Harriet Walter
In 2012, London’s Donmar Warehouse opened an all-female production of Julius Caesar, starring Dame Harriet Walter as Brutus and directed by Tony Award-nominated director Phyllida Lloyd. The production was set in a women’s prison, and it was the first of a trilogy of all-female productions, all starring Walter, that The Guardian would call “one of the most important theatrical events of the past 20 years.” Julius Caesar was featured on PBS’s Great Performances on March 29, which made it the perfect time to call up Dame Harriet to discuss her decades-long career. We asked her about gender in Shakespeare, playing Ophelia, Portia, and Brutus, and her 2016 book, Brutus and Other Heroines: Playing Shakespeare’s Roles for Women. Harriet Walter is one of the most acclaimed performers on the British stage. She won the 1988 Olivier Award for Best Actress, the Evening Standard Award for her work as Elizabeth I in the 2005 London revival of Mary Stuart, and has starred in Twelfth Night, Macbeth and Antony and Cleopatra at the Royal Shakespeare Company. She is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 2, 2019. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Say to All the World ‘This Was a Man’” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Dan Sterling at The Sound Company in London.

Jaksot(297)

Shakespeare and Religion

Shakespeare and Religion

The period when Shakespeare was writing was one torn by disagreements over the proper method of observing Christianity in England. Protestantism was at war with Catholicism and the Church of England ...

31 Touko 201626min

Shakespeare in Africa

Shakespeare in Africa

When the British came to colonize the African continent in the middle of the 1800s, they brought Shakespeare with them. But after the British left power, it was often Shakespeare who leaders in Africa...

17 Touko 201633min

Creation of the First Folio

Creation of the First Folio

We likely wouldn’t have half of Shakespeare’s plays without the First Folio of 1623. Imagine a world without "Macbeth," "Twelfth Night," or "Julius Caesar." Our guest on this episode of Shakespeare Un...

3 Touko 201628min

Kill Shakespeare Comics

Kill Shakespeare Comics

Imagine a comic book series in which Shakespeare’s most popular characters team up in rival, warring camps bent on seizing control of the kingdom that is the world of Shakespeare’s plays. It’s called...

20 Huhti 201629min

Reduced Shakespeare Company

Reduced Shakespeare Company

Discovered in a treasure-filled parking lot in Leicester, England, an ancient manuscript proves to be the long-lost first play by none other than the young William Shakespeare from Stratford. That’s t...

5 Huhti 201625min

Inside the Folger Conservation Lab

Inside the Folger Conservation Lab

The Folger is the world’s largest Shakespeare collection, and the crown jewels of that collection are the 82 First Folios. To celebrate 400 years of Shakespeare, eighteen of these rare books are trave...

22 Maalis 201630min

Shakespeare and Magic

Shakespeare and Magic

In Shakespeare’s THE TEMPEST, the magician Prospero conjures up a storm, charms his daughter to sleep, and uses his power to control Ariel and other spirits. Is this magic for real, or is Prospero pul...

8 Maalis 201632min

Shakespeare and World Cinema

Shakespeare and World Cinema

Shakespeare, of course, is not just performed in English, and his work is not just acted on stage. Foreign-language adaptations of Shakespeare on film have a tradition that goes back as long as talkin...

23 Helmi 201635min

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