brian bean, "Their End Is Our Beginning: Cops, Capitalism, and Abolition" (Haymarket, 2025)

One of the most recognizable tropes in American society in the past few decades is the scarred war veteran, returning from foreign lands with wounds both visible and invisible. His experiences are incomprehensible to those who’ve not served, but we owe him everything, and it is our duty as American citizens to honor him with nonjudgmental empathy so that he might eventually heal and reintegrate into the national community. But this narrative, this response to combat is neither natural or the only possible way of dealing with the issue. In fact, my guest Nadia Abu El-Haj argues that it is a distinctly apolitical interpretation, one that works as a cover for the politics of American empire in her new book Combat Trauma: Imaginaries of War and Citizenship in Post-9/11 America (Verso, 2022). Beginning her narrative in the 1960’s and 70’s with the war in Vietnam, El-Haj traces PTSD back to it’s roots as a response to extreme circumstances. In the soldiers being studied, psychologists found men who were shattered by their experiences, struggling to process them and move on when they returned home. However, key to their understanding was a sense of guilt and complicity in the war. They might’ve been damaged and in need of care to move forward with their lives, but they were still guilty of immoral and criminal acts. The diagnosis was then not just an individualized pathology but part of a broader political critique, and part of the healing process involved engaging in activism to fight the very systems the soldiers had been participants of. Fast forward a few decades, and this political angle has almost been entirely erased. Instead, soldiers returning from Iraq and Afghanistan are no longer perpetrators but victims who bear a burden we all must honor them for. This new discourse around trauma buries the possibility of political dissent, leaving us unable to understand the decisions that produced the trauma in the first place, but also focuses so heavily on the traumatized soldier that civilians caught in the crossfire almost never factor in our understanding, in spite of the fact that they are the most numerous victims of wars in the last several decades. This combination has produced a toxic form of militarism, one incapable of sustained political critique, which helps explain why the wars in Iraq, Afghanistan and elsewhere have been able to go on so long. Combining fields and disciplines and tying numerous disparate threads together, El-Haj’s work is a devastatingly urgent, eye-opening critique of a society that has long lost it’s capacity for critical self-reflection. It reveals many ideological traps and mazes many have been lost in, and even if it cannot bring about a more peaceful world on its own, it can point the way towards a more critical one. Nadia Abu El-Haj is a professor of anthropology at Barnard College. She is also the author of The Genealogical Science: The Search for Jewish Origins and the Politics of Epistemology and Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

21 Maalis 20231h 18min

Injustice, Inc.: How America's Justice System Commodifies Children and the Poor (U California Press, 2023) exposes the ways in which justice systems exploit America's history of racial and economic inequality to generate revenue on a massive scale. With searing legal analysis, Daniel L. Hatcher uncovers how courts, prosecutors, police, probation departments, and detention facilities are abandoning ethics to churn vulnerable children and adults into unconstitutional factory-like operations. Hatcher reveals stark details of revenue schemes and reflects on the systemic racialized harm of the injustice enterprise. He details how these corporatized institutions enter contracts to make money removing children from their homes, extort fines and fees, collaborate with debt collectors, seize property, incentivize arrests and evictions, enforce unpaid child labor, maximize occupancy in detention and "treatment" centers, and more. Injustice, Inc. underscores the need to unravel these predatory operations, which have escaped public scrutiny for too long. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

21 Maalis 20231h 2min

Max Kaiser's book Jewish Antifascism and the False Promise of Settler Colonialism (Palgrave MacMillan, 2022) takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

21 Maalis 20231h 20min

Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence? In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Maalis 202359min

In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

19 Maalis 20231h 8min

The national purpose of the American state is to realize and then sustain the democracy and the equality that was the promise of our founding. I believe that requires perennial struggle and … groups like Black Lives Matter are an essential part of that struggle … Those are the social movements I hope to join, support, and that I hope will always be qualified by the adjective ‘liberal’. – Michael Walzer, NBN interview (2023) In the 1990 collection What is Justice? Classic and Contemporary Readings edited by Solomon and Murphy and published by Oxford, teachers had a textbook to help introduce students to a broad cross-section of political thinkers ranging from Hobbes to Hegel to Hayek to Mill, Nozick, Rawls, Sandel, Taylor and Walzer among others. It is worth mentioning because Michael Walzer insists he is not a formal philosopher, does not in fact, deserve to be grouped with the likes of a Dewey or a Hegel, as Richard Rorty had done in the introduction of his 1999 collection of essays in Philosophy and Social Hope: ‘Recently Michael Walzer, a political philosopher best known for his earlier work, Spheres of Justice, has come to Hegel’s and Dewey’s defense. In his more recent book Thick and Thin, Walzer argues that we should not think of the customs and institutions of particular societies as accidental accretions around a common core of universal moral rationality, the transcultural moral law. Rather, we should think of the thick set of customs and institutions as prior, and as what commands moral allegiance.’ Rorty’s broader point remains as relevant as arguably, the positions of the political philosophers as collected in the Solomon and Murphy reader mentioned above, What is Justice?, which also recognized the appeal of Walzer’s ‘very different approach’ to the Rawls’ paradigmatic A Theory of Justice. That same collection also shares Nozick’s critical response to Rawls - mentioned because of the well-known course, ‘Capitalism and Socialism’, that Robert Nozick and Michael Walzer taught together at Harvard. A former student, the Washington Post columnist, Brookings senior fellow, and policy professor E.J. Dionne once said: it was one of the best courses he ever took, adding, it was Michael Walzer ‘who very much shaped my view’. A short list of Professor Walzer’s book titles include Just and Unjust Wars, Spheres of Justice - A Defense of Pluralism and Equality, The Company of Critics, Thick and Thin - Moral Argument at Home and Abroad, On Toleration, Politics and Passion, The Jewish Political Tradition, The Paradox of Liberation: Secular Revolutions and Religious Counterrevolutions, A Foreign Policy for the Left, as well as a published conversation - Justice is Steady Work: A Conversation on Political Theory - published by Polity in 2020. This interview focuses primarily on his latest book, The Struggle for a Decent Politics: On “Liberal” as an Adjective (2023, Yale University Press) which does much to clarify a simple, yet crucial distinction, between liberal and illiberal sensibilities underlying the pluralism, populism, and polarization today. Michael Walzer is professor emeritus at the Institute for Advanced Study in Princeton, and editor emeritus at Dissent magazine. Professor Walzer studied on a Fulbright Fellowship at Cambridge and completed his PhD in government at Harvard University. Keith Krueger can be reached at keithNBn@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Maalis 202348min

What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can’t dance, I don’t want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman’s progression as an anarchist and feminist. Goldman’s feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman’s radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Maalis 20231h 3min

In It's Always Been Ours: Rewriting the Story of Black Women's Bodies (Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies. A narrative that spans the year of racial reckoning (that wasn't), It's Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs. With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It's Always Been Ours is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

17 Maalis 202356min