New Books in Critical Theory

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Touko 201936min

John Pat Leary's Keywords: The New Language of Capitalism (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kindergarten to college, and from the factory floor to the church pulpit, we are all called to be innovators and entrepreneurs, to be curators of an ever-expanding roster of competencies, and to become resilient and flexible in the face of the insults and injuries we confront at work. In the midst of increasing inequality, these keywords teach us to thrive by applying the lessons of a competitive marketplace to every sphere of life. What’s more, by celebrating the values of grit, creativity, and passion at school and at work, they assure us that economic success is nothing less than a moral virtue. Organized alphabetically as a lexicon, Keywords explores the history and common usage of major terms in the everyday language of capitalism. Because the words in this book have successfully infiltrated everyday life in the English-speaking world, their meanings often seem self-evident, even benign. Who could be against empowerment, after all? Keywords uncovers the unexpected histories of words like innovation, which was once synonymous with “false prophecy” before it became the prevailing faith of Silicon Valley. Other words, like best practices and human capital, are relatively new coinages that promise us a kind of freedom within a marketplace extending its reach across the public sector and into our private lives. The new language of capitalism burnishes hierarchy, competition, and exploitation as leadership, collaboration, and sharing, modeling for us the habits of the economically successful person: be visionary, be self-reliant, and never, ever stop working. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Touko 201942min

Outsiders: Why Difference is the Future of Civil Rights(Oxford University Press, 2019) by Zachary Kramer (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights law currently fulfills its mission. Using stories that lucidly illustrate the gap between the aspiration of civil rights law and the lived reality, Professor Kramer proposes a new approach. Drawing on existing protections for disability and for religious practice, Professor Kramer outlines the way that a right to personality, combined with an accommodation-focused inquiry, could update and refresh our approach to civil rights. Zachary Kramer is Associate Dean of Faculty, Professor of Law, and Willard H. Pedrick Distinguished Research Scholar at the Sandra Day O'Connor College of Law at Arizona State University. Künga Tenje is an independent librarian in Virginia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Touko 201957min

In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas? At a time when scholars along all points of the political spectrum seem to agree that expressing their creativity is good for oppressed groups, whether because creativity makes them entrepreneurial or because creativity is an inherent challenge to capitalism, Dia Da Costa offers a refreshingly nuanced perspective on the dangers that creative economy discourses pose for radical activism. In Politicizing Creative Economy: Activism and a Hunger Called Theater (U Illinois Press, 2016)--her multisited ethnography focusing on two activist theater troupes in the Indian cities of Delhi and Ahmedabad--Da Costa shows how these ‘theaters of the oppressed’ exist alongside, fall prey to, re-appropriate, and jostle with capitalist discourses and definitions of ‘creative economy’ which seek to contain and tame the cultural production of oppressed groups. The first troupe Da Costa discusses is the Jan Natya Manch, a Communist-affiliated theater group consisting mainly of middle-class activists who valorize Delhi’s (factory) working-class albeit in a rapidly deindustrializing city, and offer a disenchanted, secular critique of Hindu nationalism albeit in a deeply religious milieu. The second troupe featured is Ahmedabad’s Budhan Theater, run by the lowly and criminalized Chhara caste who hope that through theater they can craft respectable livelihoods and achieve inclusion as citizens while at the same time critiquing the violences of the Indian capitalist state. By analyzing the possibilities and shortcomings inherent in both troupes’ practices and political approaches, Da Costa shows how carefully and critically studying the diversity of left politics is an important part of building solidarities which can ultimately resist fascist neoliberalism. Da Costa also shows how attending to the politics of affect and emotion can help create successful social mobilization; rather than simply lamenting how oppressed people don’t rise up, attention to affective politics helps us shape forms of activism which actually speak to people’s lives, hopes, and hungers. This book will be of interest to activists, radical educators, and scholars in fields ranging from feminist affect theory to development studies. Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Touko 20191h

Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As Lisa Rofel discusses in this podcast, and in her introduction to After the Post-Cold War: The Future of Chinese History (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays. In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible in the twentieth century? In a searing analysis of recent Chinese films in their wider socio-political context, Dai critiques present-day historical myopias and the consequent marginalisation of those most buffeted by the storms of neoliberal capital: active female protagonists and the erstwhile socialist ‘masses’. Especially urgent in this year of key anniversaries for China, this work has much wider implications for understanding our entire global present, and for perceiving the ominous reality that “China must be a China of the future, or there will be no future” (p. 22). Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

23 Touko 20191h

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well. Anne A. Cheng is Professor of English and Director of American Studies at Princeton University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

22 Touko 201936min

What do management consultants do, and how do they do it? These two deceptively simple questions are at the centre of Best Practice: Management Consulting and the Ethics of Financialization in China (Duke University Press, 2018), the new book by Kimberly Chong, a lecturer in anthropology at University College London. The book uses an in depth and immersive ethnography of a global management consulting firm to explore the rise of management consultancy in China, engaging with key issues- financialization and commensuration- that are at the heart of understanding contemporary global capitalism. The book is rich with fascinating, and at times hilarious, examples of the contradictions and ambivalences, along with successes, of management consulting systems adapted to and applied in China. It will be essential reading across the social sciences and area studies, as well as for anyone interested in our globalised economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Touko 201946min

Does publishing have a diversity problem? In Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom Dr Melanie Ramdarshan Bold, an associate professor at UCL’s Centre for Publishing lays bare the crisis of underrepresentation for British authors of colour. Focusing on the high profile, but also marginalised, Young Adult Fiction genre, Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom (Palgrave, 2019) explores the experiences of authors navigating the ‘diversity status quo’ of the publishing industry marked by significant inequalities. These inequalities, in turn, shape what is published and what is represented, to the exclusion of a wide range of individuals and communities. Along with companion work on children’s books, the book is essential reading for anyone interested in contemporary culture. Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries at the University of Edinburgh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Touko 201939min