206 – John Bryant: The Dallas Scene, Playing with Ray Charles, Teaching Drums and Production, Musical Partnership with Stewart Copeland
Working Drummer21 Helmi 2019

206 – John Bryant: The Dallas Scene, Playing with Ray Charles, Teaching Drums and Production, Musical Partnership with Stewart Copeland

John Bryant is a drummer, percussionist, composer, educator, and music producer residing and working in Dallas, Texas. Originally from Virginia, he moved to Dallas and majored in music at the University of North Texas, where he performed and recorded with the One O’Clock Lab Band. He has recorded and/or performed with numerous artists including Ray Charles, Delbert McClinton, Joe Walsh, Lightnin’ Hopkins, the Paul Winter Consort, and Doc Severinsen. Bryant has played, composed and produced music for many different types of projects that include regional artists, touring shows, major motion pictures, and documentary films for PBS and National Geographic. His latest project is playing and co-producing for a new record with Glen Clark, a hit singer/songwriter and veteran of Bonnie Raitt and Delbert McClinton. Bryant is a founding member of the world music percussion group D’Drum, and acted as producer of the group’s collaboration with composer and Rock and Roll Hall of Fame drummer Stewart Copeland and the Dallas Symphony on the world premiere of Gamelan D’Drum, a three-movement concerto commissioned for D’Drum. Bryant has recorded across the country in some of the most important recording studios pivotal to the history of American popular music. These include A & R / Columbia Studios in New York with Phil Ramone, RPM Studios with Ray Charles, and Sound Castle Studios in Los Angeles, Criteria Studios in Miami, The Automatt in San Francisco, Fame Studios in Muscle Shoals, Ardent Recording in Memphis, Arlyn Studios in Austin, and most every recording studio in the Dallas/Fort Worth area. In this podcast, John talks about: * The pros and cons of the Dallas scene, and what keeps him and other working musicians there * Leaving school in the middle of his last semester to join the Paul Winter Consort * How living and working in Dallas helped him get the gig with Ray Charles * Dallas’s role in the jingle recording industry * Teaching drumset and music production at Southern Methodist University, and the role of listening in both * One of the keys to nailing a style: the balance or “EQ” between the voices of the drumset in that style * Practicing for coordination/ideas vs. practicing for sound/touch * Playing with Ray Charles, and his experience as a white musician in that predominantly black band * His long friendship and musical partnership with Stewart Copeland BBC SERIES: HISTORY OF DRUMSET WITH STEWART COPELAND HISTORY OF THE BASS WITH TINA WAYMOUTH HISTORY OF GUITAR WITH LENNY KAYE

Jaksot(550)

126 – Kyle Wilkerson: Touring with Maddie & Tae, Composing for T.V. Film, Creating Honest Relationships

126 – Kyle Wilkerson: Touring with Maddie & Tae, Composing for T.V. Film, Creating Honest Relationships

Kyle Wilkerson is a well-versed and highly versatile drummer/percussion and film composer based out of Nashville, Tennessee. He has played/toured/recorded with many national artists and bands such as Maddie and Tae, Joshua Scott Jones (of Steel Magnolia), Kristen Kelly, Jillette Johnson, Michael Alvarado (of the duo US), Justin Adams, Logan Mize, Adam Sanders, Jonathan Scales Fourchestra, The Lucky Few, North Carolina Dance Company, and many more. Kyle has toured all over the nation and has played the top music festivals in North America including Bonnaroo, CMAFest, and will appear in an upcoming episode of Bar Rescue on Spike TV. While home in Nashville, Kyle consistently works at the top live music venues and recording studios such as 3rd and Lindsley, 12th and Porter, Mercy Lounge, Darkhorse Studios, Blackbird Studios, Omni Sound, and Sound Emporium. In addition to recording and performing, Kyle also composes and scores for film and video for the Bofars Production Company based out of Columbia, South Carolina. His music has been featured in the Nissan Innovation for Endurance campaign leading up to the 2012 Olympics and he will be scoring the full-legnth feature documentary, The 41st Day, about the top US Men’s Olympic Marathon runner Ryan Hall (www.ryanhallfilm.com). Kyle also teaches, writes, and arranges for various high school marching bands in NC and TN. When he is not performing or composing, he is teaching/arranging percussion for the WGI Indoor Percussion Group Forza East Independent, based out of Greenville, North Carolina, which he is also the board of directors. In this episode Kyle talks about: Touring with Maddie and Tae When to showcase your chops What a radio tour is How the Maddie and Tae gig happened Creating real relationships Writing music for film Being prepared T.V. performances Answering a question from a listener Kyle endorses: Gretsch, Zildjian Cymbals, Innovative Percussion, Evans Drumheads, Gibraltar hardware, and Big Fat Snare Drum

