John Fletcher, “Freud and the Scene of Trauma” (Fordham UP, 2013)

John Fletcher, “Freud and the Scene of Trauma” (Fordham UP, 2013)

Putting Freud’s books — not the man but the writings — on the couch, listening closely for the breaks, the retractions, the internal conflicts, the sudden about-faces. John Fletcher, professor of English literature, reads Freud very, very closely. When we view Freud’s work as an unfolding process, the main themes are often not even what Freud himself conceptualized. In Freud and the Scene of Trauma (Fordham University Press, 2013), Fletcher traces how Freud’s thought — including on trauma, seduction, memory, the transference, child development, the death drive — is pulled toward two wildly opposed positions simultaneously: a de-centering of human subjectivity, where the other person with a sexuality and an unconscious acts on us to form the basis of psychical life; and a recoiling, re-centering of the idea of the individual, now seen as sui genris, formed entirely from the inside out. This movement between these two poles is meticulously followed as Freud’s ideas oscillate — often from paragraph to paragraph. The entire spectacle is seen as a sort of enactment of a psychoanalytic conflict where a reaction to the too-muchness of the other is the basis of our formation. 25 lectures from Fletcher’s undergraduate course, which can act as a sort of introduction to his book, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

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Hendrika Freud, “Electra vs Oedipus: The Drama of the Mother-Daughter Relationship” (Routledge, 2010)

Hendrika Freud, “Electra vs Oedipus: The Drama of the Mother-Daughter Relationship” (Routledge, 2010)

Who doesn’t want to know what women want, right? Well, in this interview with Hendrika Freud, we begin to get the idea that women often prefer not to know. As I sit in my private practice, many of my female patients put on a good smoke and mirror show, cloaking desires behind reaction formations, saying they are not angry when indeed they are, and feeling guilty when they venture to articulate what they prefer in bed, for breakfast, or as payment for services rendered. Indeed, when a woman says “no” she does often mean “yes.” In her book Electra vs Oedipus: The Drama of the Mother-Daughter Relationship (Routledge, 2010), Freud explores why being affirmative, embracing one’s desires, can be so vexatious for those deemed female. Finding a way to separate from the one whose gender identity we share, our mother, is a very complicated affair. According to Freud, a mother’s unconscious fantasies regarding her daughter are transmitted at a very young age. If a mother is narcissistically vulnerable, she is more prone to use her daughter as an extension of herself and so to be threatened by her daughter’s expressions of difference. If you have seen Darren Aronofsky’s “Black Swan,” you have witnessed an excellent depiction of how destructive such a set up is for the daughter, leading at its most extreme to florid psychosis. So what do women want? According to Hendrika Freud, “they want a woman with a penis.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

27 Helmi 201157min

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