James Scorer, "Latin American Comics in the Twenty-First Century: Transgressing the Frame" (U Texas Press, 2024)

Merel Visse and Inge van Nistelrooij talk with Kim about Care Ethics. Over the course of the episode, we discuss works by many care ethicists and other philosophically inclined thinkers. Prominent among these is Joan Tronto, whose book Caring Democracy: Markets, Equality, and Justice (NYU Press, 2013) offers a political approach to the practice of care. Also discussed are Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development (Harvard UP, 1982; useful excerpt available here) and Francois Jullien’s The Silent Transformations (trans. Krysztof Fijalkowski and Michael Richardson, Seagull Books / Chicago UP, 2011). Several of Merel and Inge’s publications are discussed in the episode as well. You can read their co-authored article, “Me? The invisible call of responsibility and its promise for care ethics: a phenomenological view” in Medicine, Health Care and Philosophy (2019) 22: 275–285. Full lists of publications are available for Inge here and Merel here. Both our guests are members of the Care Ethics Group at the University of Humanistic Studies in Utrecht, the Netherlands. Inge van Nistelrooij is an Associate Professor of Care Ethics at the University of Humanistic Studies and an endowed professor of Dialogical Self Theory (DST) at Radboud University in Nijmegen, the Netherlands. Merel Visse is the Director of the Medical and Health Humanities Program at Drew University in Madison, New Jersey and an associate professor in Care Ethics at the University of Humanistic Studies. This week’s image is an undated painting titled “Resting” by Amrita Sher-Gil (1913-1941). Music used in promotional material: ‘Peace of the Night’ by Crowander Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

21 Kesä 202215min

The climate crisis is not primarily a problem of ‘believing science’ or individual ‘carbon footprints’ – it is a class problem rooted in who owns, controls and profits from material production. As such, it will take a class struggle to solve. In Climate Change as Class War: Building Socialism on a Warming Planet (Verso, 2022), Matthew T. Huber argues that the carbon-intensive capitalist class must be confronted for producing climate change. Yet, the narrow and unpopular roots of climate politics in the professional class is not capable of building a movement up to this challenge. For an alternative strategy, he proposes climate politics that appeals to the vast majority of society: the working class. Huber evaluates the Green New Deal as a first attempt to channel working class material and ecological interests and advocates building union power in the very energy system we need to dramatically transform. In the end, as in classical socialist movements of the early 20th Century, winning the climate struggle will need to be internationalist based on a form of planetary working class solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Kesä 202244min

andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book Speculative Blackness, references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek. andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of Speculative Blackness: The Future of Race in Science Fiction. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (American Literature, Souls, and Lateral), books (After Queer Studies: Literature, Theory, and Sexuality in the 21st Century, The Blacker the Ink), and blogs (Black Perspectives). With Abigail De Kosnik, he co-edited a special issue of Transformative Works & Cultures journal on Fans of Color/Fandoms of Color. Image: “Girl Reading Mickey Mouse and the Submarine Pirates Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947 Music used in promotional material: ‘Funky Garden’ by Ketsa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Kesä 202218min

Debates about science and religion are rarely out of the news. Whether it concerns what's being taught in schools, clashes between religious values and medical recommendations, or questions about how to address our changing global environment, emotions often run high and answers seem intractable. Yet there is much more to science and religion than the clash of extremes.  As Thomas Dixon and Adam Shapiro show in Science and Religion: A Very Short Introduction (Oxford UP, 2022), a whole range of views, subtle arguments, and fascinating perspectives can be found on this complex and centuries-old subject. They explore the key philosophical questions that underlie the debate, but also highlight the social, political, and ethical contexts that have made the tensions between science and religion such a fraught and interesting topic in the modern world. In this new edition, Dixon and Shapiro connect historical concepts such as evolution, the heliocentric solar system, and the problem of evil to present-day issues including the politicization of science; debates over mind, body, and identity; and the moral necessity of addressing environmental change. Ranging from medical missionaries to congregations adopting new technologies during a pandemic, from Galileo's astronomy to building the Thirty Meter Telescope, they explore how some of the most complex social issues of our day are rooted in discussions of science and religion. Adam R. Shapiro is a historian of science and religion. He taught at universities in the U.S., Canada and the U.K. for over a decade before accepting a AAAS Science and Technology Policy Fellowship and shifting to work in public policy and science communication. He is the author of Trying Biology: The Scopes Trial, Textbooks, and the Antievolution Movement in American Schools (2013) as well as several articles on science and religion from the late eighteenth to the twenty-first centuries. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Kesä 20221h 24min

