206 – John Bryant: The Dallas Scene, Playing with Ray Charles, Teaching Drums and Production, Musical Partnership with Stewart Copeland
Working Drummer21 Helmi 2019

206 – John Bryant: The Dallas Scene, Playing with Ray Charles, Teaching Drums and Production, Musical Partnership with Stewart Copeland

John Bryant is a drummer, percussionist, composer, educator, and music producer residing and working in Dallas, Texas. Originally from Virginia, he moved to Dallas and majored in music at the University of North Texas, where he performed and recorded with the One O’Clock Lab Band. He has recorded and/or performed with numerous artists including Ray Charles, Delbert McClinton, Joe Walsh, Lightnin’ Hopkins, the Paul Winter Consort, and Doc Severinsen. Bryant has played, composed and produced music for many different types of projects that include regional artists, touring shows, major motion pictures, and documentary films for PBS and National Geographic. His latest project is playing and co-producing for a new record with Glen Clark, a hit singer/songwriter and veteran of Bonnie Raitt and Delbert McClinton. Bryant is a founding member of the world music percussion group D’Drum, and acted as producer of the group’s collaboration with composer and Rock and Roll Hall of Fame drummer Stewart Copeland and the Dallas Symphony on the world premiere of Gamelan D’Drum, a three-movement concerto commissioned for D’Drum. Bryant has recorded across the country in some of the most important recording studios pivotal to the history of American popular music. These include A & R / Columbia Studios in New York with Phil Ramone, RPM Studios with Ray Charles, and Sound Castle Studios in Los Angeles, Criteria Studios in Miami, The Automatt in San Francisco, Fame Studios in Muscle Shoals, Ardent Recording in Memphis, Arlyn Studios in Austin, and most every recording studio in the Dallas/Fort Worth area. In this podcast, John talks about: * The pros and cons of the Dallas scene, and what keeps him and other working musicians there * Leaving school in the middle of his last semester to join the Paul Winter Consort * How living and working in Dallas helped him get the gig with Ray Charles * Dallas’s role in the jingle recording industry * Teaching drumset and music production at Southern Methodist University, and the role of listening in both * One of the keys to nailing a style: the balance or “EQ” between the voices of the drumset in that style * Practicing for coordination/ideas vs. practicing for sound/touch * Playing with Ray Charles, and his experience as a white musician in that predominantly black band * His long friendship and musical partnership with Stewart Copeland BBC SERIES: HISTORY OF DRUMSET WITH STEWART COPELAND HISTORY OF THE BASS WITH TINA WAYMOUTH HISTORY OF GUITAR WITH LENNY KAYE

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460 - Miles Stone: Drumming for Cody Johnson, Balancing Life at Home and on the Road, Getting the Big Gig

460 - Miles Stone: Drumming for Cody Johnson, Balancing Life at Home and on the Road, Getting the Big Gig

Hailing the small south Texas town of Poth, Miles was destined to drum. His mama felt him moving to the music before he was even born. At three years old he sat behind his first drum kit, and by age 5 he was banging out some version of "Under The Bridge" by TheRed Hot Chili Peppers. In junior high he joined the school band and began to study percussion formally. From marching band to snare drum solos, Miles took any and every drumming opportunity. He turned that into an affinity for marching, and a gold metal for every snare drum solo he ever played while in school, from a Junior High level solo all the way to "Africa Hot" by John Wooton. Along with other members of the high school drumline, this quickly let to garage bands. I was clear that drumming and taken a strong hold on Miles. After high school, he headed for College Station and Texas A&M University, and he certainly didn't leave his drums behind. While earning a BS in Horticulture, Miles spent time playing in around Texas and surrounding states with a few bands. During that time he made friends with Cody Johnson. Fast forward a few years, Cody asked Miles to come on the road with him as his permanent drummer, which he has been for at least 10 years now. When he isn't out on the road with the Cody and The Rockin' CJB, Miles enjoys spending time with his wife Samantha, their son Noah & their daughter Riley, watching football, woodworking, hunting and fishing. In this episode, Miles talks about:    Playing a sold out show at Bridgestone arena in Nashville    Balancing life at home and life on the road    Key components to getting the big gigs    Establishing trust with the artist/band/singer    Drumming for Cody Johnson    Recording for Cody in Nashville studios    Bringing your live energy to a recording session

