Studying Shakespeare Now

Studying Shakespeare Now

Forget dusty textbooks and silent classrooms—the Folger Shakespeare Library has released new teaching guides designed to make the Bard’s works more engaging, accessible, and inclusive than ever before. In this episode, Peggy O’Brien, the editor behind these guides, and teachers Deborah Gascon and Mark Miazga, co-authors of the lesson plans for Romeo and Juliet and Macbeth respectively, explore how the Folger Method transforms student understanding by focusing on performance, collaboration, and creative engagement with Shakespeare’s language. The discussion also addresses how the guides tackle important topics like race and gender and how to adapt to today’s technological and social challenges, offering fresh strategies to connect with students in meaningful ways about Shakespeare and all kinds of literature. Whether you’re a teacher, a student, or simply a Shakespeare lover, this episode sheds light on innovative methods for bringing the classics to life and ensuring they remain relevant for future generations. About the Folger Guides to Teaching Shakespeare The Folger Guides to Teaching Shakespeare series offers educators fresh insights, innovative tools, and detailed lesson plans for teaching Shakespeare’s most frequently taught plays. Rooted in the proven Folger Method and informed by the experiences of classroom teachers across the United States, the guides are designed to make Shakespeare accessible, engaging, and relevant for today’s students. > > The new teaching guides are available for purchase online at the Folger Shop. Peggy O’Brien is a classroom teacher and the founder of the Folger Shakespeare Library’s Education Department. Since 1981, she has championed K–12 Shakespeare education, establishing the Teaching Shakespeare Institute and serving as the instigator and general editor of the Shakespeare Set Free series. From 2013 to 2024, Peggy returned to the Folger to serve as Director of Education, during which she oversaw the creation of the Folger Guides to Teaching Shakespeare. Deborah Gascon is a National Board-Certified teacher of English and Journalism in Columbia, South Carolina, and a Fulbright Teacher Exchange alum who taught English in Romania. A graduate of the 2012 Teaching Shakespeare Institute, she has served as a mentor teacher for the Folger Summer Academy. Deborah holds a doctorate in Curriculum and Instruction from the University of South Carolina, with a dissertation on using Shakespeare to enhance student comprehension, empathy, and awareness of gender and race. She co-wrote the lesson plans for The Folger Guide to Teaching Romeo and Juliet. Mark Miazga teaches English at Baltimore City College High School, one of the nation’s oldest public schools, where he works within the International Baccalaureate Diploma and Middle Years Programs. A recipient of the Milken Educator Award in 2014, Mark is a 2008 Teaching Shakespeare Institute scholar and a 2013 Steinbeck Institute Scholar. He holds a BA in English and Education from Michigan State University and a Master’s in Secondary Education from Towson University. Mark co-wrote the lesson plans for The Folger Guide to Teaching Macbeth. From the Shakespeare Unlimited podcast. Published November 18, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

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Music for Shakespeare's Lyrics

Music for Shakespeare's Lyrics

The majority of Shakespeare’s plays call for singing — sometimes it’s part of the action, sometimes it seems to spring out of nowhere. And while the lyrics to the songs appear to have always been a p...

7 Loka 201531min

The Year of Lear

The Year of Lear

1606 was a critical year for Shakespeare’s creative career. It was the year in which he wrote KING LEAR, MACBETH, and ANTONY AND CLEOPATRA. It was also a time in which the king of England, James I, fa...

23 Syys 201529min

Editing Shakespeare

Editing Shakespeare

Just what exactly does it mean to edit the works of Shakespeare, particularly since we have no surviving manuscript copies? Why is it that new editions of the plays continue to be published? In this ...

9 Syys 201531min

Shakespeare Not Stirred

Shakespeare Not Stirred

"Shakespeare Not Stirred" is the creation of two English professors who combined their love of the cocktail hour and their love of Shakespeare to write a collection of Bard-inspired cocktail and hors ...

26 Elo 201525min

Great Shakespeareans

Great Shakespeareans

If you were to make a list of the people who have left an enduring imprint on how the world interprets, understands, and receives Shakespeare, who would you choose? About a decade ago, Peter Holland,...

29 Heinä 201521min

Shakespeare and The Tabard Inn

Shakespeare and The Tabard Inn

What if Shakespeare and his friends had gotten together and carved their names on the wall of an inn made famous by Chaucer’s Canterbury Tales? The intriguing possibility of such a link between these ...

15 Heinä 201519min

Shakespeare in Hong Kong

Shakespeare in Hong Kong

"Last thing he did, dear queen, He kissed—the last of many doubled kisses— This orient pearl. His speech sticks in my heart." ANTONY AND CLEOPATRA (1.5.45-48) Hong Kong, a former British colony, ha...

1 Heinä 201524min

Shakespeare on Film

Shakespeare on Film

For most of us, “seeing Shakespeare” means experiencing live actors in a theater. But for more than 100 years, Shakespeare’s words, plots, settings and characters have also been brought to life on fil...

17 Kesä 201523min

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