Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony, and only published it when he was 49 years old. But when that symphony finally came out, it was a relative success for a new work, and with immense relief, Brahms quickly turned out another symphony in just 4 months. Brahms' first symphony was quickly dubbed "Beethoven's 10th" something that annoyed Brahms to no end. When told that the main theme of the last movement resembled the Ode to Joy, he notoriously responded, "any ass can see that!" But all the same, Brahms had been re-anointed as Beethoven's successor with the symphony, and so therefore his second symphony would also be given a Beethovinian name, Pastoral. The question since the symphony has been written has been this: just how pastoral and idyllic is this symphony? Many commentators see an unadulterated joy and gentleness in the piece, with some melancholy moments to be sure. But overall, the piece is as sunny as it seems on its surface, with just the typical battles between happiness and sadness that mark every symphony. But there's another school fo thought with this symphony, and that is that it is marked by shadows and tremors that go way beyond simple sadness and happiness, and that these shadows and tremors leave a mark that can't be ignored. I tend to believe in the second theory, but we're going to discuss this symphony with this framework in mind; whether this piece is as sunny as some people would have you believe, or if the shadows are the lasting impression we get as we walk away from the concert hall. We'll also discuss Brahms' innovations with form, and his evergreen ability to write some of the most stunning melodies on the planet. Join us!

Episoder(284)

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Best of Frenemies: Debussy and Ravel

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Ravel, Ravel, Ravel, w/Boris Giltburg and G. Henle Verlag!

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps th...

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Amy Beach, "Gaelic" Symphony

Amy Beach, "Gaelic" Symphony

Amy Beach is a name that might not be familiar to you. She was born in 1867 and died in 1944, and her life was one of the most fascinating and varied in musical history. She was a child prodigy, becam...

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Sticky Notes en Français! Shostakovich Symphonie No. 13 (Bonus Episode)

Sticky Notes en Français! Shostakovich Symphonie No. 13 (Bonus Episode)

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Nationalism, patriotism, cultural identity, a sense of home; these are concepts and ideas whose popularity have ebbed and flowed throughout history. Nationalism has been seen as a natural expression o...

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