14 Maalis 20241h 25min

459 - Obed Calvaire: Playing with Wynton Marsalis & The Jazz at Lincoln Center Orchestra, Commemorating Max Roach, Expressing His Hatian Heritage on His New Record

459 - Obed Calvaire: Playing with Wynton Marsalis & The Jazz at Lincoln Center Orchestra, Commemorating Max Roach, Expressing His Hatian Heritage on His New Record

Since 2021, Obed Calvaire has been in the drum chair for Wynton Marsalis and the Jazz At Lincoln Center Orchestra, with whom he recently curated and directed a series of concerts celebrating the centennial of the great Max Roach. His New York jazz career spans over two decades and includes jazz legends such as Dave Holland, Kurt Rosenwinkle, The Mingus Big Band, Joshua Redman and many others. His new album, “150 Million Gold Francs” will be released April 12th and draws heavily on his Haitian heritage.

7 Maalis 20241h 5min

458 - Richard Martinez: The Wilson/Spivack Method, Adapting to the Ever Changing L.A. Scene

458 - Richard Martinez: The Wilson/Spivack Method, Adapting to the Ever Changing L.A. Scene

Richard Martinez grew up in Los Angeles, CA and has performed around the world. He has studied privately with Chuck Flores, Larry Troxel, and for 12 years with Richard Wilson. Richard’s television credits include The Dolly Parton Show, Baywatch Nights, The Joan Rivers Show, and Seinfeld. He has performed with Sam Harris, Keb’ Mo, Allen Frew and with Tony Award winners Linda Hopkins, Betty Buckley, Bebe Neuwirth & Roger Rees. He has recorded with Julian Lennon, Mighty Mo Rodgers, Christoph Bull and with Grammy Award winners Dan Hill, John Jones, and Rick Nowels. He has also written four articles for Modern Drummer’s Strictly Technique section. In this episode, Richard talks about:    Working with a conductor    Opportunities for performance in the non-profit world    Adapting to the ever changing L.A. scene    How Richard Wilson changed his life    The Wilson/Spivack method    The practice pad: a rarified environment https://www.youtube.com/channel/UCHg598jGIStR8y5gDV_w4ZQ

29 Helmi 20241h 32min

457 - Dave Elitch: His New Course (Not Just for Drummers), Avoiding Compartmentalization, Good vs. Better (Not Right vs. Wrong)

457 - Dave Elitch: His New Course (Not Just for Drummers), Avoiding Compartmentalization, Good vs. Better (Not Right vs. Wrong)

Dave has been teaching privately for over 20 years and has developed a reputation as the technique/body mechanic specialist for drum set. He has helped many of the world's best players as well as top educators "get out of their own way" by being as efficient as possible in regards to conservation of motion and energy. He has toured and/or recorded with Weezer, Miley Cyrus, Justin Timberlake, The Mars Volta, and many others. The importance and benefits of a full-body warm-up How to literally cool down after playing What “mobility” means from a fitness and drumming perspective Why compartmentalization is usually bad thing, in fitness and music The importance of strength training in addition to body work Creative development alongside physical development His take on the role of rudiments in modern drumming

22 Helmi 20241h 25min

456 - Emmanuel “E-MAN” Cervantes: Inspiring the Next Generation, Drumming for Andy Grammer, Creating a Loop Library

456 - Emmanuel “E-MAN” Cervantes: Inspiring the Next Generation, Drumming for Andy Grammer, Creating a Loop Library

