Paul von Hindenburg

In an extended version of the programme that was broadcast, Melvyn Bragg and guests discuss the influential book John Maynard Keynes wrote in 1919 after he resigned in protest from his role at the Paris Peace Conference. There the victors of World War One were deciding the fate of the defeated, especially Germany and Austria-Hungary, and Keynes wanted the world to know his view that the economic consequences would be disastrous for all. Soon Germany used his book to support their claim that the Treaty was grossly unfair, a sentiment that fed into British appeasement in the 1930s and has since prompted debate over whether Keynes had only warned of disaster or somehow contributed to it.WithMargaret MacMillan Emeritus Professor of International History at the University of OxfordMichael Cox Emeritus Professor of International Relations at the London School of Economics and Founding Director of LSE IDEASAnd Patricia Clavin Professor of Modern History at the University of OxfordProducer: Simon TillotsonReading list:Manfred F. Boemeke, Gerald D. Feldman and Elisabeth Glaser (eds.), The Treaty of Versailles: A Reassessment after 75 Years (Cambridge University Press, 1998)Zachary D. Carter, The Price of Peace: Money, Democracy and the Life of John Maynard Keynes (Random House, 2020) Peter Clarke, Keynes: The Twentieth Century’s Most Influential Economist (Bloomsbury, 2009) Patricia Clavin et al (eds.), Keynes’s Economic Consequences of the Peace after 100 Years: Polemics and Policy (Cambridge University Press, 2023) Patricia Clavin, ‘Britain and the Making of Global Order after 1919: The Ben Pimlott Memorial Lecture’ (Twentieth Century British History, Vol. 31:3, 2020)Richard Davenport-Hines, Universal Man; The Seven Lives of John Maynard Keynes (William Collins, 2015)R. F. Harrod, John Maynard Keynes (first published 1951; Pelican, 1972)Jens Holscher and Matthias Klaes (eds), Keynes’s Economic Consequences of the Peace: A Reappraisal (Pickering & Chatto, 2014)John Maynard Keynes (with an introduction by Michael Cox), The Economic Consequences of the Peace (Palgrave Macmillan, 2019)Margaret MacMillan, Peacemakers: Six Months that Changed the World (John Murray Publishers, 2001)Etienne Mantoux, The Carthaginian Peace or the Economic Consequences of Mr. Keynes (Oxford University Press, 1946) D. E. Moggridge, Maynard Keynes: An Economist’s Biography (Routledge, 1992) Alan Sharp, Versailles 1919: A Centennial Perspective (Haus Publishing Ltd, 2018)Robert Skidelsky, John Maynard Keynes, 1883-1946 (Pan Macmillan, 2004) Jürgen Tampke, A Perfidious Distortion of History: The Versailles Peace Treaty and the Success of the Nazis (Scribe UK, 2017) Adam Tooze, The Deluge: The Great War, America and the Remaking of the Global Order, 1916-1931 (Penguin Books, 2015)