Çigdem Çidam, Associate Professor of Political Science at Union College, has a new book titled In the Street: Democratic Action, Theatricality, and Political Friendship (Oxford UP, 2021) that examines political action by citizens, and how we interpret and discuss that action in context of political structures. The title In the Street is a reference to the seminal French poster from May of 1968 that read “beauty is in the street,” and was adapted by the demonstrators in Turkey decades later, providing one of the many examples of street politics that illustrate the discussion of activism throughout the book. Street politics has many forms, such as protests, demonstrations, and acts of civil disobedience. Often such actions are confined to the binary analysis of successes and failures, only examining how likely an action is to bring about change. The origins of this understanding stem from Jean-Jacques Rousseau’s notion of popular sovereignty, rejection of theatricality, and the idealization of immediacy. Çidam argues that this Rousseauian framework dilutes the value of these actions, forcing them into a reductive duality and failing to acknowledge that movements can fail simply because of the class positions their members are forced to assume. Regardless of their failures, there is an inherent and aesthetic value to these political actions that can last beyond the actions themselves. Çidam’s alternative framework, developed through dissecting the viewpoints of political theorists Jean-Jacques Rousseau, Antonio Negri, Jurgen Habermas, and Jacques Ranciere, redefines our understanding of the value of political action. In The Street: Democratic Action, Theatricality, and Political Friendship provides new perspectives and understandings of events like Occupy Wall Street, the Gezi uprising in Turkey, and the Black Lives Matter protests of 2020. Çidam explains that “intermediating practices” are opportunities for encounter and engagement among those who are involved in these street actions. This concept is applied to the ways that individuals might find unity with each other within these political actions. Through intermediating practices, individuals become “political friends,” an Aristotelian concept that builds a relationship of unity and equity between people despite their differences as a result of their shared experiences of political action. These concepts must lead us to the conclusion that the driving forces of political action—anger, rage, joy—cannot be reduced to the binary of either success or failure, as Rousseau would have it. In The Streets re-centers the on-the-ground efforts of individuals, focusing on these communal actions rather than their particular outcomes. Çidam concludes that while these moments of political friendship are fleeting, their transience does not denote failure because the rich and creative practices of political actors are naturally valuable. Tune in to hear about Çigdem Çidam’s interpretations of Negri’s, Habermas’, and Ranciere’s unique political conceptions, how a focus on political friendship in the Gezi protests of 2013 helped to formulate her theoretical lenses for this analysis, and how remembrance of these movements can help us struggle against the powers that be for the next historical moment. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Kesä 202258min

Olga Verlato and Antara Chakrabarti, contributing editors at Borderlines, talk about the concept of theory from the south, which critiques the notion that theory originating from the global north exhausts the possibilities of critical theoretical understanding. Olga Verlato is a PhD candidate at New York University in History and Middle Eastern and Islamic studies, and a Contributing Editor for the Middle East at Borderlines. She works on the modern history of Egypt and the Mediterranean, focusing on the impact of multilingual practices and language ideologies on politics, society, and culture. Antara Chakrabarti is a Doctoral Student in the Sociocultural track of the Dept. of Anthropology in Columbia University. Her research strives to ethnographically and historically understand the intersections of environment, mobilities, and infrastructures in contemporary South Asia. She is a Contributing Editor for South Asia at Borderlines. Borderlines is a student-run, open-access site mentored by the editors of Comparative Studies of South Asia, Africa and the Middle East (CSSAAME). It seeks to rethink ideas of region and area studies by exploring different categories and histories within and across borderlines that have constructed areas of Africa, the Middle East and South Asia. Antara and Olga also interview Saronik about High Theory in this episode, about its origins and the work that it does. Find the full transcript of the episode at Borderlines. Image: “Binoculars” © 2021 Saronik Bosu Music used in promotional material: ‘Early Rising’ by Dlay Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

15 Kesä 202224min

Black or Right: Anti/Racist Campus Rhetorics (Utah State University Press, 2020) explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach.  Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory. Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Kesä 20221h 7min

Sandeep Bakshi (@sandeepbak on Twitter) talks to Saronik about understanding queerness and its emancipatory politics through transnational solidarity building, the persistent inclusion of trans and queer epistemological frames in social justice movements, especially in the work done by the Decolonizing Sexualities Network. Sandeep explains this concept and the DSN’s objective by referring to the works of Maria Lugones, Sylvia Tamale and the Fallist movement, and Karma Chávez and Against Equality. Sandeep Bakshi researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as an Associate Professor of Postcolonial and Queer Literatures at the University of Paris. He heads the “Gender and Sexuality Studies” research group and coordinates two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,”. Co-editor of Decolonizing Sexualities: Transnational Perspectives, Critical Interventions (Oxford: Counterpress, 2016) and Decolonial Trajectories, special issue of Interventions (2020), he has published on queer and race problematics in postcolonial literatures and cultures. He is the founder and serves on the board of the Decolonizing Sexualities Network. Image: Cover of the book Decolonizing Sexualities: Transnational Perspectives, Critical Interventions Music used in promotional material: “Hear Me Out” by Ketsa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Kesä 202216min