Emmanuel “E-MAN” Cervantes is a Los Angeles based drummer who discovered his calling when he first picked up a pair of drumsticks at age three and later booked his first major studio session at the age of 12. E-MAN is currently touring with pop singer Andy Grammer. He has had the privilege to work with a wide range of artists such as Gwen Stefani, Lukas Nelson, Cody Simpson, Cameron Rafati, Elan, Son of Levi, Tyrone Wells and many more. EMAN played on a record with Joseph Williams, who is the singer of Toto, who enlisted some of his band mates to also play on that record like Steve Lukather. He’s made multiple appearances on TV shows that include SNL, The Today Show, The Tonight Show with Jay Leno, Ellen DeGeneres Show, David Letterman and Americas Got Talent. In this episode, Emmanuel “E-MAN” Cervantes talks about:    Inspiring the next generation to find their own voice    Lessons learned through home recording    What he’s learned from his brother the engineer    Working with pop singer Andy Grammar    Bringing your best self to every gig/rehearsal    Creating opportunities for yourself    Creating a loop package “Drum Away Loops”    Being at peace with what the future holds

15 Helmi 20241h 32min

455 - Rob Perkins: From Touring Drummer to Music Contractor, The Best Ways to Say Yes and No, Studying with Ndugu Chancler, "You're In the People Business"

455 - Rob Perkins: From Touring Drummer to Music Contractor, The Best Ways to Say Yes and No, Studying with Ndugu Chancler, "You're In the People Business"

How he got into the booking game through the USC music school as a freshman Struggling with the decision to ramp down performing/touring and ramp up booking Seeing the opportunity to improve stability in live music Bridging the gaps and establishing trust between musicians and the people who hire them How to make the most out of a $50 gig offer, no matter where you are in your career Making your interactions about the relationship first and the gig second Studying with Ndugu Chancler Michael Carvin, and Terri Lynn Carrington

8 Helmi 20241h 23min

454 - Matt Iceman: Working with David Nail, Home Recording Techniques, Expanding Your Skillset

454 - Matt Iceman: Working with David Nail, Home Recording Techniques, Expanding Your Skillset

Matt Iceman is currently the touring drummer and band leader with Grammy nominated country artist David Nail. He has toured/performed/recorded in the past with artists such as Eric Paslay, Francesca Battistelli, Shelly Fairchild, Lizzy McAvoy, Timothy Paul, T.J. Hitt and Tom Schreck, and bands such as BlackJack Billy, Spyderwulf, The Chris Weaver Band, and Liquid Earth. In this episode, Matt talks about:    What he’s been up to since we last spoke in 2015    New responsibilities as band leader for his gig with David Nail    Building a clientele for home studio recording    Home recording techniques    Hanging out with Shannon Forrest and lessons learned    Seeking out lessons and new ways to grow

1 Helmi 20241h 55min

453 - Davide DiRenzo: Working with Larry Klein, Staying Open When Collaborating, The Conundrum of In-Ears

453 - Davide DiRenzo: Working with Larry Klein, Staying Open When Collaborating, The Conundrum of In-Ears

Davide DiRenzo is one of the most versatile and in-demand drummers in Canada, with an equally strong profile in the jazz, rock, pop and R&B scenes coast-to-coast and beyond. With years of studio experience under his belt working with some of the world’s top artists, Davide is now also working as a producer out of his home studio (Studio 86) in Toronto, Ontario. From there, he also records and sends drum tracks to artists and producers all over the globe. Davide has performed and recorded extensively around the world with a wide range of artists including two time Grammy award-winning Cassandra Wilson. Other acts he’s performed and recorded with include Chaka Khan, Mariah Carey, Holly Cole, Feist, Kevin Breit, and just recently recorded and co-wrote three songs on Molly Johnson’s new album, “Meaning To Tell You” where he had the pleasure of working with multi grammy award-winning and internationally celebrated producer/musician, Larry Klein.  He has won six Juno awards to date, including two in 2007: one as a member of jackSoul (Best R&B Recording) and one as a band member with Tomi Swick (Best New Artist). He also received a National Jazz Award nomination the same year for Jazz Drummer of the Year.   In this episode, Davide talks about: How he creates dialogue with audio engineers  Deciding how many options to provide in terms of mics/tracks How in-ears have affected how we experience our own playing Finding the volume where your drums and cymbals start sounding bad Working with producer Larry Klein on Molly Johnson’s record I Been Meanin’ to Tell Ya Submitting to the collaborative process and letting go of some control Collaborative producers vs. impresario producers

25 Tammi 20241h 29min

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