Jemma Deer, "Radical Animism: Reading for the End of the World" (Bloomsbury, 2020)

We are coming up on the centenary of Heidegger’s Being and Time, a text that radically reshaped the intellectual landscape. One of its most central themes, death, remains one of its most difficult to understand, puzzling readers and scholars with language that at times can feel obscure and ethereal. This has generated a plethora of opinions on the topic, although without much of a consensus.  Stepping in to try and clarify the topic is Iain Thomson in his new book Rethinking Death in and after Heidegger (Cambridge UP, 2024). Unpacking dense passages, he shows the place death plays in Heidegger’s thinking, as well as the impact it would have on his later intellectual trajectory. After laying this all out, he turns to other readers of Heidegger and gives us a philosophical odyssey of various others who’ve thought along similar lines, but often developed his thinking in new directions. In showing how others have often tried to think with Heidegger, Thomson is able to tease out the subtlety of Heidegger’s own positions and what it might have to offer contemporary readers today. Iain Thomson is a professor of philosophy at the University of New Mexico. He is also the author of Heidegger on Ontotheology: Technology and the Politics of Education and Heidegger, Art and Postmodernity. He is also the coeditor of The Cambridge History of Philosophy: 1945-2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Helmi 1h 29min

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Helmi 19min

In this episode, Amina Easat-Daas interviews Houria Bouteldja on decolonial activism and Islamophobia in France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Helmi 45min

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Helmi 1h 1min

We are living through a world-rattling ecological inflection point, with an unprecedented consensus that capitalism is leading humanity into a social and ecological catastrophe and that everything needs to change, and fast. Thankfully, radical environmental movements have forced the question of “system change” to the centre of the political agenda to make way for a just and livable world. Insurgent Ecologies: Between Environmental Struggles and Postcapitalist Transformations takes readers on an inspiring journey across key sites of ecological crisis and contestation, showing how revolutionary politics can emerge from the convergences between place-based, often disconnected struggles. These engaging essays speak to longstanding debates in political ecology around how to advance transformations in, against and beyond capitalism. The collection starts from the belief that the environmental struggles taking place across the Global South and North are a necessary component of such transformations. The book presents unique stories of the visions and strategies of struggles organized around sovereignty, land, climate, feminisms and labour, written by scholar-activists rooted in territories around the globe, offering locally grounded yet global perspectives. Each story reflects on how to build solidarity and comradeship across diverse struggles and how new political subjects and transformative collective projects for social-ecological justice are created. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

9 Helmi 51min

Today I talked to Chris Voparil about What Can We Hope For?: Essays on Politics (Princeton UP, 2023), a book of Richard Rorty's writings he co-edited with W. P. Malecki. Richard Rorty, one of the most influential intellectuals of recent decades, is perhaps best known today as the philosopher who, almost two decades before the 2016 U.S. presidential election, warned of the rise of a Trumpian strongman in America. What Can We Hope For? Essays on Politics (Princeton University Press, 2023) gathers nineteen of Rorty’s essays on American and global politics, including four previously unpublished and many lesser-known and hard-to-find pieces. In these provocative and compelling essays, Rorty confronts the critical challenges democracies face at home and abroad, including populism, growing economic inequality, and overpopulation and environmental devastation. In response, he offers optimistic and realistic ideas about how to address these crises. He outlines strategies for fostering social hope and building an inclusive global community of trust, and urges us to put our faith in trade unions, universities, bottom-up social campaigns, and bold political visions that thwart ideological pieties. Driven by Rorty’s sense of emergency about our collective future, What Can We Hope For? is filled with striking diagnoses of today’s political crises and creative proposals for solving them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

8 Helmi 59min

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong’s global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical’ inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical’ symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection’ and ethical ‘agency.’ In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida’s Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser’s The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

7 Helmi 1h 21min

The Politics of the Wretched: Race, Reason, and Ressentiment (Bloomsbury 2024) argues for ressentiment's generative negativity, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Inspired by Kant and Nietzsche's philosophy, Zalloua identifies two modes of deploying ressentiment – private and public use – by substituting ressentiment for reason. This reinterpretation argues for a public use of ressentiment, for the wretched to universalize their grievances, to see their antagonism as cutting across societies, and to turn personal trauma into a common cause. A public use of ressentiment rails against the ideology of identity and victimhood and insists on ressentiment's generative negativity, its own rationality, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Reframing ressentiment as a tool to oppose the evils of capitalism, anti-Blackness, and neocolonialism, it both alarms the liberal gatekeepers of the status quo and promises to energize the anti-racist Left in its ongoing struggles for universal justice and emancipation. Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College and Editor of The Comparatist. His most recent work includes Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023), Being Posthuman: Ontologies of the Future (2021), Žižek on Race: Toward an Anti- Racist Future (2020), Theory's Autoimmunity: Skepticism, Literature, and Philosophy (2018), and Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek (2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

7 Helmi 39min