Audrey Hobert says the quiet part out loud

Audrey Hobert says the quiet part out loud

Two years ago, Audrey Hobert had never written a song. She was a staff writer on a Nickelodeon series and had recently moved in with her childhood friend Gracie Abrams in Los Angeles. About six months later, a phrase spoken by a heartbroken acquaintance caught their attention; Hobert and Abrams sang it back to each other and wrote a complete song that night. Within the following year, Hobert co-wrote songs including “I Love You, I’m Sorry” and “Risk” for Abrams’s number-two album The Secret of Us. When the television show she was working on was later canceled, Hobert made a hard pivot into her own music. What happened was Who's the Clown, a debut album where every track came from Hobert's own pen. In this live conversation recorded at NYU Steinhardt's Music and Performing Arts Professions program at Chelsea Studios, Hobert traces her path from dance classes choreographed to One Direction to eight-hour writing sessions that yield two good lines on a lucky day. She explains why she can't write in front of anyone, why she refuses to repeat a chorus three times, and why the Steve Martin documentary made her open her album with the disarmingly strange declaration: "I like to touch people." The conversation moves from craft to confession as Hobert reflects on what it means to finally be looked at, and whether the view from inside the spotlight is everything she'd imagined. Subscribe to the ⁠Newsletter⁠ to play along with our annual bingo predictions (last episode) SONGS DISCUSSED Gracie Abrams "I Love You, I'm Sorry" Gracie Abrams "That's So True" Smash Mouth "All Star" One Direction "Kiss You" Audrey Hobert "Wet Hair" Audrey Hobert "Chateau" Audrey Hobert "I Like to Touch People" Audrey Hobert "Sex in the City" Audrey Hobert "Sue Me" Audrey Hobert "Bowling Alley" Semisonic "Closing Time" Audrey Hobert "Silver Jubilee" Audrey Hobert "Don't Go Back to His Ass" Audrey Hobert "Shooting Star" Black Eyed Peas "I Gotta Feeling" Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Episoder(547)

IV. Take It to the Bridge (ft. Tayla Parx)

IV. Take It to the Bridge (ft. Tayla Parx)

Bridges open up the world of a song: they're a breath of fresh air and a point of contrast, typically delivered right before the final chorus. But sometimes they accomplish even more, changing the who...

4 Aug 42min

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

The chorus was once the part of the song that brought us together, the place we gathered to sing. Now it's the most engineered thirty seconds in music. Legendary producer Trevor Horn and hip-hop icon ...

28 Jul 50min

II. Justice for the verse (ft. Audrey Hobert)

II. Justice for the verse (ft. Audrey Hobert)

Everybody sings the chorus, but superfans quote the verse. On this episode of Switched on Pop, Charlie and Nate trace the verse from Shakespeare through opera to TikTok, and songwriter Audrey Hobert s...

21 Jul 33min

I. Let's get it started (ft. Aaron Dessner)

I. Let's get it started (ft. Aaron Dessner)

Research says you judge a song in under half a second. So why write an intro at all? On this episode of Switched on Pop, Charlie and Nate kick off their Netflix launch and probe what an intro means in...

14 Jul 40min

Switched On Pop on Netflix July 14th

Switched On Pop on Netflix July 14th

We're coming to the big screen with a four part mini series starting July 14th. Learn more about your ad choices. Visit podcastchoices.com/adchoices

14 Jul 1min

Music only the World Cup could make

Music only the World Cup could make

The quadrennial soccer (or fútbol, depending who you talk to) competition is upon us again: it's the FIFA World Cup! And while the World Cup is a sporting event, it's still relevant to the folks at Sw...

30 Jun 37min

Why we can't resist Swedish pop (ft. Zara Larsson) ICYMI

Why we can't resist Swedish pop (ft. Zara Larsson) ICYMI

In case you missed it: How does a country of 10 million people dominate the global pop charts? From ABBA's Eurovision breakthrough to Max Martin's methodical hit-making, Sweden has quietly engineered...

23 Jun 44min

2hollis is the underground’s genre-hopping vampire

2hollis is the underground’s genre-hopping vampire

In the last episode of our feral pop miniseries, we take a look at the 22 year old rapper primed to take over the world: 2hollis. Splitting the difference between hardstyle and hip-hop while emanating...

18 Jun 31min

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