Write On: Comedy Writing with Brent Forrester

Write On: Comedy Writing with Brent Forrester

"My recommendation to anybody who is writing animation is to take advantage of the things you can do in animation that you can't do in live action, which is to spend an infinite amount of money, right? If you and I are going to write a scene and you say, 'Oh, let's set it on a battleship, but then space aliens come and suddenly we're transported to Jupiter,' it better be animation because if it's not, we're never going to be able to shoot that. But if it is animation, that's exactly what we should be doing all the time. You want to create the most expensive set in the world because it costs nothing to draw that battleship and send us to Jupiter. And that's really the glory of an animated show," says Brent Forrester, about what he learned writing for The Simpsons for three seasons.

On today's episode, we chat with Emmy-winning writer Brent Forrester about his prolific comedy writing career that includes shows like The Office, King of the Hill and Space Force. He shares why the writing room for The Simpsons was so intimidating and his surprise when The Office showrunners had to teach him the specific tone and structure for the show after he turned in his first episode and just wasn't getting it.

"I had gotten the tone wrong – it was largely my attempt to make it wall to wall funny. I wasn't getting that you really had to make it serious. There were other aspects, too, that I had to pick up. One of them is the use of what are called 'talking heads.' It's when the character speaks directly to camera. It comes from reality TV where they pull the subject of a reality show aside and ask them a question and they just speak directly to camera. So we stole that device and it's a great crutch for writers because one of the hardest things for us is getting the exposition across," says Forrester.

He also shares his advice for writing a great TV pilot that will hook the reader and offers a simple formula for writing jokes by mixing the sacred with the profane.

To hear more, listen to the podcast.

Jaksot(100)

Write On with 'Big George Foreman' Writer/Director George Tillman Jr.

Write On with 'Big George Foreman' Writer/Director George Tillman Jr.

Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World tells the emotional journey of the world famous boxer from his poor upbringings in Texas to his rise to Heavyweight Champion of the World and then onto reinventing himself when it was time to look beyond the gloves. Final Draft's podcast Write On sits down with writer/director George Tillman Jr. (Soul Food, The Hate U Give) to hear the inspiration behind this film. "Biopics are very complicated to do, so I just started falling in love with the idea of this journey that this man took from a young man to an older one," says Tillman Jr. on how he chose Foreman's story. "Everybody knows him as the grill guy, so we really showed how he became the pitchman that led to the grill you know." Listen to hear more about bringing this larger than life man to the big screen.  Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World released in theaters April 28.

11 Touko 202322min

Write On with 'Daisy Jones & the Six' Co-Showrunner Scott Neustadter

Write On with 'Daisy Jones & the Six' Co-Showrunner Scott Neustadter

The story of how Daisy Jones & the Six went from book to TV show is a fascinating one. Scott Neustadter, best known for comedies like 500 Days of Summer and The Disaster Artist, was sent the unpublished manuscript about the rise of a rock band in Los Angeles in the 1970s, on a whim. Little did he know it would become a bestseller. At the time, he had given the book to his wife, with whom he had never worked before. But she just so happened to be at Reese Witherspoon's production company, Hello Sunshine. They loved the book and his adaptation and the show was born. Now, Neustadter is the co-creator and co-showrunner of the Amazon show. Final Draft's podcast Write On sat down with Neustadter to hear about his process. "If you're going to write television– it's an important, huge undertaking so you have to have passion, you have to love the thing... It isn't something you can do on the side. It will become your whole life, so you better love it," he said. Daisy Jones & the Six is available on Amazon Prime. Please note: this podcast was recorded prior to the WGA Strike.

4 Touko 202330min

Write On with 'Blindspotting' Co-Creator Rafael Casal

Write On with 'Blindspotting' Co-Creator Rafael Casal

Final Draft's Write On podcast series sits down with co-creator Rafael Casal on the second season of his half-hour comedy series Blindspotting. The show centers on Ashley, who lives in Oakland, Calif. When her partner (who is also the father of her son) is sent to prison, she must move in with her mother-in-law, played by Helen Hunt. "That's a part of writing for actors. You know what they're capable of and so sometimes in the script you're not writing everything they do, but you're writing the window into them having the freedom to do what they do best," Casal says about writing for actors. He also discusses what he looks for in a writer when hiring to fill his room. "I don't want somebody who's just trying to color within the lines book, especially for a show like ours that is really non-traditional. I'm looking for people that are willing to kick out an idea and try something even if it only works 70% of the way but you took the swing," he says. Blindspotting airs on STARZ.

24 Huhti 202330min

Write On with 'The Woman King' Writer Dana Stevens

Write On with 'The Woman King' Writer Dana Stevens

Written by screenwriter Dana Stevens, The Woman King is a historical epic about an all-female warrior unit that protected the West African kingdom of Dahomey during the 17th to the 19th centuries. The film is set in the 1820s and stars Viola Davis who is tasked with training the next generation of young warriors. Stevens chatted with Final Draft about discovering the "richness of the story" while writing the script. "I just could not believe that I did not know this story, that I had never heard of it," Stevens said. "And the more I delved into it, just on my own… I mean, I was watching things on YouTube, like things in French, you know, I was just I was just blown away." When asked for advice to aspiring screenwriters trying to break into the industry or write a passion project such as The Woman King, Stevens had some inspiring words. "Go ahead and write. Write a lot. Have a few things you're working on. Have your personal project that you just love, that you think maybe no one will ever make, but also maybe have another project that's your, you know, more commercial thing," she says. The Woman King is now available on a variety of streaming platforms.

20 Tammi 202327min