The Evolution of Crocodiles

Melvyn Bragg and guests discuss relativism, a philosophy of shifting sands. "Today, a particularly insidious obstacle to the task of educating is the massive presence in our society and culture of that relativism which, recognizing nothing as definitive, leaves as the ultimate criterion only the self with its desires. And under the semblance of freedom it becomes a prison for each one, for it separates people from one another, locking each person into his or her own 'ego'." Pope Benedict XVI, in a speech given in June 2005, showed that the issue of relativism is as contentious today as it was in Ancient Greece, when Plato took on the relativist stance of Protagoras and the sophists. Relativism is a school of philosophical thought which holds to the idea that there are no absolute truths. Instead, truth is situated within different frameworks of understanding that are governed by our history, culture and critical perspective. Why has relativism so radically divided scholars and moral custodians over the centuries? How have its supporters answered to criticisms that it is inherently unethical? And if there are universal standards such as human rights, how do relativists defend culturally specific practices such as honour killings or female infanticide? With Barry Smith, Senior Lecturer in Philosophy at Birkbeck College, University of London; Jonathan Rée, freelance philosopher who holds visiting professorships at the Royal College of Art and Roehampton University; Kathleen Lennon, Senior Lecturer in Philosophy at the University of Hull.

19 Tammi 200628min

Melvyn Bragg and guests discuss prime numbers: 2, 3, 5, 7, 11, 13, 17 … This sequence of numbers goes on literally forever. Recently, a team of researchers in Missouri successfully calculated the highest prime number - it has 9.1 million digits. For nearly two and a half thousand years, since Euclid first described the prime numbers in his book Elements, mathematicians have struggled to write a rule to predict what comes next in the sequence. The Swiss mathematician Leonhard Euler feared that it is "a mystery into which the human mind will never penetrate." But others have been more hopeful... In the middle of the nineteenth century, the German mathematician Bernhard Riemann discovered a connection between prime numbers and a complex mathematical function called the 'zeta function'. Ever since, mathematicians have laboured to prove the existence of this connection and reveal the rules behind the elusive sequence. What exactly are prime numbers and what secrets might they unlock about our understanding of atoms? What are the rules that may govern the prime sequence? And is it possible that the person who proves Riemann's Hypothesis may bring about the collapse of the world financial system? With Marcus du Sautoy, Professor of Mathematics and Fellow of Wadham College at the University of Oxford; Robin Wilson, Professor of Pure Mathematics at the Open University and Gresham Professor of Geometry; Jackie Stedall, Junior Research Fellow in the History of Mathematics at Queen's College, Oxford.

12 Tammi 200628min

Melvyn Bragg and guests discuss the importance of the oath in ancient Greece and Rome, The importance of oaths in the Classical world cannot be overstated. Kings, citizens, soldiers, litigants all swore oaths, inviting divine retribution if they proved false to their word. Oaths cemented peace treaties, they obliged the Athenian citizenry to protect their democracy, they guaranteed the loyalty of the Roman army to its Emperor and they underpinned the legal systems of Athens and Rome. And in Homer's epic poem, The Iliad, it is a broken oath to settle the dispute between Menelaus and Paris that leads the Greeks to storm Troy in pursuit of Helen. But how did the Classical world come to understand the oath? Why did oaths come to occupy such a central place in the political, social and legal life of the Athenian State? And what role did oath-making play in the expanding Roman Empire? With Alan Sommerstein , Professor of Greek at the University of Nottingham;Paul Cartledge , Professor of Greek History at the University of Cambridge; Mary Beard , Professor in Classics at the University of Cambridge

5 Tammi 200642min

Melvyn Bragg and guests discuss the ‘Oresteia’, the seminal trilogy of tragedies by Aeschylus. The composer Richard Wagner recalled the visceral sensations of reading Aeschylus' great trilogy for the first time. "I could see the Oresteia with my mind's eye ... Nothing could equal the sublime emotion with which the Agamemnon inspired me; and to the last word of the Eumenides, I remained in an atmosphere so far removed from the present day that I have never since been really able to reconcile myself with modern literature." Aeschylus' audience were all familiar with the tale of one man's return home from the Trojan War. Homer's Odyssey recounted Odysseus' perilous journey home, the forceful ejection of the suitors from his household and his reunion with wife Penelope and son Telemachus. Aeschylus had a very different tale of homecoming to tell in his Oresteia. Agamemnon arrives home from Troy to a murderous welcome from a vengeful wife and a cycle of atrocities unfolds in his household. The Oresteia has inspired some of the greatest artists and thinkers of the modern world. From Richard Wagner and Friedrich Nietzsche to T.S. Eliot and Simone de Beauvoir – the ‘Oresteia’ has fired the modern imagination.Why did Aeschylus make the family the subject of his bloody revenge tragedy? How did his trilogy make a contribution to the development of Athenian legal institutions? And why has the Oresteia had such a powerful hold over the modern imagination? With Edith Hall, Professor of Greek Cultural History at Durham University; Simon Goldhill, Professor of Greek at the University of Cambridge; Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London.