26 Heinä 20171h 27min

125 – Rafael Pereira: Playing with Janelle Monae, Bringing Brazil to Atlanta, Growing Up On Samba Tradition and Pop Records

125 – Rafael Pereira: Playing with Janelle Monae, Bringing Brazil to Atlanta, Growing Up On Samba Tradition and Pop Records

Rafael Pereira was born and raised in Sao Paolo, Brazil. As a kid he began playing piano, guitar and percussion, and along with his brother, fell in love with the traditional Samba and Choro music of Brazil. He first came to the U.S. as an exchange student in high school, and spent a year in Idaho. After he returned to Brazil, his father got a business opportunity in Atlanta and Rafa made the move with him. In addition to Atlanta’s Brazilian community of about 60,000, Rafael found immediate opportunities to play all sorts of gigs on drums and percussion. He played percussion alongside two of the city’s most famous local heroes, Sonny Emory and Lil’ John Roberts, which led to his name being thrown into the hat when Janel Monae was forming a new band in 2010. He’s been part of her team ever since, playing for multiple recordings and tours. He also stays active at home in Atlanta with multiple projects including The ATL Collective, a pool of Atlanta musicians that convenes once a month to perform a classic album in its entirety. In this podcast, Rafael talks about: He and his brother getting into the Samba artists of their parents’ and grandparents’ generations The blurred line between percussion and drumset in Brazilian music Why he views the percussionist’s role as that of a copilot, and why he loves it The parallels between American and Brazilian folk/roots music Taking stylistic and rhythmic cues from guitarists His involvement in The ATL Collective Rafael endorses Pearl Drums and Percussion, Remo Drumheads, Sabian Cymbals, Innovative Sticks and Mallets, Cooperman Frame Drums, and Ultimate Ears In-Ear Monitors.

19 Heinä 201759min

124 – Brian Ferguson: Drumming for Texas Artist Cory Morrow, The Importance of Subtleties & Nuance, Clinic Touring for Dixon Drums

124 – Brian Ferguson: Drumming for Texas Artist Cory Morrow, The Importance of Subtleties & Nuance, Clinic Touring for Dixon Drums

Brian Ferguson is a studio and live Musician/Drummer/Producer based in Austin, Texas. He began playing drums and percussion at the age of 10 and has never looked back. A consummate student of the instrument and it’s significance to American Music, Brian can be found touring, recording and producing a wide variety of acts. His deep knowledge of drumming and music allow him to contribute to any musical situation while inspiring the band to play their best. His light sense of humor and punctual professionalism make him an irreplaceable and key ingredient to a wide variety of musical projects. Brian has performed/recorded/toured with a wide variety of artists including but not limited to: Robert Earl Keen, Pat Green, Jack Ingram, Cory Morrow, Aaron Watson, Stoney Larue, Eleven Hundred Springs, Hudson Moore, Zane Williams, Adam Hood, Jason Eady, Rob Baird, Curtis Salgado, Mike Morgan and the Crawl, Carter Beckworth and Bubba Hernandez. Currently, Brian is drumming with Performing Artist/ Songwriter Cory Morrow, in addition to his own project The Harvey Kartel. THK is the creative outlet and side project of Brian and Steve Miller guitarist Jacob Petersen. In this podcast, Brian talks about: Touring with Texas artist Cory Morrow and dealing with a new born Flying to China for a clinic tour for Dixon Drums Trial by fire during his early years of touring Defining the Texas country music scene and what makes it unique Attitude!!!!!! The importance of subtleties, nuance, touch and feel on the kit Brian’s producing experience Balancing artistic expression and being efficient in the studio Knowing and developing your strengths Brian proudly endorses Dixon Drums and Hardware, Paiste Cymbals, Western Audio Works Cases and Vic Firth Drum Sticks.

