James Scorer, "Latin American Comics in the Twenty-First Century: Transgressing the Frame" (U Texas Press, 2024)

At the close of the 1970s, government treasuries and central banks took a vow of perpetual self-restraint. To this day, fiscal authorities fret over soaring public debt burdens, while central bankers wring their hands at the slightest sign of rising wages. As the brief reprieve of coronavirus spending made clear, no departure from government austerity will be tolerated without a corresponding act of penance. Yet we misunderstand the scope of neoliberal public finance if we assume austerity to be its sole setting. Beyond the zero-sum game of direct claims on state budgets lies a realm of indirect government spending that escapes the naked eye. Capital gains are multiply subsidized by a tax system that reserves its greatest rewards for financial asset holders. And for all its airs of haughty asceticism, the Federal Reserve has become adept at facilitating the inflation of asset values while ruthlessly suppressing wages. Neoliberalism is as extravagant as it is austere, and this paradox needs to be grasped if we are to challenge its core modus operandi. In Counterrevolution: Extravagance and Austerity in Public Finance (Zone Books, 2024) Dr. Melinda Cooper examines the major schools of thought that have shaped neoliberal common sense around public finance. Focusing, in particular, on Virginia school public choice theory and supply-side economics, she shows how these currents produced distinct but ultimately complementary responses to the capitalist crisis of the 1970s. With its intellectual roots in the conservative Southern Democratic tradition, Virginia school public choice theory espoused an austere doctrine of budget balance. The supply-side movement, by contrast, advocated tax cuts without spending restraint and debt issuance without guilt, in an apparent repudiation of austerity. Yet, for all their differences, the two schools converged around the need to rein in the redistributive uses of public spending. Together, they drove a counterrevolution in public finance that deepened the divide between rich and poor and revived the fortunes of dynastic wealth. Far-reaching as the neoliberal counterrevolution has been, Dr. Cooper still identifies a counterfactual history of unrealized possibilities in the capitalist crisis of the 1970s. She concludes by inviting us to rethink the concept of revolution and raises the question: Is another politics of extravagance possible? This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Helmi 1h 19min

What is the connection between fan culture and feminism? In Media Fandom, Digital Feminisms, and Tumblr (Bloomsbury, 2023), Briony Hannell, a lecturer in sociology at the University of Manchester, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

15 Helmi 39min

Throughout history, every age has thought of itself as more knowledgeable than the last. Renaissance humanists viewed the Middle Ages as an era of darkness, Enlightenment thinkers tried to sweep superstition away with reason, the modern welfare state sought to slay the “giant” of ignorance, and in today’s hyperconnected world seemingly limitless information is available on demand. But what about the knowledge lost over the centuries? Are we really any less ignorant than our ancestors? In Ignorance: A Global History (Yale UP, 2024), Peter Burke examines the long history of humanity’s ignorance across religion and science, war and politics, business and catastrophes. Burke reveals remarkable stories of the many forms of ignorance—genuine or feigned, conscious and unconscious—from the willful politicians who redrew Europe’s borders in 1919 to the politics of whistleblowing and climate change denial. The result is a lively exploration of human knowledge across the ages, and the importance of recognizing its limits Peter Burke is emeritus professor of cultural history at the University of Cambridge. He is the author of many distinguished books that have been translated into more than thirty languages, including The Polymath and What Is the History of Knowledge? Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Helmi 43min

In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Helmi 57min

In this episode, Amina Easat-Daas interviews Houria Bouteldja on decolonial activism and Islamophobia in France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Helmi 45min

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Helmi 19min

We are coming up on the centenary of Heidegger’s Being and Time, a text that radically reshaped the intellectual landscape. One of its most central themes, death, remains one of its most difficult to understand, puzzling readers and scholars with language that at times can feel obscure and ethereal. This has generated a plethora of opinions on the topic, although without much of a consensus.  Stepping in to try and clarify the topic is Iain Thomson in his new book Rethinking Death in and after Heidegger (Cambridge UP, 2024). Unpacking dense passages, he shows the place death plays in Heidegger’s thinking, as well as the impact it would have on his later intellectual trajectory. After laying this all out, he turns to other readers of Heidegger and gives us a philosophical odyssey of various others who’ve thought along similar lines, but often developed his thinking in new directions. In showing how others have often tried to think with Heidegger, Thomson is able to tease out the subtlety of Heidegger’s own positions and what it might have to offer contemporary readers today. Iain Thomson is a professor of philosophy at the University of New Mexico. He is also the author of Heidegger on Ontotheology: Technology and the Politics of Education and Heidegger, Art and Postmodernity. He is also the coeditor of The Cambridge History of Philosophy: 1945-2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Helmi 1h 29min

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Helmi 1h 1min