114 – Angela Lese: Drumming for The Dead Deads, Cultivating a Strong Fan Base, From “Regular Job” to Touring Musician
Working Drummer3 Touko 2017

114 – Angela Lese: Drumming for The Dead Deads, Cultivating a Strong Fan Base, From “Regular Job” to Touring Musician

Angie Lese always wanted to be a drummer since she could remember. Growing up in Fort Wayne Indiana, she took to music early and studied flute throughout high school. It wasn’t until her college years that Angie decided to follow her drumming passion, bought a kit and taught herself how to play. After graduating and starting a career in meteorology, Angie moved to Louisville Kentucky and heavily pursued music. She played for a Sony recording artist, several cover bands, and was a session drummer as well. Her main band, CatFight (original pop/punk rock), received a strong local and regional following along with the support from Little Heart Records of Louisville, KY. In 2013 they released a self titles EP – CatFight. While that was taking off, Angie was offered a promotion in her meteorology career that prompted a move to Nashville Tennessee in 2012. After immersing herself in the Nashville music scene, Angie joined forces with artist Leticia Wolf, fellow Catfight member Erica Sellers, and two other musicians to form The Dead Deads, a heavy, hard rock/pop band. Having just formed in late 2013, The Dead Deads have garnered quite a bit of attention from Page Hamilton of Helmet/David Bowie, Chuck Garric of Alice Cooper, Tom Petersson of Cheap Trick to Lzzy Hale of Halestorm. As a result of The Dead Deads’ quick rise, Angie and her band have been on several national tours with acts like Halestorm, P.O.D., Bush, Chevelle along with the Motorboat and the Shiprocked cruises. They have recorded two full-length albums, “Rainbeau” (2014) and “For Your Obliteration” (2016), produced by Page Hamilton. In this podcast, Angela talks about: Current news with the Dead Deads Pros and cons of playing in an all girl band Recording and writing for the new Dead Deads record Transitioning from “regular jobs” to touring in a band Cultivating a strong fan base The benefits of an online presence The challenges of an all girl band Having hobbies and distractions in life to keep your headspace healthy Angela endorses TAMA drums, Sabian cymbals, Evans heads, Promark drumsticks, and Humes and Berg cases.

Jaksot(535)

055 – Jack White: Drumming for Rick Springfield, Ike and Tina Turner, Facing Your Fears Head On

055 – Jack White: Drumming for Rick Springfield, Ike and Tina Turner, Facing Your Fears Head On

Originally from Detroit, Jack White is best known for his work world wide with singer/songwriter Rick Springfield in 1976, 1980-84, and 1990-2002. In the 40 plus years that Jack has been playing drums, he has worked with many other artists including Mitch Ryder, Ike and Tina Turner, Sam The Sham, Rare Earth, Redbone, The Knack, Steppenwolf and Roger Miller just to name a few. At the age of sixteen, a few events would help Jack set a standard for how he would live his life and find success in music. These include cold calling Mitch Ryder and demanding to be his drummer as well as hitch hiking to L.A. in 1971. He is also known as an actor in several Disney movies and several tv shows including the last 2 episodes of the series “Sons of Anarchy” and the TV series “Nashville”. Jack is currently announcing for iheart radio. In this podcast, Jack talks about: Perseverance and determination Cold calling Bob Seger Mitch Ryder when he was 16 Never taking “no” for an answer Auditioning for Ike and Tina Turner Drumming for Rick Springfield from the beginning Taking on new challenges like acting and voice overs Facing your fears

16 Maalis 20161h 13min

054 – Willie McNeil: From Punk to Reggae, from Salsa to Burlesque…Putting on a Show for 35 Years

054 – Willie McNeil: From Punk to Reggae, from Salsa to Burlesque…Putting on a Show for 35 Years

