The Beach Boys’ PET SOUNDS (Part 1, Ep. 217)

Who better to tackle Discograffiti’s epic, multi-episode Deep-Dive into The Beach Boys’ Pet Sounds—my second favorite album of all time behind only Smile—than the scholarly yet super-cool Petsoundsologist Chuck Granata, whose book Wouldn’t It Be Nice: Brian Wilson And The Making Of The Beach Boys’ Pet Sounds is the ultimate piece of work on the LP? Chuck and I dived so deep we actually had to seek treatment for the bends, but as you’ll hear it was worth every second. Episode 1 is the story of the record from soup to nuts, without an examination of its specific songs…which is coming in episodes 2 through 6.

Here’s just a few of the many things that Chuck discusses with Discograffiti in this podcast:

• How an unassuming advertising jingle writer named Tony Asher somehow wound up collaborating with the greatest American songwriter on the planet on what many now consider to be the greatest LP of all time;
• Brian’s drug experimentation back in 1966, which he used to jog his creative process;
• The daily collaborative routine that Brian and Tony enjoyed;
• Whether or not Pet Sounds was intended by Brian to be an honest-to-goodness concept album (Director’s Cut only);
• An examination of the initial rumblings of group infighting that later proved to be fundamental in toppling the band;
• The Beach Boys’ process of learning vocals literally directly before singing them;
• And the long game of the record’s success, which began with a comparative tanking.

Listen: linktr.ee/discograffiti

I support a wife and a six-year-old son with Discograffiti as my sole source of income.

If you’re a Beach Boys superfan like me, The Director’s Cut of this episode is ad-free and features 20 additional minutes of essential material.

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