12 Heinä 20171h 9min

123 – Adam Goodhue: Following a Sound from Massachusetts to San Francisco to Atlanta, Exploring American Music’s Southern Roots

123 – Adam Goodhue: Following a Sound from Massachusetts to San Francisco to Atlanta, Exploring American Music’s Southern Roots

Adam Goodhue has been busy on the Atlanta scene for the last four years. Before that, he spent 16 years in San Francisco where he played just about every type of music it had to offer. Adam grew up in Massachusetts where he was the beneficiary of a small but active high school music program. By his late teens, he was hooked on two things; drumming and snowboarding. For short time, he thought competitive snowboarding might be his focus, but a knee injury made that impossible, and he realized that snowboarding was a fun hobby, but drumming was what he really wanted to do for the rest of his life. He was in a band with some friends who made plans to move to San Francisco. He took advantage of the “in” and moved there in 1996. Although the band didn’t last very long after that, Adam had already fallen in love with the city and began getting work with other groups. He also got some formal training for free, when the University of California at Berkeley was in need of a drummer for their jazz program. Adam was allowed to play in some groups and audit classes without actually enrolling. By this time, he had also become obsessed with the music of New Orleans, discovered that it was a sister city to San Francisco, and found how much the two cities have in common musically. Adam moved to Atlanta in 2013 where he has continued his love affair for the music of the South, performing with Col. Bruce Hampton, Grant Green Jr., Maria Muldaur, Tommy Talton and many others. In this podcast, Adam talks about: How his approach to teaching lessons has changed from the kind of lessons he took as a kid The moment he got serious about pursuing music professionally How discovering the music and drummers of New Orleans was a turning point for his playing What brought him to the Bay Area, and the strong connections between San Francisco and New Orleans Pursuing feel and tone rather than content The Bay Area when he got there vs. when he left What brought him to Atlanta, and what kept him there Treating networking like a full time job when you’re new in town His outlook as he pushes his career forward and makes plans to get married

6 Heinä 20171h 24min

122 – Sarah Tomek: Drumming with Steven Tyler, Defying Skeptics, Taking Chances, “Drum ID’s”

122 – Sarah Tomek: Drumming with Steven Tyler, Defying Skeptics, Taking Chances, “Drum ID’s”

There are drummers and there is Sarah Tomek. With the rumbling authority of a John Bonham and the razor precision of a Keith Carlock, she has become one of the most in demand drummers today. Currently playing for Steven Tyler, Gretchen Wilson and the fast rising Americana band Loving Mary, Sarah Tomek commands a front row seat in the new class of top tier musicians. Born and raised in Asbury Park, New Jersey, Sarah found herself behind the kit at an early age. Her father, Joe Tomek, a formidable drummer in the New York 70’s rock scene, inspired and shaped her natural talents. By her early teens, she was a club staple at world famous venues throughout NYC and NJ. By the time she was 20, she began making her name as a session player. Her precocious ability to play a multitude of genres with effortless pocket and feel made her the easy choice for many producers; recording for Maggie Rose, Glen Burtnik, Gedeon Luke, Lance Larson and Jon Bon Jovi, to name a few. Sarah has been featured in Modern Drummer magazine and currently uses Ludwig drums, Paiste Cymbals, Vic Firth Sticks and Kelly Shu drum mounts. In this podcast, Sarah talks about: The many projects Sarah is involved with The reason she moved to Nashville The influence of her father’s drumming on her The idea of “drum ID’s” and adopting them in your playing Positive attitude The joy of proving skeptics wrong who doubt the abilities of a female drummer Touring with Steven Tyler and Gretchen Wilson Staying healthy on the road

26 Kesä 20171h 8min

121 – Kevin Stevens: Playing for a Tribute Show, Running a Multi-Band Company, Making Family Time Count

121 – Kevin Stevens: Playing for a Tribute Show, Running a Multi-Band Company, Making Family Time Count

L.A. drummer Kevin Stevens recently completed two tours of Europe with David Brighton’s Space Oddity, a David Bowie tribute show. He is the drummer and bandleader for three groups (Rumproller Organ Trio, Brass Monkey Brass Band, and The Deep Cuts) under the umbrella of his company, Grits n’ Gravy Music. Kevin grew up in Denver, studied music at the University of Miami, cut his teeth as a pro on cruise ships and on the scene in San Francisco, and has lived in L.A. since 2003. He is also on the faculty at Musician’s Institute where he developed a 10-week course on the music, drumming, and drummers of New Orleans. In this podcast, Kevin talks about: First getting involved in Space Oddity ten years ago, being away from it for years, and being asked back three months before Bowie died. His process of learning the songs, making charts for himself, and incorporating the tracks he’s responsible for running. Instrumentation for the Oddity gig, on the road and at home The psychological game of sharing a drum chair, and maintaining confidence in yourself and your relationships How leading three separate bands led to leading a single company His New Orleans Drumming course at Musicians Institute and his long love affair with New Orleans music of all kinds The keys to successful marriage and family life as a musician Kevin Stevens endorses Remo Drumheads, Sabian Cymbals, Vic Firth Sticks, and Protection Racket Cases.

