American Moor
"Othello" is the story of a tragic murder and suicide involving a dark-skinned general and his aristocratic, white-skinned bride. Who should direct it? Who’s “allowed” to? What if a white director and the actor he’s cast as Othello simply do not see eye-to-eye on the play’s subtext, the Moor’s motivations, and what the audience is supposed to take away from the production? That conflict is at the heart of a one-man show currently being performed around the country called "American Moor." In it, a black actor – the play’s author, Keith Hamilton Cobb – stands on stage and addresses an invisible, white director who simply does not “get” Othello. Their disagreement allows for a searing exploration of the gulf between black and white Americans that some like to believe simply does not exist. Keith Hamilton Cobb is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published August 9, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Is This the Noble Moor?”, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Bill Lancz at the Marketplace Studios in Los Angeles. http://www.folger.edu/shakespeare-unlimited/american-moor

Jaksot(296)

Throughlines, with Ayanna Thompson and Ruben Espinosa

Throughlines, with Ayanna Thompson and Ruben Espinosa

How can educators effectively incorporate discussions about race into the study of Shakespeare and other premodern texts in the college classroom? Barbara Bogaev speaks with scholars Ayanna Thompson a...

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Juliet, Then and Now, with Sophie Duncan

Juliet, Then and Now, with Sophie Duncan

Was Romeo and Juliet your first brush with Shakespeare? Whether it was on stage, on screen in films by Franco Zeffirelli or Baz Luhrmann or Shonda Rhimes' Still Star-Crossed, or in the pages of the Fo...

27 Elo 202437min

Completing the Canon: Barry Edelstein on The Old Globe's Henry 6

Completing the Canon: Barry Edelstein on The Old Globe's Henry 6

This summer San Diego’s Old Globe became one of only 10 theaters in America who have produced all of Shakespeare’s plays (or 11, depending on how you count it) with their production of Henry VI, parts...

14 Elo 202437min

Colman Domingo on Sing Sing and the Power of Theater

Colman Domingo on Sing Sing and the Power of Theater

Can a musical comedy featuring Hamlet and Nightmare on Elm Street’s Freddy Krueger change lives? Actor, playwright, and director Colman Domingo thinks so. In Sing Sing, a new film from A24, Domingo ...

30 Heinä 202430min

The Brief Life and Big Impact of the Federal Theatre Project, with James Shapiro

The Brief Life and Big Impact of the Federal Theatre Project, with James Shapiro

Imagine: a fiercely idealistic, politically progressive artist takes the stand at a hearing of the House Un-American Activities Committee. The chair of the committee is a hard-right demagogue with a g...

16 Heinä 202436min

A Tour of the Newly-Reopened Folger | Part 2: Research at the Folger

A Tour of the Newly-Reopened Folger | Part 2: Research at the Folger

After a four-year renovation, the Folger Shakespeare Library is now open with 12,000 square feet of new public spaces. But behind the scenes, in our original building, we’ve also revamped the way we s...

2 Heinä 202431min

A Tour of the Newly-Reopened Folger | Part 1

A Tour of the Newly-Reopened Folger | Part 1

On June 21, the Folger reopens after a four-year renovation. The reimagined Folger has brand-new public exhibition spaces where we can introduce visitors to Shakespeare and his plays, as well as showc...

18 Kesä 202434min

Fred Wilson on his New, Othello-Inspired Work for the Folger

Fred Wilson on his New, Othello-Inspired Work for the Folger

Fred Wilson’s artistic output includes painting, sculpture, photography, and collage, among other media. But his 1992 work “Mining the Museum” at the Maryland Historical Society used the museum’s own ...

4 Kesä 202433min

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