114 – Angela Lese: Drumming for The Dead Deads, Cultivating a Strong Fan Base, From “Regular Job” to Touring Musician
Working Drummer3 Touko 2017

114 – Angela Lese: Drumming for The Dead Deads, Cultivating a Strong Fan Base, From “Regular Job” to Touring Musician

Angie Lese always wanted to be a drummer since she could remember. Growing up in Fort Wayne Indiana, she took to music early and studied flute throughout high school. It wasn’t until her college years that Angie decided to follow her drumming passion, bought a kit and taught herself how to play. After graduating and starting a career in meteorology, Angie moved to Louisville Kentucky and heavily pursued music. She played for a Sony recording artist, several cover bands, and was a session drummer as well. Her main band, CatFight (original pop/punk rock), received a strong local and regional following along with the support from Little Heart Records of Louisville, KY. In 2013 they released a self titles EP – CatFight. While that was taking off, Angie was offered a promotion in her meteorology career that prompted a move to Nashville Tennessee in 2012. After immersing herself in the Nashville music scene, Angie joined forces with artist Leticia Wolf, fellow Catfight member Erica Sellers, and two other musicians to form The Dead Deads, a heavy, hard rock/pop band. Having just formed in late 2013, The Dead Deads have garnered quite a bit of attention from Page Hamilton of Helmet/David Bowie, Chuck Garric of Alice Cooper, Tom Petersson of Cheap Trick to Lzzy Hale of Halestorm. As a result of The Dead Deads’ quick rise, Angie and her band have been on several national tours with acts like Halestorm, P.O.D., Bush, Chevelle along with the Motorboat and the Shiprocked cruises. They have recorded two full-length albums, “Rainbeau” (2014) and “For Your Obliteration” (2016), produced by Page Hamilton. In this podcast, Angela talks about: Current news with the Dead Deads Pros and cons of playing in an all girl band Recording and writing for the new Dead Deads record Transitioning from “regular jobs” to touring in a band Cultivating a strong fan base The benefits of an online presence The challenges of an all girl band Having hobbies and distractions in life to keep your headspace healthy Angela endorses TAMA drums, Sabian cymbals, Evans heads, Promark drumsticks, and Humes and Berg cases.

Jaksot(548)

292 – Andrew Atkinson: Playing with Oz Noy and Gregory Porter, Building a Foundation in Miami, Becoming an Individual in New York

292 – Andrew Atkinson: Playing with Oz Noy and Gregory Porter, Building a Foundation in Miami, Becoming an Individual in New York

Andrew Atkinson’s drumming draws on the seductive beats of his native Jamaica, the percolating rhythms of his childhood home Miami, and the world of jazz that has beckoned and captivated him in all his travels. Highlights of his resume include guitarist Oz Noy, vocalist Gregory Porter, and steel pan player Othello Molineux. After graduating high school, Atkinson would find himself becoming one of the most in demand young drummers in Miami, playing with every type of band imaginable. With reggae-ska band The Monjees, Atkinson got his first taste of life on the road by performing on the 2002 Warped Tour and opening for James Brown at the 2002 Sunfest. Of course, he stuck close to jazz, his first musical love, and wound up doing gigs with luminaries such as Randy Brecker, Arturo Sandoval, Danilio Perez, and Donald Harrison. Andrew moved to New York in 2011, where he has played with many of the biggest names in jazz, subbed on Broadway musicals including “Hamilton” and “Ain’t Too Proud,” and will be the full time drummer for a new musical currently in development. In this episode, Andrew talks about * How he came to the drums through a middle school scheduling error* His early career in Miami playing Reggae, Punk, Ska, Salsa, Timba, and Jazz * Being attracted to New York’s celebration of individual artistic voices, and wanting to develop his there* Going out every night (literally) his first year in New York to learn the scene and make contacts* How to be a drummer that singers like* Adapting to Broadway’s detail-oriented culture Andrew endorses Vic Firth sticks, Sabian cymbals, Sonor drums, and Westone in-ears.

