
Berthe Morisot
Melvyn Bragg and guests discuss one of the influential painters at the heart of the French Impressionist movement: Berthe Morisot (1841-1895). The men in her circle could freely paint in busy bars and public spaces, while Morisot captured the domestic world and found new, daring ways to paint quickly in the open air. Her work shows women as they were, to her: informal, unguarded, and not transformed or distorted for the eyes of men. The image above is one of her few self-portraits, though several portraits of her survive by other artists, chiefly her sister Edma and her brother-in-law Edouard Manet. With Tamar Garb Professor of History of Art at University College LondonLois Oliver Curator at the Royal Academy and Adjunct Professor of Art History at the American University of Notre Dame London.AndClaire Moran Reader in French at Queen's University BelfastProducer: Simon Tillotson
10 Marras 20221h

The Knights Templar
Melvyn Bragg and guests discuss the military order founded around 1119, twenty years after the Crusaders captured Jerusalem. For almost 200 years the Knights Templar were a notable fighting force and financial power in the Crusader States and Western Europe. Their mission was to protect pilgrims in the Holy Land, and they became extremely wealthy yet, as the crusader grip on Jerusalem slipped, their political fortune declined steeply. They were to be persecuted out of existence, with their last grand master burned at the stake in Paris in 1314, and that sudden end has contributed to the strength of the legends that have grown up around them.WithHelen Nicholson Professor of Medieval History at Cardiff UniversityMike Carr Lecturer in Late Medieval History at the University of EdinburghAnd Jonathan Phillips Professor of Crusading History at Royal Holloway, University of LondonProducer: Simon Tillotson
3 Marras 202249min

The Electron
Melvyn Bragg and guests discuss an atomic particle that's become inseparable from modernity. JJ Thomson discovered the electron 125 years ago, so revealing that atoms, supposedly the smallest things, were made of even smaller things. He pictured them inside an atomic ball like a plum pudding, with others later identifying their place outside the nucleus - and it is their location on the outer limit that has helped scientists learn so much about electrons and with electrons. We can use electrons to reveal the secrets of other particles and, while electricity exists whether we understand electrons or not, the applications of electricity and electrons grow as our knowledge grows. Many questions, though, remain unanswered.With Victoria Martin Professor of Collider Physics at the University of EdinburghHarry Cliff Research Fellow in Particle Physics at the University of CambridgeAndFrank Close Professor Emeritus of Theoretical Physics and Fellow Emeritus at Exeter College at the University of OxfordProducer: Simon Tillotson
27 Loka 202249min

Plato's Atlantis
Melvyn Bragg and guests discuss Plato's account of the once great island of Atlantis out to the west, beyond the world known to his fellow Athenians, and why it disappeared many thousands of years before his time. There are no sources for this story other than Plato, and he tells it across two of his works, the Timaeus and the Critias, tantalizing his readers with evidence that it is true and clues that it is a fantasy. Atlantis, for Plato, is a way to explore what an ideal republic really is, and whether Athens could be (or ever was) one; to European travellers in the Renaissance, though, his story reflected their own encounters with distant lands, previously unknown to them, spurring generations of explorers to scour the oceans and in the hope of finding a lost world.The image above is from an engraving of the legendary island of Atlantis after a description by Athanasius Kircher (1602-1680).With Edith Hall Professor of Classics at Durham UniversityChristopher Gill Emeritus Professor of Ancient Thought at the University of ExeterAndAngie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldProducer: Simon Tillotson
20 Loka 202254min

Nineteen Eighty-Four
Melvyn Bragg and guests discuss George Orwell's (1903-1950) final novel, published in 1949, set in a dystopian London which is now found in Airstrip One, part of the totalitarian superstate of Oceania which is always at war and where the protagonist, Winston Smith, works at the Ministry of Truth as a rewriter of history: 'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.' The influence of Orwell's novel is immeasurable, highlighting threats to personal freedom with concepts he named such as doublespeak, thoughtcrime, Room 101, Big Brother, memory hole and thought police.With David Dwan Professor of English Literature and Intellectual History at the University of OxfordLisa Mullen Teaching Associate in Modern Contemporary Literature at the University of CambridgeAndJohn Bowen Professor of English Literature at the University of YorkProducer: Simon Tillotson
13 Loka 202252min

John Bull
Melvyn Bragg and guests discuss the origin of this personification of the English everyman and his development as both British and Britain in the following centuries. He first appeared along with Lewis Baboon (French) and Nicholas Frog (Dutch) in 1712 in a pamphlet that satirised the funding of the War of the Spanish Succession. The author was John Arbuthnot (1667-1735), a Scottish doctor and satirist who was part of the circle of Swift and Pope, and his John Bull was the English voter, overwhelmed by taxes that went not so much into the war itself but into the pockets of its financiers. For the next two centuries, Arbuthnot’s John Bull was a gift for cartoonists and satirists, especially when they wanted to ridicule British governments for taking advantage of the people’s patriotism. The image above is by William Charles, a Scottish engraver who emigrated to the United States, and dates from 1814 during the Anglo-American War of 1812. WithJudith Hawley Professor of 18th Century Literature at Royal Holloway, University of LondonMiles Taylor Professor of British History and Society at Humboldt, University of BerlinAndMark Knights Professor of History at the University of WarwickProducer: Simon Tillotson
28 Heinä 202253min

Angkor Wat
Melvyn Bragg and guests discuss the largest and arguably the most astonishing religious structure on Earth, built for Suryavarman II in the 12th Century in modern-day Cambodia. It is said to have more stone in it than the Great Pyramid of Giza, and much of the surface is intricately carved and remarkably well preserved. For the last 900 years Angkor Wat has been a centre of religion, whether Hinduism, Buddhism or Animism or a combination of those, and a source of wonder to Cambodians and visitors from around the world.WithPiphal Heng Postdoctoral scholar at the Cotsen Institute and the Programme for Early Modern Southeast Asia at UCLAAshley Thompson Hiram W Woodward Chair of Southeast Asian Art at SOAS University of LondonAndSimon Warrack A stone conservator who has worked extensively at Angkor WatProducer: Simon Tillotson
21 Heinä 202249min

Dylan Thomas
Melvyn Bragg and guests discuss the celebrated Welsh poet, Dylan Thomas (1914 - 1953). He wrote some of his best poems before he was twenty in the first half of his short, remarkable life, and was prolific in the second half too with poems such as those set in London under the Blitz and reworkings of his childhood in Swansea, and his famous radio play Under Milk Wood (performed after his death). He was read widely and widely heard: with his reading tours in America and recordings of his works that sold in their hundreds of thousands after his death, he is credited with reviving the act of poetry as performance in the 20th century.WithNerys Williams Associate Professor of Poetry and Poetics at University College DublinJohn Goodby Professor of Arts and Culture at Sheffield Hallam UniversityAndLeo Mellor The Roma Gill Fellow in English at Murray Edwards College, University of CambridgeProducer: Simon Tillotson
14 Heinä 202250min





















