Romeo and Juliet Through the Ages

Romeo and Juliet Through the Ages

"For never was a story of more woe Than this of Juliet and her Romeo." —ROMEO AND JULIET(5.3.320) Though the tragic love story of Romeo and Juliet is a perennial favorite, the world around the play has changed in the four centuries since it was first performed. Shifting attitudes about taboo love and marriage, gender roles, and even guns and street violence inform the way we read or see the play today. Rebecca Sheir, host of our Shakespeare Unlimited podcast series, talks with theater scholars and artists about how ROMEO AND JULIET has been cut and molded to fit certain cultural expectations in different time periods. Among those featured in this podcast: - Libby Appel is the former director of the Oregon Shakespeare Festival. - Joe Calarco is the adaptor and original director of Shakespeare’s R&J. - Linda Charnes is professor of English at Indiana University, Bloomington. - Michael Kahn is artistic director of the Shakespeare Theatre Company in Washington, DC. - Peggy O'Brien is director of education at Folger Shakespeare Library. - Lindsey Row-Heyveld is assistant professor of English at Luther College in Iowa. - Anne Russell is an associate professor at Wilfrid Laurier University in Ontario, Canada. ----------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Written and produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Esther Ferington and Gail Kern Paster. The music was composed and arranged by Lenny Williams. We had help gathering material for this podcast series from Esther French.

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Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

"I was born to speak all mirth and no matter." (Much Ado About Nothing, 2.1.323) Let's face it: Modern audiences sometimes go from roaring with laughter to scratching their heads when it comes to enj...

20 Maalis 201527min

Shakespeare in Translation

Shakespeare in Translation

"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

20 Maalis 201524min

Punk Rock Shakespeare

Punk Rock Shakespeare

"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. ...

20 Maalis 201514min

Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Maalis 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

20 Maalis 201529min

Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Maalis 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Maalis 201518min

Designing Shakespeare

Designing Shakespeare

“And I hope here is a play fitted.” —A MIDSUMMER NIGHT'S DREAM (1.2.63) There's an old Broadway saying (sometimes attributed to Richard Rodgers) that "No one ever walked out of a theater humming the ...

25 Helmi 201518min

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