22 Loka 20201h 13min

291 – Mike Dawson: The New Modern Drummer Podcast, Continuing to Learn in all Stages of Life, Effective Use of Time

291 – Mike Dawson: The New Modern Drummer Podcast, Continuing to Learn in all Stages of Life, Effective Use of Time

Michael Dawson is a New Jersey–based drummer, educator, and clinician and is currently managing editor for Modern Drummer, the world’s most widely read magazine exclusively for drummers. Dawson produced and co-hosted the industry-leading weekly podcast, The Modern Drummer Podcast With Mike and Mike, along with renowned online educator/clinician Mike Johnston. 2020 is bringing a new, interview based podcast called The Modern Drummer Podcast. Additionally, Mike serves as book editor for Modern Drummer Publications, with most releases including Progressive Drumming Essentials by drummer/educator Aaron Edgar, Rhythm and Chops Builders and Stick Technique by rudimental specialist Bill Bachman, and Exercises in African-American Funk by top touring drummer Jonathan Joseph and University of Miami faculty member Steve Rucker. In the pages of MD, Michael has authored dozens of artist features, educational columns, and product reviews. Dawson has a bachelor’s degree in music education from West Virginia University and a master’s degree in music from the University of the Arts in Philadelphia, Pennsylvania. He’s a senior lecturer in music journalism and drumset at the UArts, and he operates a recording studio out of his home in New Jersey, where he tracks drums and percussion remotely for artists around the globe. Michael was a regular sub for the drumset chair in the hit Broadway musical The Lion King. In this episode, Mike talks about:  * Effective time management* Drawing inspiration from the community at Modern Drummer Magazine* The ability to grow as a player through all stages of life* How to inspire and be honest when teaching* The creation of the Neil Peart MD tribute issue* The new Modern Drummer Podcast This episode is sponsored by Beier Drums

15 Loka 20201h 13min

290 – Billy Brimblecom: Losing a Leg to Cancer, Moving from KC to Nashville and Back, Heading Up the Steps of Faith Foundation

290 – Billy Brimblecom: Losing a Leg to Cancer, Moving from KC to Nashville and Back, Heading Up the Steps of Faith Foundation

Billy Brimblecom’s career has taken him from drumming to philanthropy, and from his hometown of Kansas City to Nashville, and back to Kansas City. Over his 25 year career, Billy has manned the drum chair for Blackpool Lights, The Start, The Creature Comforts, and Summer Breeze. In early 2005 Brimblecom learned he a form of cancer in his leg called Ewing’s sarcoma.[2] This resulted in his left leg being amputated above the knee. After 13 rounds of chemotherapy and a few months of rehab, Brimblecom re-joined Blackpool Lights and returned to touring ( with a prosthetic leg) in March 2006. Brimblecom and the band did extensive tours of the U.S., Canada and Japan as well as support slots for Social Distortion, Anberlin, Angels and Airwaves. Brimblecom relocated to Nashville in 2009 where he did session work with producer/songwriter Don Chaffer (of Waterdeep) and Greg LaFollette. During this time, he also founded the Steps of Faith Foundation, which helps amputees get the prosthetics they need. Billy and his family returned to Kansas City in 2017, where he has continued both his philanthropic and musical endeavors. Since 2017, he has partnered with his fellow Kansas Citian and high school friend Jason Sudeikis to produce Thundergong, a live benefit for Steps of Faith which featured performances by a host of big names including Ben Harper, Fred Armisen, Wynona Judd, and The Get Up Kids. In this episode, Billy talks about: * The challenges of playing Yacht Rock* Merging his old life in full time music with his new life in philanthropy* How he moved forward physically, emotionally, and practically after losing his left leg* What attracted him to Nashville, and why he ultimately returned home to Kansas City* Becoming the Executive Director of the Steps of Faith Foundation, and how he has fused that role with his identity as a drummer and his expertise in the music business* Thundergong – a yearly fundraiser event he coproduces with Jason Sudeikis

8 Loka 20201h 21min

289 – Jason Cooper: Balancing the “Day Gig” with a Thriving Home Studio, Cymbals that Work in the Studio, The Good & Bad of Social Media

289 – Jason Cooper: Balancing the “Day Gig” with a Thriving Home Studio, Cymbals that Work in the Studio, The Good & Bad of Social Media

