Live On 4 Legs: Pearl Jam Podcast

We end our 2021 Hometown Series run with the 2002 Showbox show that was released as a DVD. This took place at the beginning of the Riot Act era so we get three debuts from the album as well as a near OTOTO that's festive for this time of year. Don't Believe In Christmas, originally written by The Sonics, was featured as a Christmas single that year and closes out the show. We saved it for this time of year so it could be a special holiday treat for you all! Along with showcasing many of the new tracks, a major theme from this show was the incoming Iraq war and how that was impacting the band, mainly Ed. We get to see it in the tag for Daughter where he took a rendition of War: What Is It Good For and shook it to it's core. The intensity behind his emotional outbreak is one of the angriest displays we've ever seen from Ed at a show, and we'll discuss that in full detail. The political statements would continue throughout the night with the debut of Ed donning a George W. Bush mask during Bu$hleaguer, Insignificance getting a big moment and Yellow Ledbetter getting a few relevant lyrical changes.   Visit the Concertpedia - http://liveon4legs.com Donate to the show - http://patreon.com/liveon4legs

15 Joulu 20211h 37min

What happens when a venue dedicated to corporate sponsorship doles out tickets to non-Ten Club fans in the first ten rows of the building? The band gets to play an extra night allowing cheap lawn seats to fan club members, that's what. In an act of defiance in Clarkston (or Detroit, depending on who you are) Pearl Jam took the stage on the second of two nights and decided to experiment instead of busting out some of the standard favorites. This experiment lead to a whopping seven songs off of Vitalogy that were played and four from No Code, with the No Code tracks in particular standing out the most. This was in a time where In My Tree was barely played, so when it was brought back in rare instances, the band would perform an alternate version stretching out the song's soaring elements. This is a version we don't get to chat about often, so get ready for us to take a few minutes on it. Rarities would be strategically placed throughout this main set as the pace and energy maintained consistent. Songs like Sleight of Hand, Down and Leatherman that don't usually get the call were played, with the latter of those beginning the Man Trilogy. A great show, a great bootleg. Thanks to our Patron Clay Davis for requesting this one. Visit the Concertpedia: http://liveon4legs.com Donate to the Show: http://patreon.com/liveon4legs

8 Joulu 20211h 43min

We're nearing the end of our Hometown Series and a show that absolutely needed to be apart of that conversation gets the spotlight in this episode. This one covers the first night of the 2018 Home Shows - a two night stay at the ballpark formerly known as Safeco Field that fundraised $11 million dollars to combat homelessness in Seattle. This show is a true band homecoming and appreciation for their roots as throughout the night, Ed would tell some of the most poignant stories he's ever told, giving each band member a moment in the spotlight and sharing the long road that it took for them to be where they are today. Ed's most prominent and pertinent story of the night takes place before Even Flow. He shares the origins of the song which has a direct connection to the true meaning of why they're raising money to fight homelessness. You get to see a vulnerable side of this band that doesn't normally come out on stage at most shows and it takes you on a journey through their personal experiences and how they've interwoven them into what defines Pearl Jam as a band. There are incredible performances and big surprises from this show, and the Colin Powell rule comes into effect as we get to talk about a topic that might otherwise not be relevant - The Beatles and the Get Back movie. We go into great detail about what makes the film so good, and connecting it to Pearl Jam, we fantasize about a world where we are introduced to a documentary about the Vs. and Vitalogy sessions. It's worth the listen! Visit the Concertpedia - http://liveon4legs.com Donate to the show - http://patreon.com/liveon4legs

1 Joulu 20212h 2min

The 2006 tour is seen as Pearl Jam's last massive rigorous touring year in their catalog. Supporting the Self Titled, or better known as Avocado record, they were finding their groove with new songs while also emptying their tank of all their songs with long droughts of not being played. The Albany show that we cover in this episode takes place just over a week after the album's release, and while nine of those thirteen songs were showcased, the band went through and did some digging deep into the back catalog to bring back a few that hadn't seen the live stage in a number of years - Red Mosquito, that had been played on the previous tour year but held off for 40 straight shows, Satan's Bed, which was haphazardly brought back at State College in 2003 but played for the first legitimate time since 1996, and Rats which had only been played twice in the Matt Cameron era. Rats is the big one from this set that most fans will remember since it had gone 224 shows on the shelf. Later that month, the band would end up adhering to another popular drought request, Leash, and then eventually the elusive Dirty Frank. This show is defined by it's rarities just as much as it's defined by the brand new songs energizing them. Wasted Reprise/Life Wasted combo opening the show was something they didn't break out very often, and after this era songs like Marker In The Sand, Army Reserve and Gone were pushed aside. We'll get to talk extensively about some of these tracks and how fresh they felt being played for only a single digit amount of times till that point. Thanks to Horizon Leg Patron Zach Fields for requesting this show! Visit the Concertpedia - http://liveon4legs.com Donate to the show - http://patreon.com/liveon4legs

