2023.07.10 William Hooker on Joseph Jarman - 2 of 3
Deep Focus24 Heinä 2023

2023.07.10 William Hooker on Joseph Jarman - 2 of 3

Who was Joseph Jarman? A shaman? A conjurer? A Buddhist priest? A poet? An Aikido sensei? In the words of his fellow member of the Art Ensemble of Chicago, Lester Bowie, "Well, I guess that all depends on, ah, what you know." We know that in the universe of this music, which thrives on original thinking, few ranged as far and as free as Jarman. He brought us songs and stories, large-scale compositions, movement, theatricality, costumes and confrontation, along with collaborations and improvisations on every member of the woodwind family (as well as those "little instruments"). With Jarman, walls turned into windows, windows into doors, and those doors flew off their hinges. So what's out there on the other side? Is it any surprise that William Hooker is summoning Jarman for this week's Deep Focus? An improvising drummer who puts all his food on the same plate, composing spontaneously for silent films, collaborating with DJs and rockers, exploring architecture and futurism and tribal traditions... hungry for the world. No, this one is gonna fly like hot lava from a volcano. This Monday (7/10) from 6p to 9p on WKCR 89.9FM and WKCR-HD in NYC, wkcr.org on the web. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #DeepFocus #WilliamHooker #JosephJarman #AEC #AECo #ArtEnsembleofChicago #JazzRadio #JazzInterview #JazzPodcast Photo credit: fair use.

Jaksot(200)

2023.09.04 Craig Harris on Sam Rivers - 2 of 3

2023.09.04 Craig Harris on Sam Rivers - 2 of 3

In the sixties, they explained evolution to us with that March of Progress illustration, a lockstep development from the proto-human Dryopithecus to modern man.  That same approach was also used to ex...

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2023.09.04 Craig Harris on Sam Rivers - 1 of 3

2023.09.04 Craig Harris on Sam Rivers - 1 of 3

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2023.08.21 Roy Nathanson on Eric Dolphy - 3 of 3

2023.08.21 Roy Nathanson on Eric Dolphy - 3 of 3

If Eric Dolphy's music were a school of painting it would be analytical cubism: planar and angular, multi-directional and austere,  But it's not abstract.  It's showing us something we know; we are si...

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2023.08.21 Roy Nathanson on Eric Dolphy - 2 of 3

2023.08.21 Roy Nathanson on Eric Dolphy - 2 of 3

If Eric Dolphy's music were a school of painting it would be analytical cubism: planar and angular, multi-directional and austere,  But it's not abstract.  It's showing us something we know; we are si...

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2023.08.21 Roy Nathanson on Eric Dolphy - 1 of 3

2023.08.21 Roy Nathanson on Eric Dolphy - 1 of 3

If Eric Dolphy's music were a school of painting it would be analytical cubism: planar and angular, multi-directional and austere,  But it's not abstract.  It's showing us something we know; we are si...

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2023.08.07 Steven Bernstein and Scotty Hard on Miles Davis - 3 of 3

2023.08.07 Steven Bernstein and Scotty Hard on Miles Davis - 3 of 3

You're Miles Davis.  It's March of 1970 and you're about to release Bitches Brew, your most incendiary album yet.  You have an electric band of young assassins (each of whom will go on to become a leg...

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2023.08.07 Steven Bernstein and Scotty Hard on Miles Davis - 2 of 3

2023.08.07 Steven Bernstein and Scotty Hard on Miles Davis - 2 of 3

You're Miles Davis.  It's March of 1970 and you're about to release Bitches Brew, your most incendiary album yet.  You have an electric band of young assassins (each of whom will go on to become a leg...

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2023.08.07 Steven Bernstein and Scotty Hard on Miles Davis - 1 of 3

2023.08.07 Steven Bernstein and Scotty Hard on Miles Davis - 1 of 3

You're Miles Davis.  It's March of 1970 and you're about to release Bitches Brew, your most incendiary album yet.  You have an electric band of young assassins (each of whom will go on to become a leg...

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