Why pop songwriters break the rules (ft. Amy Allen)
Switched on Pop12 Des 2025

Why pop songwriters break the rules (ft. Amy Allen)

Grammy-winning songwriter Amy Allen joins NYU Steinhardt students live to trace her path from early pitch songs to co-writing some of the decade's defining hits. She explains why Halsey's "Without Me" needed an extended chorus but no pre-made chord loops, how Harry Styles' "Matilda" required character-driven writing for emotional safety, and what made the hypnotic groove of Tate McRae's "Greedy" demand a rare third verse. Allen also unpacks the spoken hook in Rosé and Bruno Mars' "APT" and the three-step key change powering Sabrina Carpenter's recent work. The result is a masterclass in why songs work—and why the rules worth breaking are the ones you've already learned. SONGS DISCUSSED Halsey "Without Me" Harry Styles "Adore You" Harry Styles "Matilda" Tate McRae "greedy" Rosé and Bruno Mars "ATA" Sabrina Carpenter "Please, please, please" Selena Gomez "Back to You" Justin Timberlake "Cry Me A River" (Interpolated in "Without Me") Olivia Rodrigo "Driver's License" Sabrina Carpenter "Espresso" Sabrina Carpenter Short and Sweet (Album) Sabrina Carpenter Man's Best Friend (Album) Beyoncé "Love on Top" Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Episoder(551)

Questionably Country

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Phoebe Bridgers opens her Moleskine

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We have Confessions to make...

We have Confessions to make...

Madonna has returned this summer with Confessions II: an album full of huge hooks, pounding bass, and sincere emotion. It’s the queen of pop's first record in seven years, and serves as a sequel to he...

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A piano lesson that will change how you listen (ft. Lang Lang)

A piano lesson that will change how you listen (ft. Lang Lang)

For many people – including Charlie and Nate – studying classical piano as a child always felt like a chore. Now, as adults, there’s a newfound appreciation for classical music, but the art form isn’t...

11 Aug 36min

IV. Take It to the Bridge (ft. Tayla Parx)

IV. Take It to the Bridge (ft. Tayla Parx)

Bridges open up the world of a song: they're a breath of fresh air and a point of contrast, typically delivered right before the final chorus. But sometimes they accomplish even more, changing the who...

4 Aug 42min

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

The chorus was once the part of the song that brought us together, the place we gathered to sing. Now it's the most engineered thirty seconds in music. Legendary producer Trevor Horn and hip-hop icon ...

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II. Justice for the verse (ft. Audrey Hobert)

II. Justice for the verse (ft. Audrey Hobert)

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I. Let's get it started (ft. Aaron Dessner)

I. Let's get it started (ft. Aaron Dessner)

Research says you judge a song in under half a second. So why write an intro at all? On this episode of Switched on Pop, Charlie and Nate kick off their Netflix launch and probe what an intro means in...

14 Jul 40min

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