Shakespeare and his contemporaries, with Darren Freebury-Jones

Shakespeare and his contemporaries, with Darren Freebury-Jones

What does it mean to be called an “upstart crow”? In 1592, a pamphlet titled Greene’s groats-worth of witte described William Shakespeare, in the first allusion to him as a playwright, with this phrase, calling him “an upstart crow, beautified with our feathers.” This phrase sparked centuries of speculation. As Darren Freebury-Jones explores in his book, Shakespeare’s borrowed feathers: How early modern playwrights shaped the world’s greatest writer, Shakespeare’s so-called borrowing was neither unusual for the time nor a weakness—it was ultimately a testament to his genius. Exploring how Shakespeare navigated a competitive theatrical scene in early modern England, Freebury-Jones reveals the ways in which Shakespeare reshaped the works of contemporaries like John Lyly, Thomas Kyd, and Christopher Marlowe into something distinctly his own. By combining traditional literary analysis with cutting-edge digital tools, he uncovers echoes of Lyly’s witty comedies and gender-bending heroines, Kyd’s tragic revenge dramas, and Marlowe’s powerful verse in Shakespeare’s early plays. This episode sheds light on Shakespeare’s role as a responsive and innovative playwright deeply embedded in the early modern theatrical community. Listen in to learn more about the influences on the “upstart crow” as he created a canon of timeless works. Dr Darren Freebury-Jones is author of the monographs: Reading Robert Greene: Recovering Shakespeare’s Rival (Routledge), Shakespeare’s Tutor: The Influence of Thomas Kyd (Manchester University Press), and Shakespeare’s Borrowed Feathers (Manchester University Press). He is Associate Editor for the first critical edition of The Collected Works of Thomas Kyd since 1901 (Boydell and Brewer). He has also investigated the boundaries of John Marston’s dramatic corpus as part of the Oxford Marston project and is General Editor for The Collected Plays of Robert Greene (Edinburgh University Press). His findings on the works of Shakespeare and his contemporaries have been discussed in national newspapers such as The Times, The Guardian, The Telegraph, The Observer, and The Independent as well as BBC Radio. His debut poetry collection, Rambling (Broken Sleep Books), was published in 2024. In 2023 he was elected a Fellow of the Royal Historical Society in recognition of his contributions to historical scholarship.

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The Year of Lear

The Year of Lear

1606 was a critical year for Shakespeare’s creative career. It was the year in which he wrote KING LEAR, MACBETH, and ANTONY AND CLEOPATRA. It was also a time in which the king of England, James I, fa...

23 Syys 201529min

Editing Shakespeare

Editing Shakespeare

Just what exactly does it mean to edit the works of Shakespeare, particularly since we have no surviving manuscript copies? Why is it that new editions of the plays continue to be published? In this ...

9 Syys 201531min

Shakespeare Not Stirred

Shakespeare Not Stirred

"Shakespeare Not Stirred" is the creation of two English professors who combined their love of the cocktail hour and their love of Shakespeare to write a collection of Bard-inspired cocktail and hors ...

26 Elo 201525min

Great Shakespeareans

Great Shakespeareans

If you were to make a list of the people who have left an enduring imprint on how the world interprets, understands, and receives Shakespeare, who would you choose? About a decade ago, Peter Holland,...

29 Heinä 201521min

Shakespeare and The Tabard Inn

Shakespeare and The Tabard Inn

What if Shakespeare and his friends had gotten together and carved their names on the wall of an inn made famous by Chaucer’s Canterbury Tales? The intriguing possibility of such a link between these ...

15 Heinä 201519min

Shakespeare in Hong Kong

Shakespeare in Hong Kong

"Last thing he did, dear queen, He kissed—the last of many doubled kisses— This orient pearl. His speech sticks in my heart." ANTONY AND CLEOPATRA (1.5.45-48) Hong Kong, a former British colony, ha...

1 Heinä 201524min

Shakespeare on Film

Shakespeare on Film

For most of us, “seeing Shakespeare” means experiencing live actors in a theater. But for more than 100 years, Shakespeare’s words, plots, settings and characters have also been brought to life on fil...

17 Kesä 201523min

Shakespeare's France and Italy

Shakespeare's France and Italy

"Myself, a prince by fortune of my birth, . . . Have stooped my neck under your injuries And sighed my English breath in foreign clouds" —RICHARD II (3.1.16, 19–20) Shakespeare's plays are well stock...

20 Touko 201522min

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