Sights, Sounds, and Smells of Elizabethan Theater

Sights, Sounds, and Smells of Elizabethan Theater

Sixteenth-century theater companies used a variety of physical and sensual staging effects in their productions to create a full-body experience for playgoers: fireworks hissing and shooting across the stage, fake blood, fake body parts, the smell of blood and death, and more. Farah Karim-Cooper and Tiffany Stern are the editors of a 2013 collection of essays, Shakespeare’s Theatre and the Effects of Performance, written by themselves and nine other theater historians. Tiffany Stern is a Professor of Shakespeare and Early Modern Drama with the University of Birmingham’s Shakespeare Institute at Stratford-upon-Avon. Farah Karim-Cooper is Head of Higher Education and Research at Shakespeare’s Globe in London. Tiffany and Farah are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published December 13, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, Awake Your Senses, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had production help from Cathy Devlin and Dom Boucher at the Sound Company in London and Paul Luke and Andrew Feliciano at at Voice Trax West in Studio City, California.

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Shakespeare's France and Italy

Shakespeare's France and Italy

"Myself, a prince by fortune of my birth, . . . Have stooped my neck under your injuries And sighed my English breath in foreign clouds" —RICHARD II (3.1.16, 19–20) Shakespeare's plays are well stock...

20 Touko 201522min

Elizabethan Street Fighting

Elizabethan Street Fighting

"Blood hath been shed ere now, i' th' olden time, Ere humane statute purged the gentle weal; Ay, and since too, murders have been performed Too terrible for the ear." —MACBETH(3.4.91–94) From the due...

5 Touko 201530min

Myths About Shakespeare

Myths About Shakespeare

"It is not so. Thou hast misspoke, misheard. Be well advised; tell o'er thy tale again. It cannot be; thou dost but say 'tis so." —KING JOHN (3.1.5–7) Even if you’re not a Shakespeare scholar, there ...

22 Huhti 201525min

Recounting Shakespeare's Life

Recounting Shakespeare's Life

Her father loved me, oft invited me, Still questioned me the story of my life From year to year—the battles, sieges, fortunes That I have passed. —Othello (1.3.149–152) What do we know about Shake...

8 Huhti 201528min

Shakespeare in Black and White

Shakespeare in Black and White

"Our own voices with our own tongues" —CORIOLANUS (2.3.47) In one of two podcasts on Shakespeare and the African American experience, "Our Own Voices with Our Own Tongues" revisits the era when Jim C...

20 Maalis 201530min

The Rarely Performed Shakespeare Plays

The Rarely Performed Shakespeare Plays

"As jewels lose their glory if neglected, So princes their renowns if not respected." —PERICLES (2:2:12–13) Every year, theaters across the United States and the world treat us to Shakespeare—which u...

20 Maalis 201528min

A New First Folio Discovery

A New First Folio Discovery

"As truth's authentic author to be cited, 'As true as Troilus' shall crown up the verse" —TROILUS AND CRESSIDA (3.2.182–183) Not long ago, the world learned of a remarkable discovery: An old book in...

20 Maalis 201520min

Pronouncing English as Shakespeare Did

Pronouncing English as Shakespeare Did

"Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue." —HAMLET (3:2:1–2) When Shakespeare wrote his lines, and actors first spoke them, how did they say the words—and wh...

20 Maalis 201528min

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