Casting Directors Need to See This

Casting Directors Need to See This

Milton shares insights from a panel with top New York casting directors including Bernard Telsey and Billy Hopkins. The key revelation: casting directors are looking for "active listening" - actors who remain fully present and engaged even when not speaking. Many actors mistakenly think they only need to act when delivering lines, but casting directors immediately notice when an actor goes "dead" during listening moments.

Milton advocates for his "telephone method" - talking out everything happening before and during scenes to ensure continuous engagement. The goal is experiencing circumstances rather than just reporting them, distinguishing between describing facts and experiencing those facts.

Note: Casting directors confirmed that Instagram following has zero impact on casting decisions.

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Jaksot(246)

Living Off Your Partner

Living Off Your Partner

Building a solid relationship with the partner gives you grounding. Knowing who I'm talking to and what my attitude is towards them opens up what's going on in a scene.

14 Heinä 11min

Talking Out a Preparation

Talking Out a Preparation

In this video Milton works with Rashaud as he prepares a monologue from The Laramie Project.

12 Heinä 7min

Specificity • a Key

Specificity • a Key

Not just unexperienced facts can deaden our work as actors, the need to explain or report the facts can get in the way of our most creative work. Digging down specifically can help this problem.

7 Heinä 12min

Getting to Depth

Getting to Depth

It's not just enough to be functional or accurate or good enough. There's a road in to our actor work that helps us find extraordinary choices and frees us up to do our best work.

30 Kesä 16min

Before the First Line

Before the First Line

If you think of the play as a continuation of what has already happened, it gives you a sense of how much work you have to do in order to earn the play. Excerpted from my New York class, we continue o...

23 Kesä 17min

The Human Being Behind the Character

The Human Being Behind the Character

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

16 Kesä 16min

Working on Text

Working on Text

Working on a play begins to give actors the foundation of working on any text they get. These are excerpts from my Script Analysis class at The Actor Lab in New York.

12 Kesä 12min

The Partner and their Behavior

The Partner and their Behavior

We're combining two exercises in this class. (1) Seeing someone 'on the street' and being able to make decisions about who they are, based on their behavio and (2) building an attitude towards them.

26 Touko 14min

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