081 – Wes Little: Backing Super Stars Like Sting, Stevie Wonder and Beyonce at Obama’s Inaugural Ball, Touring and Recording with Robben Ford, Building a Session Resume
Working Drummer14 Syys 2016

081 – Wes Little: Backing Super Stars Like Sting, Stevie Wonder and Beyonce at Obama’s Inaugural Ball, Touring and Recording with Robben Ford, Building a Session Resume

On a historic night in the Winter of 2009, drummer Wes Little proved beyond any doubt that he is the nimble, adaptable, professional musician he wanted to be even before he left his small Southern home town. The occasion: the inaugural ball for newly elected President Barack Obama. The job: to back a jaw-dropping lineup of legendary talent, including Stevie Wonder, Sting, Mary J. Blige, Faith Hill and Beyonce. Through a wild variety of styles, arrangements and temperaments, Wes Little held down the groove, satisfied the most demanding stars and made the whole event bolder, smoother and better. Star-studded as it was, the Inaugural Ball was by no means the first validation of Little’s multi-faceted musicianship. For a decade in New York and recent years in Nashville, Little has been patiently taking his place among the elite session drummers, supporting major artists in rock, jazz, hip-hop and country. Wes is from Wingate, North Carolina, a small college town southeast of Charlotte, where his parents were both educators. Lacking big city distractions, Wes was drawn to music. After seeing a picture of fusion great Billy Cobham seated behind one of the world’s biggest drum sets in a Tama catalogue, Wes knew that’s what he wanted to do. Most drummers get on-the-job training only, but Little had his eyes on a jazz career, so he pursued formal studies in music, including a master’s degree in jazz drumming from the Manhattan School of Music. As a new professional in New York, there was certainly jazz around, but there was also a smorgasbord variety of styles and gigs. Little played in theater orchestras, sideman sessions and rock bands. He connected with hip-hop legend Chuck D and worked in several of his post-Public Enemy bands, including Confrontation Camp and Fine Arts Militia. While in New York, Little met his future wife Britt Savage, who moved to Nashville ahead of him. Since 2004, Little has been based in Nashville where he’s earned respect in the Music City studio scene. That said, he’s frequently on the move for work back in New York or tours across the country and world with Robben Ford, Joe Nichols, Jo Dee Messina, Billy Dean and others. He has also expanded his work as a producer and songwriter. In this podcast, Wes talks about: Building studios / practice spaces Evolution of the home studio Studying at East Carolina University Moving from New York to Nashville Working with Chuck D and his band Confrontation Camp Playing at Obama’s inauguration in 2009 with many artists including Sting, Beyonce, Stevie Wonder and Mary J. Blige The difference between studio and live playing Recording and touring with Robben Ford Rhythm section master class at PASIC Being married to a musician This episode is sponsored by Sakae Drums Wes Little endorses Pearl Drums, Sabian Cymbals, Vater Sticks, Evans Drumheads, Vintech Audio, Ableton Live, Presonus and Carmichael Thrones His wife’s hilarious fake Craig’s List post: Britt (AKA Joey) i don’t need floor tom. what would you charge. Do you have a snare? I live in Lebanon and am working until 9. please get back to me right away cuz I’m looking at another drum set on friday. do you know if I can get a loud sound with these drums. My favorite drummer is Travis barker (blink 182) and John Dalmayan (System o...

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524 - Glen Sobel: Drumming for Alice Cooper, Creating Trust On and Off Stage, Staying Healthy while on Tour

524 - Glen Sobel: Drumming for Alice Cooper, Creating Trust On and Off Stage, Staying Healthy while on Tour

Currently on tour with rock legend Alice Cooper and the Hollywood Vampires Glen Sobel has played in a variety of genres including rock, hip hop, pop, metal, punk, and fusion. A seasoned pro with world tour experience, Glen has developed a reputation for being a quick study, known to learn an entire set of material in a day or record a CDs worth of songs on short notice. Glen subbed a week for Tommy Lee in Mötley Crüe on a few hours notice pulling double duty on the Crue/Alice tour. 
Recent live events have found Glen playing in the house band backing such heavyweights as Steven Tyler, Rob Halford, Weird Al, Pat Simmons & Michael McDonald of The Doobie Brothers, Sammy Hagar, Richie Sambora, Joe Lynn Turner, Night Ranger, Jonny Lang, Nils Lofgren, Sarah Mclachlan, Nuno Bettencourt, Dexter and Noodles of The Offspring, Robby Krieger of The Doors, Ke$ha, Orianthi, Johnny Depp, Mike Myers and many more. 

