Human Being and Animals, Karel Appel (1949) (EMPIRE LINES x Galerie Max Hetzler)

Human Being and Animals, Karel Appel (1949) (EMPIRE LINES x Galerie Max Hetzler)

Curator Franz W. Kaiser considers the avant-garde paintings of Karel Appel, in relation to the historic CoBrA Movement and contemporary ecologies, via Human Being and Animals (1949).


Karel Appel: Variations on a Theme is at Galerie Max Hetzler in London until 16 April 2026.

Karel Appel’s Hip, Hip, Hoorah! (1949) is on view in the collection display In the Studio: The Disappearing Figure: Art after Catastrophe at Tate Modern in London.


For more from curators Winnie Sze and Pim Arts, listen to the episode about Ernest Mancoba’s African Madonna (1939) at the Cobra Museum of Modern Art in Amstelveen: pod.link/1533637675/episode/68ec0da40322500dc1f9be4865ac19d9


You can also read my article about the exhibition, We Kiss the Earth: Danish Modern Art, 1934-1948⁠, and the CoBrA movement (Copenhagen, Brussels, and Amsterdam), in gowithYamo: gowithyamo.com/blog/a-triptych-of-danish-modernism-cobra-and-degenerate-art-in-denmark


For more from the artist Sylvia Snowden, listen to the episode about M Street (1978-1997), recorded at White Cube Paris: pod.link/1533637675/episode/8e803c218bc4238d8ffceb5877f4a541


This episode was supported by Galerie Max Hetzler.


PRODUCER: Jelena Sofronijevic.


Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠

Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelines

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Episoder(172)

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30 Jul 58min

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16 Jul 3min

The Deployment of Art: The Imperial War Museum’s Artistic Records Committee, 1968-1982, Clare Carolin (2026) (EMPIRE LINES Live at King’s College London)

The Deployment of Art: The Imperial War Museum’s Artistic Records Committee, 1968-1982, Clare Carolin (2026) (EMPIRE LINES Live at King’s College London)

In this special episode, author and contemporary art historian Clare Carolin joins EMPIRE LINES live, to discuss the British government’s deployment of art as an instrument of war in the North of Irel...

2 Jul 52min

Elevation (Chiltan), Suleman Aqeel Khilji (2025-2026) (EMPIRE LINES x White Cube Paris)

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Contemporary artist Suleman Aqeel Khilji recollects the landscapes of Balochistan, a mountainous region spanning present-stay Pakistan and Iran, and the influence of Urdu language and literatures on h...

18 Jun 16min

The Venice Lagoon, a legal person, Giovanni Pellegrini (2025) (EMPIRE LINES x Ocean Space, Venice Biennale 2026)

The Venice Lagoon, a legal person, Giovanni Pellegrini (2025) (EMPIRE LINES x Ocean Space, Venice Biennale 2026)

Researcher, artist, and curator Pietro Consolandi traces the ‘wetland turn’ in art, ecology, and environmental justice, via Giovanni Pellegrini’s 2025 documentary film, The Venice Lagoon, a legal pers...

4 Jun 21min

Nobody Told Me Rivers Dream, Superflux (2025) (EMPIRE LINES x Klima Biennale Wien 2026)

Nobody Told Me Rivers Dream, Superflux (2025) (EMPIRE LINES x Klima Biennale Wien 2026)

Festival director Sithara Pathirana considers climate justice and public space in Europe, tracing the rights of the river Danube through Austria, Central, Eastern, and Southeastern Europe, via the Kli...

7 Mai 17min

The Erasure of Palestine, Ahmad Al-Bazz (2026) (EMPIRE LINES x MuseumsEtc, Ibraaz)

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Journalist, photographer, and filmmaker Ahmad Al-Bazz captures the depopulation and destruction of Palestinian villages and towns, and the continuation of colonial histories into the present, through ...

23 Apr 24min

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