On Bullshit in Politics

G.W.F. Hegel was widely seen as the greatest philosopher of his age. Ever since, his work has shaped debates about issues as varied as religion, aesthetics and metaphysics. His most lasting contribution was his vision of history and politics. In Hegel’s World Revolutions (Princeton UP, 2023), Richard Bourke returns to Hegel’s original arguments, clarifying their true import and illuminating their relevance to contemporary society. Bourke shows that central to Hegel’s thought was his anatomy of the modern world. On the one hand he claimed that modernity was a deliverance from subjection, but on the other he saw it as having unleashed the spirit of critical reflection. Bourke explores this predicament in terms of a series of world revolutions that Hegel believed had ushered in the rise of civil society and the emergence of the constitutional state. Bourke interprets Hegel’s thought, with particular reference to his philosophy of history, placing it in the context of his own time. He then recounts the reception of Hegel’s political ideas, largely over the course of the twentieth century. Countering the postwar revolt against Hegel, Bourke argues that his disparagement by major philosophers has impoverished our approach to history and politics alike. Challenging the condescension of leading thinkers—from Heidegger and Popper to Lévi-Strauss and Foucault—the book revises prevailing views of the relationship between historical ideas and present circumstances Richard Bourke is professor of the history of political thought and a fellow of King’s College at the University of Cambridge. He is the author of a number of books, including Empire and Revolution: The Political Life of Edmund Burke (Princeton). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

25 Tammi 1h 7min

Sociologists have had surprisingly little to say about poetry as a topic while sometimes also making grandiose claims that sociology is/should be like poetry. These are the prompts which begin Andrew Smith’s Class and the Uses of Poetry: Symbolic Enclosures (2024, Palgrave Macmillan). Drawing upon discussions with working class readers of poetry, and interviews with unpublished poets, Smith draws our attention to the ways in which poetry has been enclosed, or fenced off, from working class readers. Influenced by, though offering some criticisms, of, Bourdieu’s approach to the sociology of culture, he shows us how readers become aware of this enclosure but nevertheless engage in collective understanding of the poems they are presented with. In doing do, Smith reminds us of the need to emphasise the aesthetic elements of poetry, and culture more generally, including its creative and expressive affordances. A reader of his book realises that a critical sociology of poetry needs to attest not just to the symbolic capital in who is seen as ‘legitimate’ readers and producers of poetry but also how those shut off from it lose out on the uses of poetry. Our discussion covers what led Smith to pursue this work, how sociology has, and might in future confront poetry, his experiences of running these reading groups and suggests why, perhaps, we should also perhaps reject the ‘society of the segue way’ and savour some of the finitude which poetry might offer. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Tammi 1h 9min

Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. In Oil (Bloomsbury, 2024), Dr. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Tammi 43min

In today’s cultural and political climate of relative LGBTQ+ inclusion, Settler Tenses: Queer Time and Literatures of the American West (Texas Tech University Press, 2024) by Dr. Ryan Tan Wander provides a literary history that rewrites our understanding of when and how queerness began to align with US nationalism and settler colonialism, tracing the discursive production of masculinities in late nineteenth and early twentieth-century literatures of the American West. Current scholarly understandings often equate turn-of-the-century representations of the US frontier with hypermasculinity and heteronormativity. Simultaneously, scholars tend to view queer inclusion—that is, the civil and political inclusion of those who make up the “-Q+” of the initialism LGBTQ+—as a phenomenon of post–Civil Rights era activism. Settler Tenses provides a deeper history of queerness in US history by showing that literature created frontier masculinities that representationally yoked a range of queer bodies and subjectivities to national identity as the US consolidated its sovereignty in the late nineteenth and early twentieth centuries. Reframing and explaining anew the provenance and significance of the links between queerness and US nationalism and settler colonialism, Settler Tenses will appeal to an audience of advanced undergraduates as well as researchers and scholars in American literary studies, gender, queer, and sexuality studies, settler colonial studies, and critical race and ethnic studies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Tammi 1h 7min

The last decade has seen a resurgence of interest and urgency to questions of racial oppression and emancipation. We’ve now had about a decade of activists fighting for the idea that Black Lives Matter which eventually culminated in the summer of 2020 with millions taking to the streets. The actual concrete victories have been more of a mixed bag, which leads us to the question: what sort of politics are needed to achieve real emancipation? This led Kyle Edwards and August Nimtz back to the American Civil War, and more specifically to the writings of Karl Marx and Frederick Douglass. Both wrote quite prolifically on the events that were happening and were enthusiastic about its possibilities for the advancement of human freedom, but both brought some very different political values and ideas to their analysis. In studying these two figures together, Edwards and Nimtz are able to show how both a fight for Communism rooted in class struggle and a revolutionary liberalism rose to this profound historical moment. The result is The Communist and the Revolutionary Liberal in the Second American Revolution: Comparing Karl Marx and Frederick Douglass in Real-Time (Brill, 2024), a study with a concrete answer to the question of what sort of politics will be needed going forward. Published as part of the Historical Materialism book series by Brill and Haymarket. Kyle Edwards is a Curriculum Administrator at the University of Minnesota, and a member of AFSCME 3800. August Nimtz is a professor in the political science department at the University of Minnesota. He is the author of numerous books, including Marxism versus Liberalism: Comparative Real-Time Political Analysis and The Ballot, the Streets―or Both: From Marx and Engels to Lenin and the October Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Tammi 1h 38min

Housing is more than bricks and mortar. The home is where our hopes and dreams play out, and it lies at the heart of our lives. This is where we rest, eat, and relax. The home we enjoy can determine our health, life expectancy, and day-to-day well-being. In contrast, the lack of a stable residence can lead to mental and physical illness and often premature death. This is central to how we conceive of a good and dignified life. In Feeling at Home: Transforming the Politics of Housing (Verso, 2025), Alva Gotby grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Gotby makes clear that solving the housing crisis is about much more than housing stock. It is about revolutionising our everyday lives and labours. Louisa Hann has a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. Her recent book, HIV/AIDS and the Stage, is out with Liverpool University Press Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Tammi 52min

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty’s modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

15 Tammi 55min

An analysis of the game engine Unreal through feminist, race, and queer theories of technology and media, as well as a critique of the platform studies framework itself. In this first scholarly book on the Unreal game engine, James Malazita explores one of the major contemporary game development platforms through feminist, race, and queer theories of technology and media, revealing how Unreal produces, and is produced by, broader intersections of power. Enacting Platforms: Feminist Technoscience and the Unreal Engine (MIT Press, 2024) takes a novel critical platform studies approach, raising deeper questions: what are the material and cultural limits of platforms themselves? What is the relationship between the analyst and the platform of study, and how does that relationship in part determine what “counts” as the platform itself? Malazita also offers a forward-looking critique of the platform studies framework itself. The Unreal platform serves as a kind of technical and political archive of the games industry, highlighting how the techniques and concerns of games have shifted and accreted over the past 30 years. Today, Unreal is also used in contexts far beyond games, including in public communication, biomedical research, civil engineering, and military simulation and training. The author's depth of technical analysis, combined with new archival findings, contributes to discussions of topics rarely covered in games studies (such as the politics of graphical rendering algorithms), as well as new readings of previously “closed” case studies (such as the engine's entanglement with the US military and American masculinity in America's Army). Culture, Malazita writes, is not “built into” software but emerges through human practices with code. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Tammi 38min