Israel on the Brink: Understanding the Judicial Overhaul, and the Protests Against It

Israel on the Brink: Understanding the Judicial Overhaul, and the Protests Against It

Prime Minister Benjamin Netanyahu’s proposed law changing the judiciary is described as a reform. To opponents, it’s a move to gut the independence of the Supreme Court as a check on executive power—and a move from the playbook of autocrats like Hungary’s Viktor Orbán. The protests that followed are the largest in the country’s history, and are now stretching into their third month. Ruth Margalit, who is based in Tel Aviv, covered the protests for The New Yorker, and she tells David Remnick that the strength and success of the protests so far has brought a sense of hope for many who were losing faith in the country’s political future. “I think there is a sign of optimism. There is this potential for a kind of political realignment,” she says. “I do have some friends who were thinking of leaving and suddenly are saying, ‘Well, let’s just see how this plays out.’ And they suddenly feel that they have a role.” Remnick also speaks with Margalit’s father, the political philosopher Avishai Margalit, about demographic and cultural factors driving Israeli politics. The nation has been moving to the right probably since the failure of the Oslo peace accords in the nineteen-nineties, but “the new element,” Avishai thinks, “is the strong fusion of religion and nationalism,” elements that were once kept separate in Israel. “The current government is utterly dependent on the votes of the religious and the ultra-religious,” he says. The big unknown, Ruth says, is whether the popular uprising will expand beyond the judicial reforms. “Let’s say the fight over democracy is won—what happens then?” she says. “Can we branch out this fight over democracy? Can it include the West Bank and bring an end to the occupation?”

Jaksot(1019)

The Cartoonist Liana Finck Picks Three Favorite Children’s Books

The Cartoonist Liana Finck Picks Three Favorite Children’s Books

Liana Finck is a cartoonist and an illustrator who has contributed to The New Yorker since 2015. She is the author of several books, including the graphic memoir “Passing for Human.” Like many of her ...

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Is The 2026 Election Already in Danger?

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“The Constitution gives the states the power to set the time, place, and manner of elections,” the election lawyer Marc Elias points out. “It gives the President no [such] power.” Yet, almost one year...

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Kevin Young on His Book “Night Watch,” Inspired by Death and Dante

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Kevin Young is the poetry editor for The New Yorker, and the author of many books of his own poetry. His newest work, “Night Watch,” focusses on death, while also drawing upon his wide view of history...

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How the “Dangerous Gimmick” of the Two-State Solution Ended in Disaster

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Jeff Tweedy on His New Triple Album, “Twilight Override”

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Jeff Tweedy is best known as the front man of Wilco, the rock band he formed in Chicago in 1994. In recent years, he’s been working more often as a solo artist, putting out records under his own name ...

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Anna Wintour Embraces a New Era at Vogue

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Speculation, analysis, and commentary circulated all summer, after the announcement, in June, that Anna Wintour would step back from her role as the editor-in-chief of American Vogue. This changing of...

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Fred Armisen on “100 Sound Effects”

Fred Armisen on “100 Sound Effects”

The comedian Fred Armisen has a thing for sound. He’s a former punk musician and a master of accents, and he is now releasing a new album of sound effects. “I was lamenting that there aren’t sound-eff...

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Donald Trump’s War on Culture Is Not a Sideshow

Donald Trump’s War on Culture Is Not a Sideshow

The term “culture wars” is most often associated with issues of sexuality, race, religion, and gender. But, as recent months have made plain, when Donald Trump refers to the culture wars, he also mean...

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