Duke Levine Talks Touring with Bonnie Raitt & the Eternal Tone Hunt

Leo Fender was heavily influenced by the work of Paul Bigsby in the late 1940s, yet in all of the interviews he did, he never acknowledged it. Today we look at both the influences, and the reasons why...

28 Maalis 202525min

I love Peavey amps from the early-to-mid 1980s, because I grew up with them in my favorite music shop, Clawson's Music in Corpus Christi, TX. In my last 80s Peavey episode, I looked at the Special 130...

11 Maalis 202513min

With the recent visit with a real-deal 1950 Broadcaster, I had the chance to experience the unique tonal options that Leo Fender's original blend control offered over your run-off-the-mill tone contr...

4 Maalis 202516min

Scott Baxendale sent me a 50s Harmony H-162 that he had done his conversion work on to check out. So we take a look at it, laying out the conversion process, and also looking at my Baxendale mandocell...

17 Helmi 202521min

Today we get introduced to Gabe Tonon, and he shows off his 50s Esquire with a long throw Bender, and his two 60s maple-cap Fender Telecasters with Glaser B-Benders. Gabe is a wonderful player you can...

11 Helmi 202519min

Today we look at one of the rarest and coolest members of the Telecaster family, a December 1950 Fender Broadcaster. To give some context, I cover what Fender was up to in late 1949 through the Summe...

4 Helmi 202531min

Today we look at this cool Glaser B-Bender equipped Strat that I put together using a Glaser made neck from the 80s, and a non-tremolo swamp ash body. We get to hear the Seymour Duncan Hot Strat Stack...

21 Tammi 202522min

A comparison between flat wound, pure nickel, and ground wound strings on my Tele. I was inspired to do this by the back of a set of D'Addario strings, showing a chart of their string offerings, from ...

14 Tammi 202525min