Switched on Pop12 Maalis 2019

How Streaming Changed the Sound of Pop

Streaming hasn't just changed the way we listen to music, it's changed the way that pop music sounds. After years of losses due to the death of the CD and the rise of file sharing, the music industry has finally found a profitable business in streaming services. Streaming has overtaken all other music sales. Digital music platforms are the new Virgin megastore. But these services are more than just a distribution mechanism, they have created a whole new music economy. Album sales have been replaced by "album equivalent units," a business fiction that equates 1,500 streams to one physical sale. Artists are now effectively paid by the song. With ad-supported and subscription based business models, these platforms have upended incentives so significantly that it can be heard in the songwriting. Songs are getting shorter, albums are getting longer, and there is an entirely new section of the song that draws from the classical past: the "pop overture." In this episode, Nate and Charlie are joined by Aisha Hassan and Dan Kopf to unpack the sound of pop in the streaming era. Be sure to check out their article on Quartz: "The Reason Why Your Favorite Pop Songs Are Getting Shorter." Songs FeaturedLil Pump - I Love ItBenny Blanco - Eastside ft. Khalid & HalseyKodak Black - Calling My SpiritPost Malone - Better NowLeonard Bernstein - West Side Story OvertureDua Lipa - One KissDrake - God’s PlanPost Malone - I Fall ApartAriana Grande - NasaTommy Dorsey - All The Things You Are Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(542)

Music only the World Cup could make

The quadrennial soccer (or fútbol, depending who you talk to) competition is upon us again: it's the FIFA World Cup! And while the World Cup is a sporting event, it's still relevant to the folks at Sw...

30 Kesä 37min

Why we can't resist Swedish pop (ft. Zara Larsson) ICYMI

In case you missed it: How does a country of 10 million people dominate the global pop charts? From ABBA's Eurovision breakthrough to Max Martin's methodical hit-making, Sweden has quietly engineered...

23 Kesä 44min

2hollis is the underground’s genre-hopping vampire

In the last episode of our feral pop miniseries, we take a look at the 22 year old rapper primed to take over the world: 2hollis. Splitting the difference between hardstyle and hip-hop while emanating...

18 Kesä 31min

Pop music for an internet-pilled generation

This week on Switched On Pop, we’re looking at all things feral pop, the microgenre that takes pop music to its most wild extremes. And no feral pop artist is more tapped into that ethos than undersco...

17 Kesä 25min

The new wave of pop is here, and it’s feral

What would it sound like if pop music was reverted to its most wild state of being? It would sound hyper-digital, influenced by the electronic vanguard of the 2010s, and speak to a post-genre audience...

16 Kesä 32min

Olivia Rodrigo has The Cure for sadness

Olivia Rodrigo is back with her third studio album, you seem pretty sad for a girl in love. As the title might suggest, it’s a deeply personal affair, with moody soundscapes supporting hyper-detailed ...

15 Kesä 42min

Paul McCartney went back to Liverpool for something new to say

Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved g...

9 Kesä 42min

How a sci-fi dystopia became a personal utopia (ft. Arc Iris)

A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Bell...

5 Kesä 13min