Challenging Performance: Classical Music Performance Norms and How to Escape Them

Challenging Performance: Classical Music Performance Norms and How to Escape Them

Challenging Performance offers a new approach to western classical music, encouraging and enabling performers to be more individual and creative. It shows how and why creativity is normally discouraged, why it should not be, and how it can become part of everyday performance. The linked website, challengingperformance.com, features podcasts, a free online book, and many new and highly imaginative performances. The project is aimed at young professional performers, musicians in the making, and open-minded lovers of classical music. We showcase recordings by contemporary performers who use a range of historical, modern and experimental approaches to revitalise the performance of classical repertoire. Visit https://challengingperformance.com for more information.

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Jaksot(76)

Challenging Performance, Chapter 11.1 : Piety and the dead composer

Challenging Performance, Chapter 11.1 : Piety and the dead composer

Is it sensible to believe that the word of a long-dead composer must for ever be obeyed? Are the dead composers somehow still alive, able to be hurt? Are scores their wills, to be executed repeatedly?...

21 Joulu 202414min

Challenging Performance, Chapter 11.2 : Philosophical obligations to dead composers

Challenging Performance, Chapter 11.2 : Philosophical obligations to dead composers

Some recent philosophers' views on obligations to the dead, some of them very curious indeed.

21 Joulu 20247min

Challenging Performance, Chapter 11.3 : Ethical obligations to composers

Challenging Performance, Chapter 11.3 : Ethical obligations to composers

An attempt to take an unsuperstitious and humane approach to thinking about what we might ethically owe composers, living and dead, and what we might owe new generations of performers and listeners.

21 Joulu 20245min

Challenging Performance, Chapter 12.1 : Policing

Challenging Performance, Chapter 12.1 : Policing

Teachers, examiners, adjudicators, fixers, concert planners, managers, record companies, music journalists, critics, broadcasters, bloggers, musicologists, and co-performers: all are in effect policin...

21 Joulu 20245min

Challenging Performance, Chapter 12.2 : Music as Utopia

Challenging Performance, Chapter 12.2 : Music as Utopia

Music that is well-composed and well-performed always seems, unlike the sequences of feelings we experience in everyday life, to be ideally shaped: it models a better self than ourselves, and allows ...

21 Joulu 202410min

Challenging Performance, Chapter 12.3 : Self-policing

Challenging Performance, Chapter 12.3 : Self-policing

The incentives for classical performers to police themselves are many and irresistible. Only superlative obedience and competence succeed. And so the normative highest standard is the only target at w...

21 Joulu 20244min

Challenging Performance, Chapter 8 : Musicology and editions

Challenging Performance, Chapter 8 : Musicology and editions

Musicology, too, plays a role in the policing and oppression of classical performers, both through wielding texts from the past—and also through endless new 'Urtext' editions (for somehow the previous...

17 Joulu 20246min

Challenging Performance, Chapter 7.1 : The place of teachers in the classical music State

Challenging Performance, Chapter 7.1 : The place of teachers in the classical music State

Performer-teachers lie at the centre of a circular Classical Music State. As teachers they police, and as performers are policed by, a shared ideology which is thus constantly repeated and reinforced.

15 Joulu 20247min

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