Other touring/recording credits for Glen include Chris Impellitteri, Jennifer Batten (Michael Jackson's guitarist), Tony Macalpine , Gary Hoey, Warner Bros recording act Beautiful Creatures (Ozzfest tour), Cypress Hill and many others. Glen has conducted and appeared at CLINICS AND DRUM FESTIVALS in many countries. He has established himself as a respected player and teacher in LA and was hired as an instructor at MUSICIANS INSTITUTE as well as contributing to DRUM! Magazine. In 2016 Glen was voted #1 Hard Rock Drummer in Drum Magazine's DRUMMIES readers poll. The past couple of years have seen nominations in hard rock / metal categories in readers polls for Modern Drummer, DRUM! Magazine and Rhythm UK Magazine. He spends much of his time in Los Angeles doing sessions for some of the music industry’s top producers. His performances are dynamic and visual and his track record as a session player is impressive In this episode, Glen talks about: Touring Drumming for Alice Cooper Staying healthy Creating trust on and off stage Modernizing older songs What he learned from early recordings with Tony McAlpine The origin story of the band, The Hollywood Vampires Subbing for Tommy Lee on Mötley Crüe’s farewell tour ⁠Here's our Patreon⁠ ⁠Here's our Youtube⁠ ⁠Here's our Homepage

26 Kesä 1h 21min

523 - Shawn King: Playing for Devotchka, The Denver Scene, Knowing the "Why"

523 - Shawn King: Playing for Devotchka, The Denver Scene, Knowing the "Why"

Shawn King. Shawn has been the drummer for the band Devotchka for over 20 years and has been based in Denver for longer than that. Over that time he has been tightly woven into the Denver scene and involved in all kinds of projects from experimental festivals to musical theatre. We are right around the 20 year anniversary of both Devotchka’s album “How it Ends” and the movie “Little Miss Sunshine” for which Devotchka provided the soundtrack and score. In this epsidoe, Shawn talks about: The high premium placed on multi-instrumentalism in Devotchka The record label model vs. the Patreon model, and the full record model vs. the single model  Treating the drumset as the multi percussion instrument it is, thinking more in terms of patterns than grooves  Structuring improvisation through parameters and limitations  What has kept him in Denver Recording the soundtrack for “Little Miss Sunshine” Here's our Patreon Here's our Youtube Here's our Homepage

19 Kesä 1h 38min

522 - Curt Bisquera: Groove Above All Else, Recording with Bonnie Raitt, Tom Petty,The Threat of A.I.

522 - Curt Bisquera: Groove Above All Else, Recording with Bonnie Raitt, Tom Petty,The Threat of A.I.

Curt Bisquera is one of Los Angeles' top recording / touring drummers and producers. Curt has recorded and/or toured with the biggest names in music including Sir Elton John, Johnny Cash, Mick Jagger, Tom Petty, Bonnie Raitt, Josh Groban, Ricky Martin, Sarah McLachlan, Hans Zimmer (Superman / Batman), The Beach Boys, Lana del Rey, John Legend, Tina Turner, Celine Dion and countless others. In this episode, Curt talks about: Embracing new social media norms The power of the human connection Adapting to changes in the industry Recording digitally for the first time on the first Seal record How to reconcile the threat of A.I. The importance of time feel and groove above all else Recording with Bonnie Raitt, Tom Petty Low snare drum tunings X: @curtbisq IG band: @alnesbittalchemy The Kirkee B. Show: IG - Youtube: @thekirkeebshow Drum Consultation: kirkeebdrum@gmail.com ⁠Here's our Patreon⁠ ⁠Here's our Youtube⁠ ⁠Here's our Homepage

12 Kesä 1h 28min

521 - Steve Rucker: Teaching at the University of Miami, Creating a Constructive Environment, Working with Dafnis Prieto

521 - Steve Rucker: Teaching at the University of Miami, Creating a Constructive Environment, Working with Dafnis Prieto

Steve has headed up drumset studies at the University of Miami’s Frost School of Music, and has countless alumni active in all corners of the music industry. In addition to teaching, Steve’s legacy as a player includes recording and touring with a huge range of artists including Gloria Estefan and Ben Vereen, and a stint of more than a decade as the drummer for the BeeGees. In this episode, Steve talks about: Creating a constructive, collaborative environment for drum students to learn from each other Why he stayed in Miami as opposed to moving to New York or LA Creating one of the first college programs that treated drumset seriously as its own thing How learning to record isn’t just about tech, it’s about learning how to  listen Shifting his focus from being a sideman for big acts and artists to developing his own voice and composing his own music Taking what comes naturally to a student and helping them develop it as part of their voice Here's our Patreon Here's our Youtube Here's our Homepage

5 Kesä 1h 20min

520 - Adam Gust: Somatic Drummer, The Addiction to Tension, The Connection Between Emotion and Muscle Memory

