formed?...

15 Kesä 201741min

20: Part - 2 Understanding 22Shrutis with Dr. Vidyadhar Oke

20: Part - 2 Understanding 22Shrutis with Dr. Vidyadhar Oke

Introduction and emergence of Harmonium in India and when and how did it come to India or Indian classical music? How can a technically wrong instrument which was banned, be more popular? What exactly...

15 Kesä 201739min

19: Understanding fonts and typefaces with Mahendra Patel

19: Understanding fonts and typefaces with Mahendra Patel

What is a difference between a font-family and a typeface? How does one define / gauge / comment that a particular font is bad and good? For e.g.: Comic sans is considered to be an ugly font. Why? Eve...

8 Kesä 201735min

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