Willie McNeil came to LA barely out of high school in the early 1980s. He got busy quickly and hasn’t stopped since, playing with bands across the musical spectrum, sometimes as a sideman but more often as a leader. These days, he’s most widely known as the drummer and frontman for Big Willie’s Burlesque, a troupe of musicians and dancers that appears weekly at LA’s hottest clubs including No Vacancy and The Edison. In this podcast, Willie talks about: How working in a clothing store kickstarted his music career in LA His experience coming to LA in the 80s vs. a young drummer’s experience today His gig in the house band at The Forty Deuce, where the LA Burlesque scene was born Tricks of the Burlesque drumming trade, and incorporating different styles into the Burlesque genre Some common mistakes American musicians make when playing Afro-Cuban styles His “whatever works” approach to gear The advantages of smaller cities over LA and New York, particularly in terms of live music scenes This episode of Working Drummer Podcast is sponsored by OnlineDrummer.com

9 Maalis 201650min

053 – Marshall Richardson: Touring with a “Legacy Artist”, Garnering Recording Tips from Pro Engineers, Taking Recommendations Seriously

053 – Marshall Richardson: Touring with a “Legacy Artist”, Garnering Recording Tips from Pro Engineers, Taking Recommendations Seriously

Originally from Memphis, Tennessee, Marshall Richardson moved to Nashville in 2000 after graduating from the University of North Texas with a BA in Music. As a sideman, Marshall has worked with a diverse list of artists, ranging from country legends to roots rockers, including Jo Dee Messina, Lorrie Morgan, Webb Wilder, Bernie Leadon, Joe Nichols, and Johnny Reid. His career in Nashville is a balance of recording sessions and live local, national, and international touring performances. Marshall endorses Paiste cymbals, Vater percussion, Gretsch drums, and Gibraltar hardware. In this podcast, Marshall talks about: Delivering a great performance when recommended for gigs Being comfortable playing with or without a click Touring with a “Legacy Artist” Getting advice from engineers about home recording Explaining phase and polarity when recording Balancing your kit Considering note length when drumming

2 Maalis 20161h 10min

052 – Tina Raymond: Trusting Her Musical Instinct, Being a Woman in a Male-Dominated Field, The Power of Yoga

052 – Tina Raymond: Trusting Her Musical Instinct, Being a Woman in a Male-Dominated Field, The Power of Yoga

The Los Angeles jazz scene has been coming on strong in recent years and Tina Raymond is right in the middle of it. She performs regularly in the city’s top jazz clubs as well as internationally, with artists ranging from relative newcomers like Cathlene Pineda and Jon Armstrong to long-established greats like Bobby Bradford and Vinnie Golia. She is a graduate of the California Institute of the Arts, better known as Cal Arts, where she studied with legendary jazz drummer and master teacher Joe LaBarbara. She teaches at several high schools and colleges in the LA area and is also a certified yoga instructor. In this podcast, Tina talks about: Two very different college experiences at two very different schools How studying with Joe LaBarbara helped her use her intuition and develop her own voice Being a woman in the male-dominated worlds of drumming and jazz How yoga has affected her mentally and physically as a musician

24 Helmi 201637min

051 – Chad Cromwell: Studio Legend, Drumming for Neil Young, Joe Walsh & Mark Knopfler, Creating the Perfect Part in the Studio

051 – Chad Cromwell: Studio Legend, Drumming for Neil Young, Joe Walsh & Mark Knopfler, Creating the Perfect Part in the Studio

Chad Cromwell is known as one of the most respected studio drummers in Nashville. Even before his move to Nashville, Chad had a strong history of live and recording experience with legends like Joe Walsh, Neil Young and Mark Knopfler. Chad Started recording and touring with Joe Walsh in 1986. In 1987 as well as collaborating with songwriter Neil Young that lead to several recordings and tours with Neil. Chad appears on Neil Young albums such as Freedom (1989), Prairie Wind (2005) Living with War (2006) and Chrome Dreams II (2007). He has also appeared in Heart of Gold, a documentary capturing the debut of Neil Young’s album, Prairie Wind.  Cromwell is also known for his contributions to Mark Knopfler’s solo albums Golden Heart (1996), Sailing to Philadelphia (2000), The Ragpicker’s Dream(2002) and Shangri-La (2004). He was also part of Knopfler’s band during the tours of his first solo albums. He has also worked with many other artists including Dave Stewart, Vince Gill, Amy Grant, Lady Antebellum, Diana Krall, Willie Nelson, Jackson Browne, Boz Scaggs, Wynonna, Trisha Yearwood, Miranda Lambert, Bonnie Raitt, Peter Frampton, Allison Moorer, Chris Knight, Joss Stone, Rodney Crowell, Marty Stuart, and Stevie Nicks. In this podcast, Chad talks about: The impact that home studios have had on the music industry