26 Loka 20231h 6min

In the 1000th edition of In Our Time, Melvyn Bragg and guests discuss arguably the most celebrated film of the Swedish director Ingmar Bergman (1918-2007). It begins with an image that, once seen, stays with you for the rest of your life: the figure of Death playing chess with a Crusader on the rocky Swedish shore. The release of this film in 1957 brought Bergman fame around the world. We see Antonius Block, the Crusader, realising he can’t beat Death but wanting to prolong this final game for one last act, without yet knowing what that act might be. As he goes on a journey through a plague ridden world, his meeting with a family of jesters and their baby offers him some kind of epiphany. With Jan Holmberg Director of the Ingmar Bergman Foundation, StockholmClaire Thomson Professor of Cinema History and Director of the School of European Languages, Culture and Society at University College LondonAndLaura Hubner Professor of Film at the University of WinchesterProducer: Simon TillotsonReading list:Alexander Ahndoril (trans. Sarah Death), The Director (Granta, 2008) Ingmar Bergman (trans. Marianne Ruuth), Images: My Life in Film (Faber and Faber, 1995)Ingmar Bergman (trans. Joan Tate), The Magic Lantern: An Autobiography (Viking, 1988)Ingmar Bergman (trans. Joan Tate), The Best Intentions (Vintage, 2018)Ingmar Bergman (trans. Joan Tate), Sunday’s Children (Vintage, 2018)Ingmar Bergman (trans. Joan Tate), Private Confessions (Vintage, 2018)Stig Björkman, Torsten Manns and Jonas Sima (trans. Paul Britten Austin), Bergman on Bergman: Interviews with Ingmar Bergman (Da Capo Press, 1993)Melvyn Bragg, The Seventh Seal: BFI Film Classics (British Film Institute, 1993)Paul Duncan and Bengt Wanselius (eds.), The Ingmar Bergman Archives (Taschen/Max Ström, 2018)Erik Hedling (ed.), Ingmar Bergman: An Enduring Legacy (Lund University Press, 2021)Laura Hubner, The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007)Daniel Humphrey, Queer Bergman: Sexuality, Gender, and the European Art Cinema (University of Texas Press, 2013) Maaret Koskinen (ed.), Bergman Revisited: Performance, Cinema, and the Arts (Wallflower Press, 2008) Selma Lagerlöf (trans. Peter Graves), The Phantom Carriage (Norvik Press, 2011)Mariah Larsson and Anders Marklund (eds.), Swedish Film: An Introduction and Reader (Nordic Academic Press, 2010)Paisley Livingston, Ingmar Bergman and the Rituals of Art (Cornell University Press, 2019)Birgitta Steene (ed.), Focus on The Seventh Seal (Prentice Hall, 1972)Birgitta Steene, Ingmar Bergman: A Reference Guide (Amsterdam University Press, 2014)

19 Loka 202348min

To mark his 1000th episode of In Our Time, Melvyn Bragg talks to Mishal Husain for Radio 4's Today programme.

19 Loka 202311min

Melvyn Bragg and guests discuss the man who, in 1905, produced several papers that were to change the world of physics and whose name went on to become a byword for genius. This was Albert Einstein, then still a technical expert at a Swiss patent office, and that year of 1905 became known as his annus mirabilis ('miraculous year'). While Einstein came from outside the academic world, some such as Max Planck championed his theory of special relativity, his principle of mass-energy equivalence that followed, and his explanations of Brownian Motion and the photoelectric effect. Yet it was not until 1919, when a solar eclipse proved his theory that gravity would bend light, that Einstein became an international celebrity and developed into an almost mythical figure.With Richard Staley Professor in History and Philosophy of Science at the University of Cambridge and Professor in History of Science at the University of CopenhagenDiana Kormos Buchwald Robert M. Abbey Professor of History and Director and General Editor of The Einstein Papers Project at the California Institute of TechnologyAndJohn Heilbron Professor Emeritus at the University of California, BerkeleyProducer: Simon TillotsonReading list: Ronald W. Clark, Einstein: The Life and Times (first published 1971; HarperPaperbacks, 2011)Albert Einstein (eds. Jurgen Renn and Hanoch Gutfreund), Relativity: The Special and the General Theory - 100th Anniversary Edition (Princeton University Press, 2019)Albert Einstein, Out of My Later Years (first published 1950; Citadel Press, 1974)Albert Einstein (ed. Paul A. Schilpp), Albert Einstein: Philosopher-Scientist: The Library of Living Philosophers Volume VII (first published 1949; Open Court, 1970)Albert Einstein (eds. Otto Nathan and Heinz Norden), Einstein on Peace (first published 1981; Literary Licensing, 2011)Albrecht Folsing, Albert Einstein: A Biography (Viking, 1997)J. L. Heilbron, Niels Bohr: A Very Short Introduction (Oxford University Press, 2020)Walter Isaacson, Einstein: His Life and Universe (Simon & Schuster, 2008)Max Jammer, Einstein and Religion (Princeton University Press, 2002)Michel Janssen and Christoph Lehner (eds.), The Cambridge Companion to Einstein (Cambridge University Press, 2014)Dennis Overbye, Einstein in Love: A Scientific Romance (Viking, 2000)Abraham Pais, Subtle Is the Lord: The Science and the Life of Albert Einstein (Oxford University Press, 1982)David E. Rowe and Robert Schulmann (eds.), Einstein on Politics: His Private Thoughts and Public Stands on Nationalism, Zionism, War, Peace, and the Bomb (Princeton University Press, 2007)Matthew Stanley, Einstein's War: How Relativity Triumphed Amid the Vicious Nationalism of World War I (Dutton, 2019)Fritz Stern, Einstein’s German World (Princeton University Press, 1999)A. Douglas Stone, Einstein and the Quantum: The Quest of the Valiant Swabian (Princeton University Press, 2013)Milena Wazeck (trans. Geoffrey S. Koby), Einstein's Opponents: The Public Controversy About the Theory of Relativity in the 1920s (Cambridge University Press, 2014)

