206 – John Bryant: The Dallas Scene, Playing with Ray Charles, Teaching Drums and Production, Musical Partnership with Stewart Copeland
Working Drummer21 Helmi 2019

206 – John Bryant: The Dallas Scene, Playing with Ray Charles, Teaching Drums and Production, Musical Partnership with Stewart Copeland

John Bryant is a drummer, percussionist, composer, educator, and music producer residing and working in Dallas, Texas. Originally from Virginia, he moved to Dallas and majored in music at the University of North Texas, where he performed and recorded with the One O’Clock Lab Band. He has recorded and/or performed with numerous artists including Ray Charles, Delbert McClinton, Joe Walsh, Lightnin’ Hopkins, the Paul Winter Consort, and Doc Severinsen. Bryant has played, composed and produced music for many different types of projects that include regional artists, touring shows, major motion pictures, and documentary films for PBS and National Geographic. His latest project is playing and co-producing for a new record with Glen Clark, a hit singer/songwriter and veteran of Bonnie Raitt and Delbert McClinton. Bryant is a founding member of the world music percussion group D’Drum, and acted as producer of the group’s collaboration with composer and Rock and Roll Hall of Fame drummer Stewart Copeland and the Dallas Symphony on the world premiere of Gamelan D’Drum, a three-movement concerto commissioned for D’Drum. Bryant has recorded across the country in some of the most important recording studios pivotal to the history of American popular music. These include A & R / Columbia Studios in New York with Phil Ramone, RPM Studios with Ray Charles, and Sound Castle Studios in Los Angeles, Criteria Studios in Miami, The Automatt in San Francisco, Fame Studios in Muscle Shoals, Ardent Recording in Memphis, Arlyn Studios in Austin, and most every recording studio in the Dallas/Fort Worth area. In this podcast, John talks about: * The pros and cons of the Dallas scene, and what keeps him and other working musicians there * Leaving school in the middle of his last semester to join the Paul Winter Consort * How living and working in Dallas helped him get the gig with Ray Charles * Dallas’s role in the jingle recording industry * Teaching drumset and music production at Southern Methodist University, and the role of listening in both * One of the keys to nailing a style: the balance or “EQ” between the voices of the drumset in that style * Practicing for coordination/ideas vs. practicing for sound/touch * Playing with Ray Charles, and his experience as a white musician in that predominantly black band * His long friendship and musical partnership with Stewart Copeland BBC SERIES: HISTORY OF DRUMSET WITH STEWART COPELAND HISTORY OF THE BASS WITH TINA WAYMOUTH HISTORY OF GUITAR WITH LENNY KAYE

Jaksot(549)

237 – Louis Newsome: A Unique Weekly Steady, “Renewing Your Mind,” Changing Grip to Change His Sound

237 – Louis Newsome: A Unique Weekly Steady, “Renewing Your Mind,” Changing Grip to Change His Sound

Louis Newsome moved to Atlanta in 2012. In addition to church gigs in Atlanta, his bread and butter has been a weekly Thursday steady at Suite Lounge, where he is part of a house band backing a different touring artist every week. Highlights of the long list of artists he’s played with in this capacity include Nathan East, Jeff Lorber, and Keiko Matsui. Louis spent the first part of his career working the triangle of Toledo, Cleveland, and Detroit, and got extensive touring and recording experience with Dwele, Ledisi, Chubby Checker, and many others. Recently been a recurring featured guest in tribute shows to Vinnie Colaiuta and Dave Weckl, and performed with Sheila E. at the 100 Black Men of America Conference in Las Vegas. In this episode, Louis talks about: * His weekly gig at Suite Lounge, and the business model of a house band vs. a touring band* Time management – how to adequately prepare for whatever an artist is throwing at him that week* Being able to anticipate an artist’s needs/tendencies just by hearing their music and looking at their charts* Boredom vs. burnout* How the responsibilities of preparing for a one-off are the same as preparing for what could be a long-term gig* What brought him to Atlanta* The concept of “renewing your mind” in music and life* Why he switched to traditional grip after years of playing matched* “Play That Record Right”

26 Syys 20191h 35min

236 – Jerry Marotta: Working with Peter Gabriel and the Influence on Jerry’s Approach to Music, New Record with Tony Levin & Phil Keaggy

236 – Jerry Marotta: Working with Peter Gabriel and the Influence on Jerry’s Approach to Music, New Record with Tony Levin & Phil Keaggy

