Brahms Double Concerto

Brahms Double Concerto

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years." One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works," It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Jaksot(273)

The Degenerates: Music Suppressed by the Nazis

The Degenerates: Music Suppressed by the Nazis

From the end of WWI until 1933, classical music in Germany, Austria, and Eastern Europe was flourishing, with composers such as Zemlinsky, Weill, Krenek, Korngold, Schreker, Schulhoff, Haas, Krasa, and Ullmann writing spectacularly innovative and thrilling music. The Nazis exiled or murdered many of these musicians while in power, but their music lives on. I've never found researching an episode so moving, enraging, and inspiring. Join us this week in this journey of rediscovery - you won't regret it!

12 Elo 20211h 1min

Sibelius Symphony No. 2

Sibelius Symphony No. 2

In 1901, in the throes of the Finnish Independence movement, Jean Sibelius composed his legendary 2nd Symphony. Sibelius' close colleague, the conductor Robert Kajanus, said that the symphony "strikes one as the most broken-hearted protest against all the injustice that threatens at the present time to deprive the sun of its light and our flowers of their scent." But is the symphony actually about Finnish Independence? Or was it simply, as Sibelius said, "a confession of the soul"? Join us for a deep dive!

5 Elo 202155min

Dvorak Symphony No. 9, "From the New World"

Dvorak Symphony No. 9, "From the New World"

Within three months of his arrival in New York, Antonin Dvorak was enamored with the sound of American music. Quickly he put forth what was at the time a controversial idea: "In the Negro melodies of America I discover all that is needed for a great and noble school of music..." This inspiration is threaded through almost every note of the New World Symphony, with a healthy dose of Dvorak's Bohemian roots and Germanic tradition as well! Join us as we explore this legendary masterpiece from every angle.

29 Heinä 202158min

Havergal Brian, "Gothic Symphony"

Havergal Brian, "Gothic Symphony"

Havergal Brian's ambitious Gothic Symphony has been called many things - massive, ambitious, barbaric, incompetent, insane, moving, brilliant, awful, torture, and much more. It is almost never performed due to the forces it requires and its two hour duration. Today on the show I'll tell you about the background to this monumental work, and then I'll try to walk you through the structure of this symphony. Like a Gothic cathedral, there are lots of corners to get lost in, but I'll try to keep you on the path!

22 Heinä 20211h 9min

Bruckner Symphony No. 7

Bruckner Symphony No. 7

With the rise of Wagner, the symphony seemed to be left for dead. But one composer in particular, Anton Bruckner, decided to take the plunge back into the symphonic genre, though he did it with a markedly Wagnerian touch. His most popular symphony? The 7th. We'll talk about the connection between Wagner and Bruckner throughout the show, but we'll also explore Bruckner's distinctive orchestral sound, and how his music seems destined to be performed in a cathedral, always looking up into the sky in wonder.

16 Heinä 202158min

A Conversation with Gabriela Lena Frank, Composer

A Conversation with Gabriela Lena Frank, Composer

Gabriela Lena Frank is currently serving as Composer-in-Residence with the storied Philadelphia Orchestra and was included in the Washington Post's list of the 35 most significant women composers in history, I've always been a huge fan of Lena Frank's music, and I was so thrilled to talk with her about how she approaches writing, the sense of fantasy that is so present in her work, the Gabriela Lena Frank Creative Academy, and her fascinating NY Times article about Beethoven's deafness. This is a fun one!

8 Heinä 202134min

Shostakovich Symphony #13: "Babi Yar"

Shostakovich Symphony #13: "Babi Yar"

In 1961, a poem appeared by the young poet Yevgeny Yevtushenko, entitled Babi Yar. The first line of this poem is: "There are no monuments over Babi Yar." In September of 1941 at least 33,771 Jews were murdered at the Babi Yar ravine in Ukraine; the largest single massacre of Jews to that point in WWII. Shostakovich, moved by the bravery of Yevtushenko's poem, set it and 4 other Yevtushenko poems and created his 13th symphony. This is one of those unforgettable pieces - join me to learn all about it.

1 Heinä 20211h 3min

The Story of "Blind" Tom Wiggins, w/ Deirdre O'Connell

The Story of "Blind" Tom Wiggins, w/ Deirdre O'Connell

Never heard of Tom Wiggins? You're in for a treat with this episode! Tom Wiggins was a fantastic 19th century pianist and composer who was ruthlessly exploited by his owner/guardian on account of his race and his mental condition. He was known as one of the greatest performers of his era and yet was never paid for his work. I sat down with Deirdre O'Connell (The Ballad of Blind Tom) to talk with her about Wiggins' life and work. Also included are clips of his music, performed by the pianist John Davis.

24 Kesä 202140min

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