12 Loka 202349min

Jupiter is the largest planet in our solar system, and it’s hard to imagine a world more alien and different from Earth. It’s known as a Gas Giant, and its diameter is eleven times the size of Earth’s: our planet would fit inside it one thousand three hundred times. But its mass is only three hundred and twenty times greater, suggesting that although Jupiter is much bigger than Earth, the stuff it’s made of is much, much lighter. When you look at it through a powerful telescope you see a mass of colourful bands and stripes: these are the tops of ferocious weather systems that tear around the planet, including the great Red Spot, probably the longest-lasting storm in the solar system. Jupiter is so enormous that it’s thought to have played an essential role in the distribution of matter as the solar system formed – and it plays an important role in hoovering up astral debris that might otherwise rain down on Earth. It’s almost a mini solar system in its own right, with 95 moons orbiting around it. At least two of these are places life might possibly be found. WithMichele Dougherty, Professor of Space Physics and Head of the Department of Physics at Imperial College London, and principle investigator of the magnetometer instrument on the JUICE spacecraft (JUICE is the Jupiter Icy Moons Explorer, a mission launched by the European Space Agency in April 2023)Leigh Fletcher, Professor of Planetary Science at the University of Leicester, and interdisciplinary scientist for JUICECarolin Crawford, Emeritus Fellow of Emmanuel College, University of Cambridge, and Emeritus Member of the Institute of Astronomy, Cambridge

27 Heinä 202353min

In 1956 Oxford University awarded an honorary degree to the former US president Harry S. Truman for his role in ending the Second World War. One philosopher, Elizabeth Anscombe (1919 – 2001), objected strongly. She argued that although dropping nuclear bombs on Hiroshima and Nagasaki may have ended the fighting, it amounted to the murder of tens of thousands of innocent civilians. It was therefore an irredeemably immoral act. And there was something fundamentally wrong with a moral philosophy that didn’t see that. This was the starting point for a body of work that changed the terms in which philosophers discussed moral and ethical questions in the second half of the twentieth century. A leading student of the philosopher Ludwig Wittgenstein, Anscombe combined his insights with rejuvenated interpretations of Aristotle and Thomas Aquinas that made these ancient figures speak to modern issues and concerns. Anscombe was also instrumental in making action, and the question of what it means to intend to do something, a leading area of philosophical work. With Rachael Wiseman, Senior Lecturer in Philosophy at the University of LiverpoolConstantine Sandis, Visiting Professor of Philosophy at the University of Hertfordshire, and Director of Lex Academic Roger Teichmann, Lecturer in Philosophy at St Hilda’s College, University of OxfordProducer: Luke Mulhall

20 Heinä 202354min

Death in Venice is Thomas Mann’s most famous – and infamous - novella. Published in 1912, it’s about the fall of the repressed writer Gustav von Aschenbach, when his supposedly objective appreciation of a young boy’s beauty becomes sexual obsession. It explores the link between creativity and self-destruction, and by the end Aschenbach’s humiliation is complete, dying on a deckchair in the act of ogling. Aschenbach's stalking of the boy and dreaming of pederasty can appal modern readers, even more than Mann expected. With Karolina Watroba, Post-Doctoral Research Fellow in Modern Languages at All Souls College, University of OxfordErica Wickerson, a Former Research Fellow at St Johns College, University of CambridgeSean Williams, Senior Lecturer in German and European Cultural History at the University of Sheffield Sean Williams' series of Radio 3's The Essay, Death in Trieste, can be found here: https://www.bbc.co.uk/programmes/m001lzd4

13 Heinä 202348min

Sophocles’ play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he’s still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime. His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius’ wife Jocasta, who Oedipus has married, is his mother. Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles’ plays that didn’t win first prize at Athens’ annual drama festival. But it’s had exceptionally good write-ups from the critics: Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire. With: Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda’s College at the University of OxfordEdith Hall, Professor of Classics at Durham University

6 Heinä 202354min