29 Joulu 200528min

Melvyn Bragg and guests discuss ideas of heaven and the afterlife. The great medieval theologian Thomas Aquinas wrote 'that in the end language can only be related to what is experienced here, and given that the hereafter is not here, we can only infer'. Aquinas encapsulated a great human conundrum that has preoccupied writers and thinkers since ancient times: what might heaven be like. And although human language is constrained by experience, this has not stopped an outpouring of artistic, theological and literary representations of heaven. In the early Middle Ages men ascended up a ladder to heaven. In his Divine Comedy, Dante divided heaven into ten layers encompassing the planets and the stars. And the 17th century writer John Bunyan saw the journey of the soul to heaven as a spiritual struggle in his autobiography, The Pilgrim's Progress. But what exactly is heaven and where is it? How does the Protestant conception of the afterlife differ from the Catholic conception? How does one achieve salvation and what do the saved do when they get there? And, if heaven is so interesting, why has western culture been so spellbound by hell? With Valery Rees, Renaissance scholar and senior member of the Language Department at the School of Economic Science; Martin Palmer, Theologian and Director of the International Consultancy on Religion, Education and Culture; John Carey, Emeritus Professor of English Literature at Oxford University.

22 Joulu 200528min

Melvyn Bragg and guests discuss the Peterloo Massacre in 1819, a defining moment of its age. In 1819 Percy Bysshe Shelley wrote: 'I met Murder on the way He had a mask like Castlereagh Very smooth he looked, yet grim; Seven blood-hounds followed him: All were fat; and well they might Be in admirable plight, For one by one, and two by two, He tossed them human hearts to chew Which from his wide cloak he drew.' As Foreign Secretary, Castlereagh had successfully co-ordinated European opposition to Napoleon, but at home he had repressed the Reform movement, and popular opinion held him responsible for the Peterloo Massacre of peaceful demonstrators in 1819. Shelley's epic poem, The Mask of Anarchy, reflected the widespread public outrage and condemnation of the government's role in the massacre. Why did a peaceful and orderly meeting of men, women and children in St Peter's Field, Manchester turn into a blood bath? How were the stirrings of radicalism in the wake of the Napoleonic Wars dealt with by the British establishment? And what role did the Peterloo Massacre play in bringing about the Great Reform Act of 1832? With Jeremy Black, Professor of History at the University of Exeter; Sarah Richardson, Senior Lecturer in History at the University of Warwick; Clive Emsley, Professor of History at the Open University.

15 Joulu 200528min

Melvyn Bragg and guests discuss artificial intelligence. Can machines think? It was a question posed by the mathematician and Bletchley Park code breaker Alan Turing and it is a question still being asked today. What is the difference between men and machines and what does it mean to be human? And if we can answer that question, is it possible to build a computer that can imitate the human mind? There are those who have always had robust answers to the questions that those who seek to create artificial intelligence have posed. In 1949 the eminent neurosurgeon, Professor Geoffrey Jefferson argued that the mechanical mind could never rival a human intelligence because it could never be conscious of what it did: "Not until a machine can write a sonnet or compose a concerto because of thoughts and emotions felt", he declared "and not by the chance fall of symbols, could we agree that machine equals brain - that is, not only write it but know that it had written it." Yet the quest rolled on for machines that were bigger and better at processing symbols and calculating infinite permutations. Who were the early pioneers of artificial intelligence and what drove them to imitate the operations of the human mind? Is intelligence the defining characteristic of humanity? And how has the quest for artificial intelligence been driven by warfare and conflict in the twentieth century? With Jon Agar, Lecturer in the History and Philosophy of Science, University of Cambridge; Alison Adam, Professor of Information Systems, Salford University; Igor Aleksander, Professor of Neural Systems Engineering at Imperial College, University of London.

8 Joulu 200540min

Melvyn Bragg and guests discuss the great 17th century political philosopher Thomas Hobbes who argued: "During the time men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man". For Hobbes, the difference between order and disorder was stark. In the state of nature, ungoverned man lived life in "continual fear, and danger of violent death". The only way out of this "solitary, poor, nasty, brutish, and short" existence, he said, was to relinquish all your freedom and submit yourself to one all powerful absolute sovereign. Hobbes' proposal, contained in his controversial and now classic text, Leviathan, was written just as England was readjusting to life after the Civil War and the rule of Oliver Cromwell. In fact, in his long life Hobbes’ allegiance switched from Charles I to Cromwell and back to Charles II. But how did the son of a poor clergyman end up as the most radical thinker of his day? Why did so many of Hobbes' ideas run counter to the prevailing fondness for constitutionalism with a limited monarchy? And why is he regarded by so many political philosophers as an important theorist when so few find his ideas convincing? With Quentin Skinner, Regius Professor of History at the University of Cambridge; David Wootton, Professor of History at the University of York; Annabel Brett, Senior Lecturer in Political Thought and Intellectual History at Cambridge University.

1 Joulu 200528min