102 – Wil Easterwood: Drumming for Trick Pony, Expecting the Best From Yourself, Singing While Drumming
Working Drummer8 Helmi 2017

102 – Wil Easterwood: Drumming for Trick Pony, Expecting the Best From Yourself, Singing While Drumming

When not out touring with country duo Trick Pony, Wil Easterwood spends his time as a freelance drummer and vocalist for live performances and studio sessions in Nashville, Tennessee. He also has several years of experience as an audio engineer live/studio. Originally from Cedartown, GA, Wil moved to Nashville in 2008 and quickly began working steadily as a drummer on lower Broadway. The exposure and experience on lower Broadway lead to many performance opportunities for Wil including his work with Trick Pony. At the age of 29, his musicality and approach to the instrument has a maturity that has been well-recognized by his peers of all ages and experience. Before moving to Nashville, Wil played with Georgia based groups in both indie rock and country genres. While in Georgia, Wil worked for several Atlanta market FM and smaller “hometown” AM radio stations as an On-Air Personality. And, from 2005 to 2007, Wil served as the house engineer and assistant technical director for his hometown one thousand seat auditorium/theater. Repairing, cleaning, tuning and general maintenence of drums has always been something Wil has had a love and talent for. Under the name, “Circus Bear Drum Services”, Wil is now offering this service to the drumming community. In this episode, Wil talks about: Singing while playing drums Expecting the best from yourself How the Trick Pony gig happened In-Ears vs a wedge Playing lower Broadway gigs in Nashville Early small town musical influences Wil’s engineering experience Circus Bear Drum Services and its back story Diversifying your workload This episode is sponsored by Sonor Drums

Jaksot(555)

531 - Eric Gardner: Playing With Melissa Etheridge and Tom Morello, Patience on the LA Scene, “Finding An Artist’s Language”

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530 - Taylor Friesth: Website GrooveMPL.com, Marketing Your Skills, Opportunities Aside from Live Performing

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529 - Russ Gold: 30 Years on the Bay Area Scene, "Repetition Over Variation", What It Means to Stay Relevant

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528 - Louie Palmer: The Importance of Sound and Presentation, His Online School: Playbetterdrums.com, Playing Traditional Grip

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527 - Jon Doing: A Variety of Roles with "Hamilton," The San Francisco Scene, Finding Balance on Tour

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526 - Jay Weinberg: Taking Every Opportunity Seriously, Touring with Suicidal Tendencies, Trusting Your Instincts

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525 - Greg Sadler: Freelancing in LA, Playing with Gordon Goodwin's Big Phat Band, Studying with Ed Soph

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