Jason Cooper is a native of Memphis TN and played his first professional gig at 11 years old. Since then, he has gone on to play in many local bands and has travelled the country playing for numerous acts. He has also played in almost 40 professional theater productions including Dream Girls, Footloose, The Sound of Music, Mary Poppins and Into the Woods. He has also done numerous recording sessions for artists in the US, Canada and throughout Europe. Jason worked at the Memphis Drum shop from 1999 to 2006. While at Memphis Drumshop, he teched for Dennis Chambers, Sonny Emory, Herman Matthews, Alex Acuna, Billy Ward, Peter Erskine, Will Kennedy, Virgil Donati, Akira Jimbo Keith Carlock and many others. He even changed a drumhead for Tony Williams once. – Very cool. After many years of slugging away in the unpredictable world of the music business, Jason decided to take a break from it all and go back to school and earn a degree that lead to a job as an x-ray technician. Today he splits his time between his “day job” and maintaining a solid roster of clients from all over the world providing drum tracks from his home studio – Old Lantern Studio. A project of note includes the Neal Bowen Trio which will have an EP out soon. In this episode, Jason talks about:  * Working as an x-ray technician and leaving room for drumming * His decision to go back to school and get a “day job”* Learning to produce the best drum tracks he can from his home studio* Cymbal selection in the studio* The good and the bad of social media This episode is sponsored by Beier Drums

1 Loka 20201h 38min

288 – Adam Alesi: L.A. Gigs of All Shapes and Sizes, A Few Key Relationships, Taking Big Studio Experience into the Home Studio

288 – Adam Alesi: L.A. Gigs of All Shapes and Sizes, A Few Key Relationships, Taking Big Studio Experience into the Home Studio

Drummer Adam Alesi is in high demand for session and live work in Los Angeles and around the greater Southern California region. As a student of drum legend Gregg Bissonette (and later as Gregg’s drum tech), Adam learned how to connect with music and musicians on a personal and emotional level. Like his mentor, he has made taste and versatility his hallmarks.  One of Adam’s longest musical relationships has been with veteran pianist/composer/producer Geoff Stradling. Adam has been Geoff’s first call for over a decade, and the two have worked on countless recording projects together including Mad Men, the Golden Globe Awards, the SAG Awards, and Geoff’s original big band, The Stradband. Another decade-plus tenure Adam maintains is with the all-pro band that supports Burbank High School’s show choir, In Sync. The group is nationally competitive, perennially award-winning, and served as the model for the hit Fox series Glee. Adam’s other credits for film and TV include the IMAX original film Pandaswith composer Mark Mothersbaugh, and a national Samsung ad campaign featuring Rihanna. He has performed regularly with numerous big band legends including Grammy Award winner Gordon Goodwin and Tonight Show composer/arranger Mike Barone. Over his 15-year career, Adam has also performed with legendary artists across many genres including Aretha Franklin, Richard Carpenter, and David Benoit. In this episode, Adam talks about: * Getting a jump on the home studio game before COVID* File management skills and other ways he’s improved his workflow* Becoming the go-to drummer for Hollywood composers Geoff Stradling and Mike Barone* What he’s learned through his long relationship with Gregg Bissonette * His experience playing in the Pixarmonic Orchestra at Disneyland California Adventure* Drumming and contracting the band for Burbank High School’s nationally competitive show choir Adam endorses Dixon drums, Sabian cymbals, Aquarian drumheads, Vanguard Audio Labs microphones, and Presonus Audio Electronics This episode is sponsored by Beier Drums.

24 Syys 20201h 22min

287 – Neil LaFortune: Hosting the “Gretsch Afternoon Drum Break”, Working with Tribute Acts, Adapting to the Socioeconomic Climate of Your Scene

287 – Neil LaFortune: Hosting the “Gretsch Afternoon Drum Break”, Working with Tribute Acts, Adapting to the Socioeconomic Climate of Your Scene

