The Victorian Cult Of Shakespeare

The Victorian Cult Of Shakespeare

For most of the 1700s, Shakespeare was considered a very good playwright. But in the 1800s, and especially during the Victorian period, Shakespeare became a prophet. Ministers began drawing their lessons from his texts. Scholars wrote books about the scriptural resonances of his words—often while taking those words out of context. Shakespeare’s works, the Victorians believed, offered religious revelations. In his new book, "The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century," University of Washington Associate Professor of English Charles LaPorte examines this moment in literary and religious history. We invited him to join us on the podcast to tell us how people in the 19th century thought about Shakespeare, how the moment helped give rise to the “authorship controversy,” and how sometimes, even today, we read Shakespeare like the Victorians. LaPorte is interviewed by Barbara Bogaev. "The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century" was published by Cambridge University Press in 2020. Dr. Charles LaPorte's previous book, "Victorian Poets and the Changing Bible," was named Best First Book in Victorian Studies by the Northeast Victorian Studies Association in 2011. From the Shakespeare Unlimited podcast. Published November 24, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Am No Thing To Thank God On,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer, with help from Leonor Fernandez. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California.

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Why Shakespeare's Stories Still Resonate

Why Shakespeare's Stories Still Resonate

"I prithee speak to me as to thy thinkings," (Othello, 3.3.152) How do Shakespeare's works, written so long ago, still speak to us today? Just as actors and directors strive to work out this questio...

20 Maalis 201516min

Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

"I was born to speak all mirth and no matter." (Much Ado About Nothing, 2.1.323) Let's face it: Modern audiences sometimes go from roaring with laughter to scratching their heads when it comes to enj...

20 Maalis 201527min

Shakespeare in Translation

Shakespeare in Translation

"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

20 Maalis 201524min

Punk Rock Shakespeare

Punk Rock Shakespeare

"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. ...

20 Maalis 201514min

Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Maalis 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

20 Maalis 201529min

Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Maalis 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Maalis 201518min

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