The Mastering Show #98 - Stem mastering, Dynamics and Dolby Atmos at Abbey Road (with Oli Morgan)

As much as I love dynamics, in some ways mastering loud is easier. So what do I mean by that, and what does it mean for the loudness of your masters ?In this episode I explore the benefits of loudness...

9 Loka 30min

I hear this question all the time - would it be better to fix this in the mix, or in the master ?It’s a fascinating question, and you may think you already know my answer - but it may not be that simp...

31 Elo 39min

I'm seeing several different discussions online about what makes a "real" mastering engineer – and some of them are getting pretty heated !So what really matters the most ? Expertise, experience, or c...

30 Kesä 41min

Audio repair and restoration has always been a huge part of mastering – and not only for re-mastering vintage material.Even modern recordings can have problems like clicks, thumps, hiss, amp buzz, dis...

29 Touko 45min

I used to say that the Loudness Range (LRA) measurement wasn't really useful when mastering - but recently I changed my mind. In this episode I explain why, and how loudness range is actually somethin...

29 Huhti 33min

More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copi...

31 Maalis 1h 8min

I see it every day: “The Loudness Wars are over - loud won. Get over it”And it’s easy to see why. The average mainstream release hits -8 LUFS integrated or more; club releases regularly hit -6 or even...

28 Helmi 34min

It was the Grammys this week - you can't have missed it !And somewhere along the way I saw an article by Ian Vargo assessing the loudness and dynamics of the nominees for Best Song.In this episode I t...

31 Tammi 27min