Neil LaFortune has covered many styles throughout the years from Classic Rock, Funk, R&B, Country, Latin, Pop, Jazz, and Blues based cover bands, to original acts. Studies at Ontario College of Percussion in Toronto and later studies with Jim Blackley helped prepare Neil for professional settings that required reading and versatility. The last several years Neil has been busy with Tribute acts such as Abba Revisited, Police tribute “Message In A Bottle,” as well as many other tributes in the U.S. and abroad. Neil’s work included gigs with his duo Sticks and Tones as well as rising Canadian country singer Meghan Patrick opening for the likes of Rascal Flatts, Dwight Yoakam and Kiefer Sutherland. In 2020 Neil started hosting his weekly interview series called the Gretsch Afternoon Drum Break. Teaching is another passion and Neil teaches lots of private lessons at home and does clinics and workshops locally and abroad. His teaching efforts earned him the Drummers Choice’s Teacher of The Year in 2003.  In this episode, Neil talks about:  * Differences between the music scenes in Canada compared to the U.S. * Hosting the “Gretsch Afternoon Drum Break” * Navigating the world of endorsements * Adapting to the socioeconomic climate of your scene* Working with tribute acts* Good health after 50 This episode is sponsored by Beier Drums Neil proudly endorses: Gretsch drums, Dream Cymbals and Regal Tip products

17 Syys 20201h 26min

286 – Cooking Drummers: Marcus Finnie and Zack Albetta Talk Food

286 – Cooking Drummers: Marcus Finnie and Zack Albetta Talk Food

Marcus Finnie and Zack Albetta both have a deep and abiding passion for food and cooking. So since a lot of us are probably doing more cooking these days, we wanted to talk what we’ve been up to in the kitchen, share some resources, recipes, tips, tricks, and hacks, in hopes that it will inspire some others to push their kitchen game a little higher. In this episode, Marcus and Zack talk about * What got them into cooking* The importance of quality, sharp knives, and the difference between sharpening and honing* Pans: the versatility of non-stick, and moving on to stainless steel, carbon steel, and cast iron* Cooking for kids and how to make delicious veggies* A few basic tips to make simple things like pasta or roast chicken AWESOME* Venturing into baking* Parallels between cooking and music Links to stuff we talked about: Smitten Kitchen The Paprika III recipe organization app “Ruhlman’s Twenty” Cookbook Instant Pot Knives: Shun, Wustoff, Global, Cutco This episode is sponsored by Beier Drums

10 Syys 20202h 1min

285 – Mike Hansen: Recording the New Hurricane Album, “Cross-blending” with Acoustic and Electronic Drums, Covering Ted McKenna’s Drum Parts on a Rory Gallagher Tour

285 – Mike Hansen: Recording the New Hurricane Album, “Cross-blending” with Acoustic and Electronic Drums, Covering Ted McKenna’s Drum Parts on a Rory Gallagher Tour

Originally from Chicago and spending over 35 years and in the Los Angeles music scene, Mike Hansen had the opportunity to work with many great artists such as the band Hurricane, Steve Vai, George Lynch, Doug Pinnick of kings X fame, The Pointer Sisters, Albert Lea, the band tribe after tribe and many others.He’s been spending this last year living in Chicago taking care of his parents and tending to his fathers needs who’s been suffering from cancer. His father was an important figure in Mike’s musical development as his father was a professional guitar player and exposed Mike to many great musicians and opportunities throughout his life.  In this episode, Mike talks about: * Working “non-music” gigs * The influence of his father* Using the Roland TM-6 drum module to mix with his acoustic kit live and when recording* Recording the new Hurricane record* Covering Ted McKenna’s drum parts on a Rory Gallagher tour* Working with Dug Pinnick* Touring in the mid-80’s This episode is sponsored by Beier drums Mike endorses: Aquarian drum heads, Sawtooth Drums, Soundbrenner, Kickport, Beier Drums, JBL, Cymbal Sox, Techra drumsticks, ChromaCast and Chicago Drum company

3 Syys 20201h 29min

Suosittua kategoriassa Liike-elämä ja talous

sijotuskasti
psykopodiaa-podcast
rss-rahapodi
mimmit-sijoittaa
ostan-asuntoja-podcast
lakicast
rss-lahtijat
rss-laakispodi
oppimisen-psykologia
rss-bisnesta-bebeja
inderespodi
rss-neuvottelija-sami-miettinen
yrittaja
yrittaja-markkinoi
rss-yrita-oikein
rss-myynti-ei-ole-kirosana
rss-sensuroimaton-kukkonen-kausi-3
rss-paasipodi
rss-yrittajan-mindset
rss-metsanomistaja-podcast