Joshua Castellino, "Calibrating Colonial Crime: Reparations and The Crime of Unjust Enrichment" (Policy Press, 2025)

A Critical Theory of Police Power: The Fabrication of Social Order (Verso, 2021) offers a critical look at policing and the power of the state, examining the relationship between our ideas of order and wider social and political issues. First published in 2000, this new edition of Mark Neocleous' influential book features a new introduction which helpfully situates this ever-relevant text in the context of contemporary struggles over police and policing. Neocleous argues for an expanded concept of police, able to account for the range of institutions through which policing takes place. These institutions are concerned not just with the maintenance and reproduction of order, but with its very fabrication, especially the fabrication of a social order founded on wage labour. By situating the police power in relation to both capital and the state and at the heart of the politics of security, the book opens up into an understanding of the ways in which the state administers civil society and fabricates order through law and the ideology of crime. The discretionary violence of the police on the street is thereby connected to the wider administrative powers of the state, and the thud of the truncheon to the dull compulsion of economic relations. Content warning: the last 2 minutes of the interview include a brief discussion of Mark's current work on suicide. Listeners who enjoyed this interview may enjoy my recent interviews with Mark on his most recent book The Politics of Immunity, with undercover police ("Spycop") victims Helen Steel and Alison about Deep Deception, and with counterterrorism scholar Rizwaan Sabir about The Suspect. Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his work on police power and security. His recent books include The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' (2016); War Power, Police Power (2014); and the newly-reissued A Critical Theory of Police Power: The Fabrication of Social Order (2021). Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email or on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

5 Loka 202256min

Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations. This volume presents a new theory of games which insists on their unique value. In Games: Agency as Art (Oxford UP, 2020), C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals. Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

4 Loka 202257min

In The Metabolic Museum (Hatje Cantz, 2020), Clémentine Deliss, a curator, researcher, and former director of the Frankfurt Weltkulturen Museum, explores possible functions for anthropological museums in a postcolonial culture. Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves because the very basis of their exhibitions, the history of their collections, came about all too often through colonial appropriation and outright theft. In this book, Deliss addresses this reality for enthographic or world culture museums in Europe, exploring the possible futures for these institutions. Connecting to reflections on her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum―an interventionist laboratory that opens up the potential of anthropological collections for the future. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

4 Loka 20221h 13min

Soham Sen talks about standpoint theory, a method of understanding the ways in which individual and collective experience influence public discourses. He begins from its origins in the civil rights movement and in the innovations of feminist thought, and follows it up with a discussion of its efficacy in understanding contemporary media. Soham Sen is pursuing his Masters in the Department of Communication Studies and is the Assistant Course Director of Public Speaking at the College of Media & Communication. His area of research includes border rhetoric and negotiation of immigrant identity , postcolonialism, and performance studies. Image: © 2022 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

4 Loka 202217min

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. How are we to conceive of acts that suddenly expose the injustice of the current order? This is a question that has puzzled philosophers for centuries, and it’s the question that animates Dominik Finkelde’s book ​Excessive Subjectivity: Kant, Hegel, Lacan, and the Foundation of Ethics (Columbia University Press, 2017). The book looks at these three major thinkers, and the ways they saw subjects as being immersed in a particular set of ethical orientations, but also always with a subtle but profound potential to do something beyond what they might’ve thought possible. Dominik Finkelde is a professor of contemporary political philosophy and epistemology at the Munich School of Philosophy, and is also the author of ​Zizek Between Lacan and Hegel and Benjamin Reads Proust.​ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Loka 20221h 16min

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. Imagination is one of the most important elements of being human, but is most often assumed we know what it is, while rarely being analyzed. Here with me today is Jonathan Erickson to discuss his recent book Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience (Routledge, 2019). The book looks at various theories of imagination through history, and then looks at what neuroscience can tell us about the functioning of imagination, as well as looking at what the functioning of imagination can tell us about neuroscience. Jonathan Erickson is a writer and educator, and holds a BA in English literature from UC Berkeley and a PhD in depth psychology from the Pacifica Graduate Institute in California. Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

1 Loka 20221h 29min

Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it? We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony—understanding the importance of passive consent; the complexity of political interests; and the structural force of technology—Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century. Alex Williams and Jeremy Gilbert book Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back) (Verso, 2022) explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

29 Syys 20221h 1min

In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

29 Syys 20221h 3min