Walking With Dante
Ever wanted to read Dante's Divine Comedy? Come along with us! We're not lost in the scholarly weeds. (Mostly.) We're strolling through the greatest work (to date) of Western literature. Join me, Mark Scarbrough, as I take on this masterpiece passage by passage. I'll give you my rough English translation, show you some of the interpretive knots in the lines, let you in on the 700 years of commentary, and connect Dante's work to our modern world. The pilgrim comes awake in a dark wood, then walks across the known universe. New episodes every Sunday and Wednesday.

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Jaksot(499)

Starved For Affection: PURGATORIO, Canto XXIII, Lines 1 - 27

Starved For Affection: PURGATORIO, Canto XXIII, Lines 1 - 27

Our pilgrim must move beyond the mystical tree on the sixth terrace of Mount Purgatory. So he sets off behind Virgil and Statius, only to overtaken by a group of cadaverous, skeletal penitents, whose ...

8 Kesä 202527min

Did Dante Think The Characters In Classical Poems Were Real?

Did Dante Think The Characters In Classical Poems Were Real?

Did Dante think that the characters in Virgil's and Statius's poems were real? Did he believe that the characters who changed shape, being, and even substance in Ovid's METAMORPHOSES were actual and h...

4 Kesä 202519min

You Are What You Eat . . . And Read: PURGATORIO, Canto XXII, Lines 130 - 145

You Are What You Eat . . . And Read: PURGATORIO, Canto XXII, Lines 130 - 145

Virgil and Statius begin to trek around the sixth terrace of Mount Purgatory but are stopped by an upside-down tree . . . that causes more questions than it provides answers.A voice in the tree warns ...

1 Kesä 202527min

Going In Circles To Go Forward: PURGATORIO, Canto XXII, Lines 115 - 129

Going In Circles To Go Forward: PURGATORIO, Canto XXII, Lines 115 - 129

Our pilgrim, Virgil, and Statius arrive on the otherwise empty sixth terrace of Mount Purgatory. Virgil seems more hesitant. And our pilgrim, Dante, more passive, as he listens to the two older, wiser...

28 Touko 202523min

Placing And Misplacing Your Classical Ancestors: PURGATORIO, Canto XXII, Lines 94 - 114

Placing And Misplacing Your Classical Ancestors: PURGATORIO, Canto XXII, Lines 94 - 114

At the end of their first conversation, Virgil and Statius reconstruct limbo. They transform it into a neighborhood where all the lost, classical writers live.They also transfer limbo's sighs from the...

25 Touko 202529min

Statius, The Closeted Christian: PURGATORIO, Canto XXII, Lines 76 - 93

Statius, The Closeted Christian: PURGATORIO, Canto XXII, Lines 76 - 93

Statius finally tells Virgil what we all want to know: the story of his conversion. How did this Latin poet who dedicated his great epic to a Roman emperor become a Christian.Through a long process an...

21 Touko 202527min

Virgil, The Damned Christian Missionary: PURGATORIO, Canto XXII, Lines 55 - 74

Virgil, The Damned Christian Missionary: PURGATORIO, Canto XXII, Lines 55 - 74

Given that Statius claims a passage from The Aeneid made him see the error of his ways, Virgil wants to know how this poet of the Thebes could have ever become a Christian, particularly since his poet...

18 Touko 202534min

An Interpolated Episode: Dante and Irony

An Interpolated Episode: Dante and Irony

Since we’ve come to a moment of (perhaps!) profound irony as Statius misquotes and even misinterprets Virgil’s AENEID to find his way to salvation, we should perhaps pause and talk a bit about irony, ...

14 Touko 202521min

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