The Mastering Show #55 - How Bright Is Too Bright?

The Mastering Show #55 - How Bright Is Too Bright?

Everyone wants that glorious, sweet, silky-smooth top end in their masters - but how do you get it ? How do you stop things sounding harsh, tinny and brittle ? And even if the high frequencies do sound gorgeous, how hard should you push them ? In this show we’re talking about treble, and our topics include: * What is “Newton’s 3rd law” of EQ ? * How do room acoustics affect how you hear high frequencies ? * How can you “calibrate” your ears so you’re aiming for the right amount of top ? * How do dynamics interact with high frequencies, and why does it matter ? * What’s a “spiderman” plugin ? * Which EQ plugin or hardware unit should you use for the best results ? http://themasteringshow.com/episode-55

Mentioned in this episode:

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Episoder(110)

The Mastering Show #110 - What makes a REAL mastering engineer ?

The Mastering Show #110 - What makes a REAL mastering engineer ?

I'm seeing several different discussions online about what makes a "real" mastering engineer – and some of them are getting pretty heated !So what really matters the most ? Expertise, experience, or c...

7 Jul 41min

The Mastering Show #109 - Audio repair & fixing faults

The Mastering Show #109 - Audio repair & fixing faults

Audio repair and restoration has always been a huge part of mastering – and not only for re-mastering vintage material.Even modern recordings can have problems like clicks, thumps, hiss, amp buzz, dis...

29 Mai 45min

The Mastering Show #108 - Why I was wrong about Loudness Range

The Mastering Show #108 - Why I was wrong about Loudness Range

I used to say that the Loudness Range (LRA) measurement wasn't really useful when mastering - but recently I changed my mind. In this episode I explain why, and how loudness range is actually somethin...

29 Apr 33min

The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)

The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)

More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copi...

31 Mar 1h 8min

The Mastering Show #106 - Are dynamics dead ?!

The Mastering Show #106 - Are dynamics dead ?!

I see it every day: “The Loudness Wars are over - loud won. Get over it”And it’s easy to see why. The average mainstream release hits -8 LUFS integrated or more; club releases regularly hit -6 or even...

28 Feb 34min

The Mastering Show #105 - Loudness at the Grammys: is there REALLY a secret sauce ?

The Mastering Show #105 - Loudness at the Grammys: is there REALLY a secret sauce ?

It was the Grammys this week - you can't have missed it !And somewhere along the way I saw an article by Ian Vargo assessing the loudness and dynamics of the nominees for Best Song.In this episode I t...

31 Jan 27min

The Mastering Show #104 - Mastering for Sync ? What, Why and How

The Mastering Show #104 - Mastering for Sync ? What, Why and How

Getting your music "synced" for licensing in TV, movies or ads can be an amazing opportunity for indie musicians to make money and gain exposure. But is it just a pipe dream, and is mastering a necess...

23 Des 202547min

The Mastering Show #103 – Technical versus Creative Mastering (Q&A)

The Mastering Show #103 – Technical versus Creative Mastering (Q&A)

This started out as a Q&A episode, but one way or another there turned out to be a real theme to many of the questions, namely - how do you choose between technical and creative considerations, when m...

28 Nov 202535min

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