European Photographs in the Illustrated Weekly of India, Debalina Majumdar and Manobina Roy (1959-1960)
Dr. Mallika Leuzinger pictures post-colonial Indian perspectives, through Debalina Majumdar and Manobina Roy’s European photographs published in the Illustrated Weekly of India in 1959 and 1960. In 19...
17 Kesä 202117min
Vatcha Adaran Zoroastrian Fire Temple, Bombay (1881)
Dr. Talinn Grigor sets light to the interimperial identities in 19th century Parsi architecture, through the Vatcha Adaran Zoroastrian Fire Temple, Bombay. Building Bombay was at the forefront of the ...
3 Kesä 202116min
Yugoslavia Pavilion for the Paris Expo, Josip Seissel (1937)
Dr. Aleksandra Stamenkovic constructs the struggle to unify post-imperial South Slavic identities, through Josip Seissel’s Yugoslavia Pavilion for the Paris Expo in 1937. The collapse of the Ottoman a...
20 Touko 202116min
Illustration of the Empress Visiting a Field Hospital (in Hiroshima), Kobayashi Kiyochika (1895)
Dr. Alison Miller depicts the domestic and feminine faces of 19th century Japanese imperialism, in Kobayashi Kiyochika’s Illustration of the Empress Visiting a Field Hospital (in Hiroshima). The publi...
6 Touko 202113min
Listening to Empire: Making Podcasts with Producer Jelena Sofronijevic (EMPIRE LINES x Retrospect Live Event)
Retrospect Journal is joined by Audio Producer Jelena Sofronijevic to unpack their ongoing series, EMPIRE LINES. EMPIRE LINES uncovers the unexpected, often two-way flows of Empires through art. From ...
22 Huhti 202147min
The Magnificent Seven (Port of Spain), Trinidad (c. 1902-1910)
Historian Gérard Besson uncovers the colonial foundations of Caribbean cosmopolitanism, through the Magnificent Seven (Port of Spain), in Trinidad. Seven magnificent buildings, each unique in design a...
8 Huhti 202117min
Two Islamic Bronzes with Al-Mulk Inscription (c. 10th Century)
Dr. Glaire Anderson traces artistic and intellectual interpretations of sovereignty within Islam, through two 10th century bronzes bearing the inscription, al-mulk. Bronzes bearing the Arabic word for...
25 Maalis 202112min
Self-Portrait of the Artist in Macau, George Chinnery (c. 1844)
Art critic Laura Gascoigne portrays the connections between British colonial and cultural opportunism, through George Chinnery’s 1840s Self-Portrait, of the Artist in Macau. George Chinnery (1774-1852...
11 Maalis 202115min