Following on the heals of his older brother Rick, Jerry Marotta jumped right into the music scene at a very young age finishing high school a year early and hitting the road with a band with a top 40 hit. For the next three decades Jerry divided his time between recording and touring with Peter Gabriel, Daryl Hall and John Oates, Tears for Fears, Indigo Girls, Paul McCartney, Sarah McLachlan, John Mayer and countless others. Jerry is currently dividing his time between recording and touring and managing two studios: DREAMLAND and JERSVILLE. When not in the studio, Jerry is spreading his time between The Marotta Brothers Band (with Rick), The Fragile Fate with Rupert Greenall – from The Fixx, Flav Martin, Security Project with Trey Gunn, Reelin’ in the Years, and Annie & The Hedonists. Jerry’s latest recording project is called The Bucket List that features Phil Keaggy and Tony Levin. In this episode, Jerry talks about:  * His first major gigs as a teenager including drumming for Orleans* The new record with Tony Levin & Phil Keaggy – The Bucket List* Working with Peter Gabriel * Peter’s use of technology and the challenges inherent * The influence that Peter had on Jerry’s approach to music * Jerry’s current projects

19 Syys 20191h 36min

235 – Jason “JT” Thomas: Playing with Snarky Puppy and FORQ, “Phrase-Based” Soloing, Memories of Roy Hargrove

235 – Jason “JT” Thomas: Playing with Snarky Puppy and FORQ, “Phrase-Based” Soloing, Memories of Roy Hargrove

Jason “JT” Thomas, is a drummer/producer/singer/writer in high demand for both live and studio work for an array of artists such as Snarky Puppy, Phillip Phillips, CeCe Winans, Fred Hammond, Forq, and many others. JT’s high level of preparation for each artist he works with, along with being a consummate professional on and off stage, is what continues to keep him busy performing on stages and in studios all across the world. He is currently touring with Snarky Puppy and FORQ, and maintains a presence in his hometown of Dallas, where he plays with the Daystar Christian TV Network and various and corporate groups when not on the road. In this episode, JT talks about * The current lineups of FORQ and Snarky Puppy* Why he prefers to live in Dallas, even though he works in New York frequently* His friendship with Keith Carlock* How playing covers with corporate bands improved his jazz playing * Taking EVERY gig seriously as a craftsman – playing a cover song as if you’re playing with that artist* His “phrase-based” approach to soloing * Playing with bassist Kevin Scott* Playing with Roy Hargrove, and the reflections he’s had on Hargrove’s legacy and influence since his death in 2018 JT endorses Yamaha Drums, Vic Firth Sticks, Meinl Cymbals/Percussion, Evans Drumheads, Big Fat Snare Drum, and Lowboy Beaters.

12 Syys 20191h 28min

234 – Michael Grando: Drumming for Joe Diffie, 	The Value of Honesty and Reliability in the Music Business, Working with a Click

234 – Michael Grando: Drumming for Joe Diffie, The Value of Honesty and Reliability in the Music Business, Working with a Click

For several years, Michael Grando held the drum chair for national recording artist Chris Knight. He appeared on both his “Heart of Stone” album, produced by Dan Baird formerly of the Georgia Satellites (2008) and on Chris’ 2012 release titled “Little Victories” which was produced by Grammy award-winner Ray Kennedy and featured performances by Buddy Miller and John Prine. After seven years, two critically acclaimed records and countless live performances, Michael left Chris Knight in order to pursue new projects. In the spring of 2013, Michael joined multi-platinum recording artist Joe Diffie. Michael has performed and/or recorded with a very diverse group of artists including such names as, Charlie Daniels, Jason Aldean, Dan Baird, Todd Snider, Warner E Hodges (Jason and the Scorchers), Bomshel, Cowboy Troy, Mike Aiken, Austin Cunningham, Shawn Mullins, Kristen Hall, Francine Reed, Col. Bruce Hampton,”Big Bill” Morganfield, Blueground Undergrass, and many many more. In this episode, Michael talks about:  * Drumming for Joe Diffie* Making his way to Nashville from New York via Atlanta * The value of honesty and reliability in the music business * Working with Dan Baird in the studio* Developing a healthy relationship with the click* Moving from your hometown to a music town

5 Syys 20191h 18min

233 – Brendan Buckley: 20 Years with Shakira, Touring with International Artists, Preparing with No Expectations

233 – Brendan Buckley: 20 Years with Shakira, Touring with International Artists, Preparing with No Expectations

Brendan Buckley is best known for touring and recording with Shakira. He grew up in New Jersey and attended the University of Miami. In 2004, Buckley moved out west to Los Angeles and has since amassed an impressive pop resume that includes Miley Cyrus, Tegan & Sara, Leehom Wang, Perry Farrell and many, MANY others. In this episode, Brendan talks about: * Why LA is a good home base for him and why he moved there in the first place* Extroverts vs. introverts in the music world* Why image is important, but not in the way we think * Spending his college years exploring the many directions the Miami music scene had to offer * Approaching his career path with openness to possibility rather than specific goals * His long tenure with Shakira, and the schedule management and negotiating skills required to fill the gaps* What he covered in his recent clinic at Musicians Institute in LA * Good enough vs. better than it has to be Brendan Buckley endorses DW drums, Vic Firth drumsticks, Remo drumheads, Sabian cymbals, and Roland electronics.