17 Helmi 20161h 20min

050 – John Kizilarmut: The Pros & Cons of College Music, Removing Barriers Between Genres, Finding His Musical Home in Kansas City

050 – John Kizilarmut: The Pros & Cons of College Music, Removing Barriers Between Genres, Finding His Musical Home in Kansas City

John Kizilarmut spent his formative years bouncing around the Midwest and Texas, eventually landed in Kansas City. He has become a first-call drummer, percussionist, vibraphonist and composer/arranger in KC’s vibrant music scene, playing with the Kansas City Jazz Orchestra, Hermon Mehari, and many more of the area’s world-class talents. He has also maintained teaching duties as an adjunct faculty member at multiple colleges. In this interview, John talks about: How his first year of college shaped his work ethic His lesser-known but masterful and influential mentors including Al Sergel, Kevin Bobo and Doug Auwarter (read an article on Doug here). His heavy focus on marimba and orchestral percussion in college, and how the college environment can blind musicians to the wider world of musical possibilities/opportunities. The deep understanding of jazz and swing held by Kansas City musicians and audiences. How Kansas City’s fierce pride in its rich musical history is balanced with its openness to all kinds of music, and its embrace of a younger generation of musicians creating new and original music. Listen to John on Soundcloud!

10 Helmi 201650min

049 – Paul Griffith: Being a Stylist, Managing Expectations, Dealing with Insecurities

049 – Paul Griffith: Being a Stylist, Managing Expectations, Dealing with Insecurities

Paul Griffith is a freelance drummer and writer based in Nashville, TN. As a musician, his unique, left-of-center style (the result of a New Orleans upbringing) has made him a first call for artists looking to add a laid back groove to their records and live performances. Combining the visceral, dance-oriented feel of New Orleans legends like Joseph “Zigaboo” Modeliste and Earl Palmer with the meticulous experimentation of session great Jim Keltner, Paul has found a home among some of the world’s most creative singer-songwriters, including Sheryl Crow, k. d. Lang, John Prine, Todd Snider, Cerys Mathews (Catatonia), Greg Brown and Jack Ingram. He has been recognized as “Best Hired Hand” by Nashville Scene magazine and was nominated for a Nashville Music Award in the drummer/percussionist category. In this podcast Paul talks about: Being a “Stylist” Caring about the gig but not worrying about it Dealing with your insecurities Dealing with peeks and valleys in the music business Managing expectations and diversifying Asking what the gig pays The right conditions for taking a gig Click here for pictures

3 Helmi 20161h 19min

048 – Giuliano Mingucci: Drum Mic’ing 101, Absorbing Styles, Playing to the Song, Working With a Producer

048 – Giuliano Mingucci: Drum Mic’ing 101, Absorbing Styles, Playing to the Song, Working With a Producer

Giuliano Mingucci was born in Brazil but has spent almost his entire life in Kansas City, MO. He started playing professionally in high school and since then has been a member of Kansas City’s most beloved bands including Bixby Lane, The Barclay Martin Ensemble, and David George & A Crooked Mile. He attended college at The University of Missouri-Kansas City, but chose to get a degree in audio engineering rather than music performance. He has since made a name for himself around the region as a go-to in either discipline, and sometimes both. In this podcast, Giuliano talks about: How the jazz of his hometown and the Brazilian music of his family heritage has shaped his playing Being the house drummer in a cabaret bar Playing in a band with broad stylistic influences Giving a producer musical control of an album How drum tuning, room acoustics and drum mic’ing should be connected Relying solely on drumming vs. having mulitple sources of income Click here for pictures

27 Tammi 201646min

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