24 Marras 20211h 42min

1997 was somewhat of a quiet year for Pearl Jam, at least on the touring side of things. Busy recording their fifth studio album, Yield, they kept a low  profile and took a break from having to deal with their continued Ticketmaster boycott. It wasn't until November that Pearl Jam would play a 4-night stint of shows in the Bay Area as the opening act for The Rolling Stones. In this episode we'll discuss the first night of the four show run and take a glimpse into the transitional time period for them.  This show is interesting mainly because Pearl Jam is not quite the focal point. While a big stage is built for the Stones' elaborate set-up, Pearl Jam was confined to a smaller section of the stage which crammed up their space and didn't allow them to build a connection with the large stadium crowd. If you watch the YouTube video, you would never be able to tell that the band was playing in a football stadium. But the Stones invited them along for these shows in order to entice a younger crowd and sell tickets. This was originally set for a two night stay, but since these shows were in such high demand they continued to tack on dates. Foo Fighters, Dave Matthews and Sheryl Crow only play for two nights a piece on this tour, and Pearl Jam's set lasted 20 minutes longer. That's being in high demand right there! After debuting some of the Yield songs at a fan club show in Santa Cruz two nights prior (billed as The Honking Seals), the first night of this run featured three key album tracks being played for the second time. Given To Fly displayed it's ability to soar in an outdoor venue and benefited from the Jack beat that is routinely identified with the song, Wishlist showed a bit of trepidation as Ed busts out the e-bow for the first time in front of a large crowd, and Do The Evolution was an early indication that the fans were in for something fresh and raw on the new album. But as their stage time was held to only an hour due to being the opener, most of this set has your standard, mid-90's Pearl Jam fare. Visit the Concertpedia: http://liveon4legs.com Donate to the show: http://patreon.com/liveon4legs

17 Marras 20211h 24min

In this episode, we venture into a part of the country we have yet to touch - Salt Lake City, Utah! As the band's Ticketmaster boycott prevented them from playing marquee venues in 1995, they often found themselves in challenging scenarios playing shows in obscure places. While the capital of the 45th state may not be totally obscure, it's strange to look back and say they did a two night run in Salt Lake City. But there's a reason for that. During June of the original tour run, they had to postpone their show slated to take place at the original outdoor amphitheater in SLC due to weather concerns. The band would say they'd return and play twice as many songs, which led to this excellent November stretch packed with five memorable shows. The Utah shows are seen for being somewhat of a gateway from the Vitalogy era into No Code. During the first night, they'd debut Red Mosquito, and at this show, Brain Of J. would make it's live debut. We get a chance to look into the changes made in the song and decipher why this was held back and re-recorded for Yield in it's form most common to us. We'll also get a ton of Vitalogy era Jack Irons infused jam sessions to talk about, including extended versions of Not For You, Corduroy and Immortality.  Visit the Concertpedia: http://liveon4legs.com Donate to the show: http://patreon.com/liveon4legs

10 Marras 20211h 25min

We're back yet again at the Key Arena to continue our year long Seattle Hometown series. This show in 2013 was big. It was the tour closer for a tour that reinvigorated a lot of energy back into setlists bringing back songs that they hadn't played in years and changing up format in order to fulfil longer shows. Since this was the closer in Seattle, they knew that they were going to have to bring their a-game arsenal. A whopping 36 songs were played making it an instantly memorable evening. A few talking points during this show include an appreciation for Pendulum as the consistent opening track for this tour as well as an appreciation for the 3-song slowburn startup that frequented setlists this year. We'll dig into how 2013 was a big year for rarities and at this show they brought out one of the rarest of the rare. Let Me Sleep was played once back in 1994 at a Bridge School show, it took them 613 shows before playing it again on this night. Also special from this show is a trio of songs from the Singles soundtrack played in a row for the only time. With 36 songs, it has a been stage atmosphere and while a podcast may not do the visuals justice, the lasting images of Ed and Mike dueling on Better Man and Ed being lifted up on one of the orbs are the big points to remember from this show. Thanks to our Patron, Drew Vipond, for making the request! Check out what's new on our Pearl Jam Concertpedia: http://liveon4legs.com Donate to the show: http://patreon.com/liveon4legs

3 Marras 20211h 59min

Welcome to a brand new series that we're featuring on Live On 4 Legs! In this series, we take an in-depth look into Pearl Jam's stints on late night TV. Everything from award shows to band tributes to plenty of Letterman appearances promoting new albums, it'll all be covered extensively. These are classic performances that sort of stand alone in Pearl Jam's pantheon, and since our focus is usually dedicated towards full 30+ song setlists, we needed to create an opportunity to give these big moments the Live On 4 Legs treatment they deserve. This is the second episode of our brand new running series that focuses on the 1992 MTV VMAs. After an Unplugged performance for the ages elevated this band to the height of the Grunge phenomena, Pearl Jam was the hottest band in the world. They had just released a new music video for Jeremy that debuted to instant rave reviews due to it's controversial subject matter and imagery, but you couldn't turn on MTV for five minutes in September of 1992 without hearing the song. Invited to perform at the TV station's less than prestigious award show that rewarded music for their visual art, they made a conscious effort to suggest performing a song that wasn't their brand new hit, but with major pushback from the network, they didn't get their way. The anger seemed to fuel Ed during this performance as we get one of the most vigorous and intense versions of Jeremy ever played. Since this is a podcast focusing on a TV series, I get to say: BUT WAIT THERE'S MORE! After you finish with this episode presented through all public platforms, you'll be able to follow along with the rest of our series through our Patreon! Check out our episode on the 1992 SNL performances featuring Alive and Porch. This will be the only such occasion where we split the series between platforms, the rest will only be found through Patreon! To join, head over to patreon.com/liveon4legs and subscribe for as low as $1 a month! Read the Pearl Jam Concertpedia: http://liveon4legs.com

1 Marras 202135min