29 Elo 20191h 12min

232 – Todd Sucherman: Drumming for Styx, The Importance of a Relaxed Grip, Applying Complex Ideas

232 – Todd Sucherman: Drumming for Styx, The Importance of a Relaxed Grip, Applying Complex Ideas

Todd Sucherman is one of the most in-demand drummers on the planet. In addition to a 20+ year tenure with the legendary rock band Styx, Sucherman is a leading clinician and session artist. In 2018, the readers of Modern Drummer magazine named him “#1 Progressive Rock Drummer” plus”#1 Recorded Performance” for “The Mission” (Styx). His Methods and Mechanics instructional DVD series has won multiple awards. Read more about Todd here. In this episode, Todd talks about: * The importance of a relaxed grip* His set up and the logic behind it* Application of complex ideas on the gig* His time studying with Gary Chaffee* Being an ambassador for education* His experiences with Styx* Recording process with the 2017 Styx record, The Mission Todd Endorses: Pearl Drums, Promark Sticks, Sabian Cymbals, Remo Drumheads, Carmichael Thrones and Audio Mics

22 Elo 20191h 35min

231 – Larry Wilson: Constructing a Career and Creating a Life in Atlanta

231 – Larry Wilson: Constructing a Career and Creating a Life in Atlanta

Larry Wilson grew up in Jacksonville, FL and studied music at Florida State in Tallahassee with Leon Anderson. He moved his young family to Atlanta in the fall of 2017 and has gotten busy with a variety of Gospel, R&B, and jazz artists, as well as hosting what has quickly become one of the city’s most popular weekly jam sessions. He has recently released a jazz album called Our Thing, a tribute to the music of saxophonist Joe Henderson. He also hosts a monthly live stream called “Jazz for Lunch” on Instagram and Facebook. In this episode, Larry talks about * The weekly jam at Ten ATL and how he became its de facto host* His experience at Florida State and its growing reputation* The concept of apprenticeship in music* Having his sites set on New York, but deciding against it in favor of Atlanta* Constantly tweaking his set up to play games with himself and explore* Blending the physicality of gospel drumming with the phrasing and nuance of jazz and classical music* Getting in on the beginning of what he feels is a boom in Atlanta

15 Elo 20191h 10min

230 – Jim Rupp: Owner of Columbus Pro Percussion, Drumming with the Woody Herman Orchestra,  Teaching in the Information Age

230 – Jim Rupp: Owner of Columbus Pro Percussion, Drumming with the Woody Herman Orchestra, Teaching in the Information Age

Jim Rupp has done extensive touring with the bands of Woody Herman, Maynard Ferguson, and Glenn Miller. Jim spent close to ten years with Grammy Award-winning jazz singer Diane Schuur, and has also performed and toured with artists such as Ray Charles, Tony Bennett, Joe Lavano, Hank Marr, Buddy DeFranco, Maria Schneider, Clark Terry, Joe Williams, Rosemary Clooney, John Fedchock, Natalie Cole, the Cleveland and Columbus Jazz Orchestras, and the Smithsonian Masterworks Jazz Orchestra. These touring credits, plus his educational background, have prepared him well for clinics and performances at colleges and high schools around the country. He has given workshops at the Percussive Arts Society International Convention and the International Association of Jazz Educators Conference. In this capacity he is a clinician for Noble and Cooley drums, Zildjian cymbals, Pro Mark drumsticks, and Remo drumheads.  As a teacher, Jim has taught at Indiana University and the University of Michigan, as well as his current appointment at The Ohio State University. He is also the co-author of an acclaimed drum set method book, “Baby Steps to Giant Steps”. Jim is currently First Vice President of the Percussive Arts Society and is a past chair of the drum set committee for the PAS. He was also a board member of NAMM, the International Music Products Association.  He also founded, and is president of Columbus Pro Percussion Inc, one of the countries largest and most respected percussion specialty stores. In this episode, Jim talks about: * His teaching approach * Working with the Woody Herman Orchestra * The mental aspects of performing* Teaching in the information age * The challenges of getting backline for jazz gigs* The history of Columbus Pro Percussion

8 Elo 20191h 11min

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