21 Kesä 20171h 6min

120 – Kasey Todd: Touring with Tonic, Paying Your Dues, Growing Up Around the Music Business

120 – Kasey Todd: Touring with Tonic, Paying Your Dues, Growing Up Around the Music Business

Kasey Todd is a professional drummer, percussionist, vocalist, and an all around musician and entertainer. Along with being a performer, he also has credits as a producer, arranger, and bandleader. Kasey grew up in Cincinnati, Ohio and was involved in music at a very young age. His father is the Co-Owner and front man of 50’s and 60’s show band, The Van-Dells. This has allowed Kasey to be around the music business his whole life, gaining great first hand experiences into the industry. Kasey moved to Nashville, Tennessee in the fall of 2011, and is working as a full time touring and studio drummer. Before moving to Nashville, Kasey graduated from Otterbein University, in Columbus, Ohio, with a Bachelors Degree in Music with a focus in Jazz Studies. At Otterbein, Kasey studied all styles of music and spent a lot of time on drumset, vibraphone, orchestral and hand percussion. Kasey has toured the globe as bandleader with Canadian country artist Aaron Goodvin(Warner Bros.). The latest single ‘Woman In Love’ reached #7 on the Canadian country charts. Kasey also performs and records with singer-songwriter Jace Everett, best known for the theme song to HBO’s True Blood. Kasey can be heard on the new Jace record ‘Dust & Dirt’ (2017). Kasey still holds the drum chair live and in the studio with The Van-Dells. And, starting in the summer of 2017, Kasey has been touring with the band Tonic. Kasey keeps busy working with a wide range of Nashville artists, and is even an entertainer at the Big Bang Dueling Piano Bars where he can be found singing, playing piano, drums, and bass. Kasey has been on stage performing since the age of two and has had the pleasure to play with many great artists and groups. Some of those include Tonic, Jace Everett, Josh Thompson, Aaron Goodvin, Sam Lewis, Morgan Frazier (NBC’s The Voice), The Van-Dells, Rick Brantley, Megan Ruger (NBC’s The Voice), Matty Monk, Andrew Varner, The Central Ohio Symphony Orchestra, The Otterbein College Faculty Jazz Ensemble, and The Westerville Symphony Orchestra just to name a few. In this episode, Kasey talks about: Starting to tour with the band Tonic Growing up watching his fathers band, The Van Dells and then taking on the drum chair Learning to play piano and bass Studying at Otterbein University Dealing with perception vs. reality in the music business Working with singer/songwriter Jace Everett Recording at Abby Road Studios Endorsements Paying your dues Recording at home Kasey endorses: Promark Sticks, Paiste Cymbals, Evans Drum Heads, Kelly Shu mic mounting system, Westone in-ears, Humes and Berg cases, Snare Weight, Vintage Logos and Swan Percussion

15 Kesä 20171h 20min

119 – Go-Go Ray: 25 years of Funk, Rock, Fusion, Blues, and Experimental Music in Kansas City

119 – Go-Go Ray: 25 years of Funk, Rock, Fusion, Blues, and Experimental Music in Kansas City

Go-Go Ray has been a Kansas City fixture since he moved there in the early 90s. He grew up in Dallas where he played in every possible school ensemble from 4th grade on, and got his first professional experience in a local funk/R&B cover band. He studied music briefly at North Texas but was drawn to the rock, punk, and other music scenes that were happening outside of school. Mike Dillon‘s band Billy Goat needed a new drummer and the chair was offered to Go-Go, with the caveat that he had to move to Kansas City where the band was based. Go-Go made the move and hasn’t looked back, playing in a litany of groups including Mike Dillon’s Go-Go Jungle, Karma, The Brody Buster Band, and most recently with blues guitarist and singer Samantha Fish. In 1992, he won the Guitar Center Drum Off and in 2010, won the Roland V-Drum Competition. He has also been an educator for 20 years, maintaining a steady roster of private students to whom he is known not as the drum teacher or the drum instructor, but The Drum Counselor. In this podcast, Go-Go talks about: The musical culture of Texas when he was growing up there Playing in various projects lead by Mike Dillon The history of the blues scene in Kansas City Making his playing more mainstream after playing experimental music How advertising himself as The Drum Counselor started as a gimmick but quickly became an educational philosophy The growth that comes from participating in competitions His five-year tenure with Samantha Fish and why it was time to move on Putting himself in a position to be patient and wait for the right project to come along, rather than taking whatever comes up next Go-Go Ray endorses Yamaha Drums, Paiste Cymbals, Aquarian Drumheads, Promark Drumsticks, Humes & Berg Cases, Sweet Spots, Carmichael Thrones, BDM Mic Clips, Cympads, and 64 Audio.

7 Kesä 20171h 26min

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