276 – Otis Brown III: Playing with Esperanza Spalding and Joe Lovano, The New School Environment, Racial Justice in Jazz
Working Drummer2 Heinä 2020

276 – Otis Brown III: Playing with Esperanza Spalding and Joe Lovano, The New School Environment, Racial Justice in Jazz

Otis Brown III is a Grammy-nominated jazz drummer, composer, and recording artist who is a go-to session and touring sideman. He is best-known for his work with Joe Lovano in Us Five, and Esperanza Spalding, though he has been on dozens of sessions and is as noteworthy for backing singers as he is instrumentalists. Brown III was born in Hackensack, New Jersey. His mother was a vocal music teacher and choir director, and his father a school band instructor and noted percussionist who played with Al Green and James Brown. The younger Brown III began his musical studies on alto saxophone at the age of seven under his father’s tutelage, and showed early promise. He played not only in school but in church. After moving to Newark where he attended high school, he played alto in jazz orchestra and snare drum in the marching band, both of which were directed by his dad. Brown III attended Delaware State University where he came under the tutelage and mentorship of jazz trumpeter Donald Byrd, an influence that would prove to be profound. After completing his studies at Delaware State, he earned a scholarship to New School for Jazz and Contemporary Music in New York — his classmates included pianist Robert Glasper, saxophonist John Ellis, vocalist Bilal Oliver, and trumpeter Kenyon Harrold. In New York, Brown III studied with Larry Goldings, Lewis Nash, Horacio “El Negro” Hernandez, Carl Allen, and others.In this episode, Otis talks about Check out Beier Snare’s here – https://www.beierdrums.com In this episode, Otis talks about: * Reconnecting with some of the music that inspired him early on* Growing up the son of musicians and music educators* The accessibility of heroes in New York* His experience at The New School, and his perspective on music education* His thoughts on racial justice in the music world, and how music can and should deliver a message

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434 - Danny Douchette: Managing Forks Drum Closet, The Underground Nature of Metal, Local Events that Connect Musicians

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433 - Mike Dillon: His "Punkadelick" Trio, Rooting the Avant Garde in the Traditional, Making Creativity More Intentional

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Mike Dillon's decades-long career as a vibraphonist, percussionist, and drummer has included work with Ani DiFranco, Les Claypool, Stanton Moore, Rikki Lee Jones, and many others. He has also led band...

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432 - Jon "Ginger" Hamilton: Drumming for Sam Smith, Preparing for the Gig You Want, Touring in the 21st Century

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431 - Tina Raymond: Her New Record, Running a College Jazz Program, Setting Boundaries

431 - Tina Raymond: Her New Record, Running a College Jazz Program, Setting Boundaries

Tina Raymond is an accomplished drummer, composer, bandleader, and educator based in Los Angeles, CA. A unique voice in the contemporary improvised music scene, Raymond blends traditional jazz vocabul...

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430 - Chris DiGirolamo: Two of the Show Media, Diverse Opportunities in the Industry, Responsibilities of a Publicist

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Chris DiGirolamo has been the owner and operator of Two of the Show Media since 2006. Chris started studying drums at the age of five and still performs to this day. From his time at Berklee College o...

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429 - Lucy Ritter: Touring with "Jagged Little Pill," Moving to LA, Followers vs. Relationships on IG

429 - Lucy Ritter: Touring with "Jagged Little Pill," Moving to LA, Followers vs. Relationships on IG

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428 - Jody Stephens: Drumming for Big Star, Those Pretty Wrongs, Ardent Studios and it's Rich History

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427 - Petar Janjic: Hitting His Stride in Nashville with Cory Wong, Uncle Bronco, and More

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