520 - Adam Gust: Somatic Drummer, The Addiction to Tension, The Connection Between Emotion and Muscle Memory

Adam Gust is the world's first Polyvagal-Informed professional drummer. Using his performance experience and knowledge of nervous system science, Adam has created the Somatic Drummer - a unique combination of science, wellness, and drumming. Adam's 'Science of the Groove' was the first talk about the Vagus Nerve to appear on TED.com, exploring how drummers sync their brains and bodies to find their 'groove,' a feedback loop between intention and action. Conducting workshops at top institutions like USC and Musicians Institute, Adam teaches how resourcing our nervous system optimizes wellness and musical performance. In this episode, Adam talks about: Assessing and diagnosing Matt’s stress injury and how Adam’s knowledge is applied The addiction to tension that we can acquire The connection between emotion and motor learning aka muscle memory Recognizing that the joy of playing drums is priority one Link to "Tuning Your Nervous System" Link to Adam's Master Class Link to Basic Bow Staff technique ⁠Here's our Patreon⁠ ⁠Here's our Youtube⁠ ⁠Here's our Homepage

29 Touko 1h 16min

519 - JT Bates: Recording for Taylor Swift, the Minneapolis Scene, Making Your Identity Cumulative

519 - JT Bates: Recording for Taylor Swift, the Minneapolis Scene, Making Your Identity Cumulative

Growing up in a musical family gave JT an early start into sound and rhythmic exploration. He set on the path to becoming a working musician while playing in his father’s big band as a teen. Over the years he remained steeped in the improvised music scene, both as a performer and presenter. As a session drummer JT has appeared on Grammy record of the year “Folklore” (Taylor Swift) as well as the follow up “Evermore”. Grammy nominated “s/t”(Bonny Light Horseman) as well as critically acclaimed records by Bon Iver, Big Red Machine, Cassandra Jenkins, The National, Maya Hawke, Ed Sheeran, and many others. In this episode, JT talks about: Getting opportunities to record for Taylor Swift and others through older, more localized relationships Going from deep in the jazz world to deep into electronic music Being. not just your own marketing department, but your own HR department Being a booker for a music venue in Minneapolis, and balancing modern metrics like social media following with old school legwork What insecurity causes us to do and not do How your identity as a drummer is cumulative, not compartmentalized ⁠Here's our Patreon⁠ ⁠Here's our Youtube⁠ ⁠Here's our Homepage

22 Touko 1h 31min

518 - Sterling Campbell: Drumming for David Bowie, Touring with Cyndi Lauper, The B-52s

518 - Sterling Campbell: Drumming for David Bowie, Touring with Cyndi Lauper, The B-52s

Sterling Campbell was born and raised in New York City at a time when the music scene was rich with innovators like David Bowie, Peter Gabriel, Joni Mitchell and many others. Sterling would go on to work with David Bowie from 1992 until 2004. Other notable artist Sterling has worked for throughout his career include Cyndi Lauper, Duran Duran, Soul Asylum, Chic, Tina Turner, David Byrn and many others.  Since 2012, Sterling has been working and touring with the B-52s.  In this episode, Sterling talks about:  Reconnecting and touring with Cyndi Lauper  Physical demands of touring at 61 His early roots and meeting Dennis Davis in 1978 Events that shape us, our drumming and music  Adapting to the new tech of the day in the 80’s David Bowie’s creative process and sense of humor Recording remotely on an electronic kit Here's our Patreon Here's our Youtube Here's our Homepage

15 Touko 1h 33min

517 - J Rod Sullivan: Playing with Janet Jackson, Adjusting to the Bigger Gig

517 - J Rod Sullivan: Playing with Janet Jackson, Adjusting to the Bigger Gig

In 2006, J-rod uploaded his first Youtube video, receiving positive feedback that reinforced his belief in using his musical talent to educate and inspire others. Committed to honing his craft, J-rod enrolled in the Atlanta Institute of Music, graduating in 2012, and later joined The 4 Korners band in 2013. With a growing online community of over 700K+ followers, J-rod’s brand transcends his talent, drawing in aspiring and talented musicians with his style, methods, and dedication.Currently serving as the drummer for Janet Jackson, Jeffrey Osborne, and The 4 Korners, J-rod continues to make waves in the music industry through his passion and dedication. Adapting to his first big pop gig coming from the jazz fusion world Being told to go for it “in show mode” for his audition video Adjusting to the smaller box of a pop gig and still finding ways to be himself How this live gig is improving his session playing Learning to navigate the infrastructure of a big tour Ways to have the compensation conversation Here's our Patreon Here's our Youtube Here's our Homepage

8 Touko 1h 2min

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