Which Mic for "Live" Recordings, to process or not, Mic Placement for best results

Which Mic for "Live" Recordings, to process or not, Mic Placement for best results

The Pro Audio Suite Podcast is a Bi-Weekly podcast designed for Audio Professionals. With your Hosts George (The Tech) Whittam, Robert Marshall (Audio Engineer/Source Elements Creator/Owner), Andrew Peters (Premier Voice Talent/Co-Owner Realtime Casting), and Darren "Robbo" Robertson (Studio Owner/Sound Designer), we cover the gamut of Audio issues. From voice Over tips and tools to Project and Professional Studio set up and fit out, to the latest in gear and everything in between.

This week, we get onto the subject of microphones, and which is the best one to choose for sessions that will be played back in a live environment. Then, should you process your voice recordings for delivery to a studio? And to wrap up another big show we cover the best way to place a mic in your voice booth no matter what it's size. Plus, squeezed in the middle is our special guest voice artist and teacher Tom Dheere.

The Pro Audio Suite Podcast copyright George Whitham, Andrew Peters, Robert Marshall & Darren Robertson. Products or companies we discuss are not paid endorsements. They are not sponsored by, nor do we have any professional or affiliate relationship of any kind with any of the companies or products highlighted in the show.... sadly! It's just stuff we like, think is cool and maybe of interest to you our listeners. "When the going gets weird, the weird turn professional." ― Hunter S Thompson

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Episoder(430)

Best Voice Over Mic for Women? It's Not That Simple

Best Voice Over Mic for Women? It's Not That Simple

Is there actually such a thing as the best voice-over microphone for women? It sounds like a simple question, but once the Pro Audio Suite starts pulling it apart, things get much more interesting. Th...

17 Aug 26min

Can You Build a Proper VO Setup in a Tiny Room?

Can You Build a Proper VO Setup in a Tiny Room?

How do you build a voiceover audition setup when the room is tiny, space is precious, and you really don't want to pull the whole thing apart every time you're finished? AP's daughter has moved into a...

11 Aug 24min

In Ears for Voiceover: Brilliant Isolation or Total Overkill?

In Ears for Voiceover: Brilliant Isolation or Total Overkill?

Do voice actors really need in ear monitors? They offer excellent isolation and can sound fantastic, but they can also feel uncomfortable, create an unnatural sense of pressure, and make it harder to ...

3 Aug 21min

Mic Splitters, Patchbays and the Search for Clean Gain

Mic Splitters, Patchbays and the Search for Clean Gain

What is the cleanest way to connect several microphones, preamps and audio interfaces without constantly crawling behind the rack? AP starts with what sounds like a simple question about expanding the...

28 Jul 26min

Do Voice Actors Really Need a Neumann U87?

Do Voice Actors Really Need a Neumann U87?

The Neumann U87 may be one of the most recognisable microphones in the world, but does that make it the right microphone for voiceover and animation? This week, the team digs into the reputation, soun...

20 Jul 25min

AI Fixed the Audio, But Should We Tell People?

AI Fixed the Audio, But Should We Tell People?

This week on The Pro Audio Suite, the crew dives into the weirdly perfect world of AI fixing AI. Robert shares a corporate video job about AI adoption that was, rather beautifully, rescued by AI audio...

13 Jul 16min

SSL One First Look: Tiny Interface, Real Knobs

SSL One First Look: Tiny Interface, Real Knobs

This week on The Pro Audio Suite, George brings out a little show and tell with the SSL One, SSL's compact single mic preamp interface aimed squarely at the same world as the Scarlett Solo and other s...

6 Jul 29min

Can You Trust What You're Hearing? Monitoring, Headphones and Room Lies

Can You Trust What You're Hearing? Monitoring, Headphones and Room Lies

This week on The Pro Audio Suite, the crew dives into one of the biggest traps in audio production: trusting what you think you're hearing. Robbo talks about working in an unfamiliar studio and being ...

29 Jun 37min

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