Pronouncing English as Shakespeare Did

Pronouncing English as Shakespeare Did

"Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue." —HAMLET (3:2:1–2) When Shakespeare wrote his lines, and actors first spoke them, how did they say the words—and what does that tell us? Rebecca Sheir, host of the Shakespeare Unlimited series, talks "original pronunciation" (OP) with Shakespearean actor Ben Crystal and his father, linguist David Crystal, one of the world's foremost researchers on how English was spoken in Shakespeare's time. Filled with lively banter as well as familiar lines spoken in OP, the conversation offers a different perspective on the plays, from the puns and rhymes hidden by modern pronunciation to added meanings and the opportunity for quicker speech. Ben Crystal is a Shakespearean actor who has appeared through Great Britain and the United States. David Crystal, Ben Crystal's father, is a linguist, editor, lecturer, and author of more than 100 books, including "The Stories of English," "The Cambridge Encyclopedia of Language," and "The Cambridge Encyclopedia of the English Language." ---------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Written and produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is the associate producer. Edited by Gail Kern Paster and Esther Ferington. We had help from Esther French at the Folger Shakespeare Library, Geoff Oliver at the Sound Company in London, and Jonathan Charry at WAMU radio in Washington, DC.

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Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

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20 Maalis 201527min

Shakespeare in Translation

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"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

20 Maalis 201524min

Punk Rock Shakespeare

Punk Rock Shakespeare

"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. ...

20 Maalis 201514min

Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Maalis 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

20 Maalis 201529min

Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Maalis 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Maalis 201518min

Designing Shakespeare

Designing Shakespeare

“And I hope here is a play fitted.” —A MIDSUMMER NIGHT'S DREAM (1.2.63) There's an old Broadway saying (sometimes attributed to Richard Rodgers) that "No one ever walked out of a theater humming the ...

25 Helmi 201518min

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